This book is Celtic Frost's official history written by the front-man, Thomas Gabriel Fischer, who describes his story as full of facts and anecdotes, some unflattering, many trashy, some embarassing, many senselessly funny but all putting right the band's reported notoriety.
I Am Morbid tells the astounding story of David Vincent, former bassist and singer with Morbid Angel, and now outlaw