Arnold's Poetic Landscapes

Arnold's Poetic Landscapes

Author: Alan Roper

Publisher: JHU Press

Published: 2019-12-01

Total Pages: 289

ISBN-13: 1421430991

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Originally published in 1969. Alan Roper studies the degree to which Arnold achieved a unity of human significance and literal landscape. If landscape poetry is to rise above the level of what Roper calls "country contentments in verse," the poet cannot think and describe alternately; his thinking and describing must be a part of one another. That Matthew Arnold was aware of the difficulty in achieving the necessary unity becomes clear in his own criticism, which Roper examines along with a large and representative number of Arnold's poems. Considering the latter roughly in the order they were published—except for a fuller analysis of Empedocles on Etna, "The Scholar-Gipsy," and "Thyrsis"—Roper follows important changes in Arnold's view of the function and nature of poetry as it emerged in the poems themselves. Basic to the author's critical method is a distinction between geographical sites and poetic landscapes. Focusing on the ways that Arnold and, to a lesser extent, the Augustan and Romantic poets before him untied thought and description, Roper adds a critical dimension to Arnold scholarship. Concerned not with the development of Arnold's ideas nor with their sources in classical antiquity and the Romantic period, he considers Arnold a self-conscious poet who, though sometimes successful, became increasingly unsuccessful in his efforts to imbue a landscape with meaning for individual or social man.


Arnold's Poetic Landscapes

Arnold's Poetic Landscapes

Author: Alan Roper

Publisher:

Published: 1969-10

Total Pages: 294

ISBN-13:

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Originally published in 1969. Alan Roper studies the degree to which Arnold achieved a unity of human significance and literal landscape. If landscape poetry is to rise above the level of what Roper calls "country contentments in verse," the poet cannot think and describe alternately; his thinking and describing must be a part of one another. That Matthew Arnold was aware of the difficulty in achieving the necessary unity becomes clear in his own criticism, which Roper examines along with a large and representative number of Arnold's poems. Considering the latter roughly in the order they were published—except for a fuller analysis of Empedocles on Etna, "The Scholar-Gipsy," and "Thyrsis"—Roper follows important changes in Arnold's view of the function and nature of poetry as it emerged in the poems themselves. Basic to the author's critical method is a distinction between geographical sites and poetic landscapes. Focusing on the ways that Arnold and, to a lesser extent, the Augustan and Romantic poets before him untied thought and description, Roper adds a critical dimension to Arnold scholarship. Concerned not with the development of Arnold's ideas nor with their sources in classical antiquity and the Romantic period, he considers Arnold a self-conscious poet who, though sometimes successful, became increasingly unsuccessful in his efforts to imbue a landscape with meaning for individual or social man.


Where Nature Ends

Where Nature Ends

Author: Susan E. Lorsch

Publisher: Fairleigh Dickinson Univ Press

Published: 1983

Total Pages: 190

ISBN-13: 9780838631621

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This critical study argues that certain writers generally separated into Victorian and early modern categories actually share a drive to capture landscape in language, and that this drive reflects a common view of reality and the self.


Nostalgia in Transition, 1780-1917

Nostalgia in Transition, 1780-1917

Author: Linda Marilyn Austin

Publisher: University of Virginia Press

Published: 2007

Total Pages: 268

ISBN-13: 9780813925981

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Referred to long ago as a "disease" of Swiss soldiers and Highland regiments far from home, nostalgia became known in the 1920s as more of a fleeting rather than debilitating condition. Yet what caused this shift in our collective understanding of the term? In Nostalgia in Transition, 1780-1917, Linda M. Austin traces the development of nostalgia from a memory disorder in the eighteenth century to its modern formulation as a pleasant recreational distraction. Offering a paradigm for and analysis of nostalgic memory as it operates in various attempts to reenact the past, Austin explains both the early and the modern understanding of this phenomenon. Beginning with an account of nostalgia's transformation from an acute form of melancholia and homesickness into elegiac expression and idyllic representation, Austin goes on to examine an array of texts, from poetic meditations on nostalgia in the first half of the nineteenth century to the popular adult souvenirs of childhood in the second half. She shows how, in novels by Hardy; in elegies and lyrics by Arnold, Tennyson, and Emily Brontë; in illustrations by Kate Greenaway and Helen Allingham; and in late Victorian cultural histories of the cottage, nostalgia acts as a collective, rather than an individual reenactment of an invented, rather than a remembered, past or place. For students and scholars interested in the Victorian era, as well as in Romanticism and modernism, Nostalgia in Transition provides a well-rounded perspective on how and why our understanding of nostalgia has changed over time.


Landscapes of Decadence

Landscapes of Decadence

Author: Alex Murray

Publisher: Cambridge University Press

Published: 2016-12-01

Total Pages: 237

ISBN-13: 1316764036

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The challenges posed by Decadence to Victorian moral conventions - particularly sexual - have been well documented, but this book makes the case for understanding Decadence as a response to the ways in which place was accorded moral value in the period. The book uses landscape as a key trope for exploring Decadent writing's approach to location and identity. Drawing on a wide range of fin-de-siècle literature organised around a series of locations from Naples to New York, Murray argues that Decadent writers developed a form of landscape and place-based writing using a series of stylistic features to challenge the increasing homogenisation of both place and literary culture. Decadence and the literature of the fin de siècle are re-framed as a politically-engaged form of landscape writing. This is an ambitious and richly researched study.


Gardens and Grim Ravines

Gardens and Grim Ravines

Author: Pauline Fletcher

Publisher: Princeton University Press

Published: 2017-03-14

Total Pages: 299

ISBN-13: 1400885965

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This book is the first systematic examination of the significance of landscape in Victorian poetry. Pauline Fletcher divides poetic landscapes into two categories: antisocial" landscapes of isolation or retreat, and "social" landscapes that reflect the life of man in community. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.


Patterns of Epiphany

Patterns of Epiphany

Author: Martin Bidney

Publisher: SIU Press

Published: 1997

Total Pages: 256

ISBN-13: 9780809321162

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Taking his cue from the French philosopher Gaston Bachelard, he postulates that any writer's epiphany pattern usually shows characteristic elements (earth, air, fire, water), patterns of motion (pendular, eruptive, trembling), and/or geometric shapes.


Matthew Arnold

Matthew Arnold

Author: Carl Dawson

Publisher: Routledge

Published: 2005-08-12

Total Pages: 396

ISBN-13: 1134781032

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First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.