Armenian Gospel Iconography

Armenian Gospel Iconography

Author: Thomas F. Mathews

Publisher: Dumbarton Oaks

Published: 1991

Total Pages: 452

ISBN-13: 9780884021834

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This is the first monographic study of the Glajor Gospel, a 14th-century illuminated Armenian manuscript. In addition to critical studies of the iconography of the illuminations, the authors provide the history of the manuscript and the political and cultural setting in which it was produced, and the history of the monastery and school of Glajor.


The Armenian Gospels of Gladzor

The Armenian Gospels of Gladzor

Author: Thomas F. Mathews

Publisher: Getty Publications

Published: 2001

Total Pages: 122

ISBN-13: 0892366273

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The text's elaborate illumination also brings to life a vibrant artistic center, the Monastery of Gladzor, which long ago disappeared." "The Armenian Gospels of Gladzor includes sixty color reproductions of the manuscript's illuminated pages, ten black-and-white illustrations, and two maps along with an essay that explores the book's artistic richness and theological complexity."--BOOK JACKET.


Studies in Armenian Art

Studies in Armenian Art

Author: Nira Stone

Publisher: BRILL

Published: 2019-07-29

Total Pages: 286

ISBN-13: 9004400508

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Nira Stone (1938-2013) was a scholar of Armenian and Byzantine Art. Her broad and close acquaintance with the field of Armenian art history covered many fields of Armenian artistic creativity. Nira Stone made notable contributions to the study of Armenian manuscript painting, mosaics, and other forms of artistic expression. Of particular interests are her researches on this art in its historical and religious contexts, such as the study of apocryphal elements in Armenian Gospel iconography, the place of the mosaics of Jerusalem in the context of mosaics in Byzantine Palestine, and of the interplay between religious movements, such as hesychasm, and Armenian manuscript painting.


Treasures from the Ark

Treasures from the Ark

Author: Vrej Nersessian

Publisher: Getty Publications

Published: 2001-06-21

Total Pages: 244

ISBN-13: 0892366397

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Armenia was the first country to recognize Christianity as the official state religion in 301 AD, twelve years before Constantine's decree granting tolerance to Christianity within the Roman Empire. Ever since, Armenia has claimed the privilege of being the first Christian nation, and the wealth of Christian art produced in Armenia since then is testimony to the fundamental importance of the Christian faith to the Armenian people. This extensive new survey of Armenian Christian art, published to accompany a major exhibition at The British Library, celebrates the Christian art tradition in Armenia during the last 1700 years. The extraordinary quality and range of Armenian art which is documented includes sculpture, metalwork, textiles, ceramics, wood carvings and illuminated manuscripts and has been drawn together from collections throughout the world—many of the examples have never before been seen outside Armenia. In his authoritative text, Dr. Vrej Nersessian, Curator at The British Library, charts the development of Christianity in Armenia. This fascinating history is essential to an understanding of the art and religious tradition of Armenia, a country in which the sense of the sacred extends well beyond the purely religious, infiltrating the entire fabric of Armenian affairs to create a fascinating culture. This sumptuously illustrated book will be of immense value to anyone with an interest in Byzantine art and culture, the history of Christianity and the history of Armenia and the Middle Orient.


Hakob's Gospels

Hakob's Gospels

Author: Tim Greenwood

Publisher: Paul Holberton Publishing

Published: 2006

Total Pages: 100

ISBN-13:

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"The Pozzi Gospels, completed by Hakob Jughayets'i, includes an extraordinary series of portraits, narrative miniatures and marginal figures. Copied and illuminated under the protection of a church in the city of Keghi (modern Kigi, fifty miles south-west of Erzurum), Hakob's sparkling, vibrant palette, expressive wide-eyed figures, and iconographic inventiveness are at their most distinctive in this early work." "This is the first monograph to trace Hakob's development from his beginnings in Armenia in the 1580s to his later works in Safavid Persia, at Isfahan, in 1607 and 1610. The study constructs Hakob's biography, explores his artistic development, and evaluates his career within the context of late 16th-century Armenian politics, culture and devotion. Illustrated with reproductions of miniatures produced at every stage of his career, it reveals the singular artistic vision of Hakob himself and the dynamism of contemporary Armenian illumination."--BOOK JACKET.


Armenia

Armenia

Author: Helen C. Evans

Publisher: Metropolitan Museum of Art

Published: 2018-09-22

Total Pages: 360

ISBN-13: 1588396606

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At the foot of Mount Ararat on the crossroads of the eastern and western worlds, medieval Armenians dominated international trading routes that reached from Europe to China and India to Russia. As the first people to convert officially to Christianity, they commissioned and produced some of the most extraordinary religious objects of the Middle Ages. These objects—from sumptuous illuminated manuscripts to handsome carvings, liturgical furnishings, gilded reliquaries, exquisite textiles, and printed books—show the strong persistence of their own cultural identity, as well as the multicultural influences of Armenia’s interactions with Romans, Byzantines, Persians, Muslims, Mongols, Ottomans, and Europeans. This unprecedented volume, written by a team of international scholars and members of the Armenian religious community, contextualizes and celebrates the compelling works of art that define Armenian medieval culture. It features breathtaking photographs of archaeological sites and stunning churches and monasteries that help fill out this unique history. With groundbreaking essays and exquisite illustrations, Armenia illuminates the singular achievements of a great medieval civilization. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}


Treasures in Heaven

Treasures in Heaven

Author: Thomas F. Mathews

Publisher: Princeton University Press

Published: 1994

Total Pages: 229

ISBN-13: 9780691037516

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For over a thousand years the pre-eminent expression of Armenian culture was the illuminated manuscript--above all, the illustrated Gospel Book. Brilliantly painted and often bound in silver and decorated with jewels, these volumes constitute the principal source of information on the history, religion, language, and art of Armenia. Treasures in Heaven is the first comprehensive introduction in English to the art and history of Armenian manuscript painting. It reveals the degree to which this art form embodies a distinctively Armenian aesthetic and religious experience. Eighty-eight of the most significant examples of Armenian manuscript illumination are reproduced and extensively discussed in the catalog. Essays by a team of international scholars examine each of the principal schools and periods of Armenian illumination--from the earliest surviving works of the seventh century to manuscripts produced by the Armenian Diaspora communities during the seventeenth and eighteenth centuries. Chapters on the history and religion of Armenia place illuminated manuscripts within the broader context of Armenian culture. The distinctive techniques and materials of Armenian manuscript painting and bookbinding are also explained. Contributors to this volume include Helen C. Evans, Nina G. Garsoian, Thomas F. Mathews, Krikor H. Maksoudian, Sylvie L. Merian, Mary Virginia Orna, and Alice Taylor.


Performing the Gospels in Byzantium

Performing the Gospels in Byzantium

Author: Roland Betancourt

Publisher: Cambridge University Press

Published: 2021-05-13

Total Pages: 356

ISBN-13: 1108870872

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Tracing the Gospel text from script to illustration to recitation, this study looks at how illuminated manuscripts operated within ritual and architecture. Focusing on a group of richly illuminated lectionaries from the late eleventh century, the book articulates how the process of textual recitation produced marginalia and miniatures that reflected and subverted the manner in which the Gospel was read and simultaneously imagined by readers and listeners alike. This unique approach to manuscript illumination points to images that slowly unfolded in the mind of its listeners as they imagined the text being recited, as meaning carefully changed and built as the text proceeded. By examining this process within specific acoustic architectural spaces and the sonic conditions of medieval chant, the volume brings together the concerns of sound studies, liturgical studies, and art history to demonstrate how images, texts, and recitations played with the environment of the Middle Byzantine church.


Art and Architecture in Byzantium and Armenia

Art and Architecture in Byzantium and Armenia

Author: Thomas F. Mathews

Publisher: Variorum Publishing

Published: 1995

Total Pages: 316

ISBN-13:

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Stressing the public dimension of worship (the ceremony and symbolism), rather than the texts used (which may not always have been understood by the laity), 14 studies study religious works for an interpretation of their use in cult and devotion. Mathews (fine arts, NYU) considers the processional movements in the early Roman ritual, the parallelism between palace church planning and court liturgy, domestication of the church building in company with a privatization of liturgy, manuscript illumination, fresco decoration, and the symbolism in the decorative program of the Byzantine church. Distributed by Ashgate. Annotation copyright by Book News, Inc., Portland, OR


Meanings and Functions of the Ruler's Image in the Mediterranean World (11th – 15th Centuries)

Meanings and Functions of the Ruler's Image in the Mediterranean World (11th – 15th Centuries)

Author:

Publisher: BRILL

Published: 2022-01-31

Total Pages: 574

ISBN-13: 900451158X

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(The open access version of this book has been published with the support of the Swiss National Science Foundation.) The book proposes a reassessment of royal portraiture and its function in the Middle Ages via a comparative analysis of works from different areas of the Mediterranean world, where images are seen as only one outcome of wider and multifarious strategies for the public mise-en-scène of the rulers’ bodies. Its emphasis is on the ways in which medieval monarchs in different areas of the Mediterranean constructed their outward appearance and communicated it by means of a variety of rituals, object-types, and media. Contributors are Michele Bacci, Nicolas Bock, Gerardo Boto Varela, Branislav Cvetković, Sofia Fernández Pozzo, Gohar Grigoryan Savary, Elodie Leschot, Vinni Lucherini, Ioanna Rapti, Juan Carlos Ruiz Souza, Marta Serrano-Coll, Lucinia Speciale, Manuela Studer-Karlen, Mirko Vagnoni, and Edda Vardanyan.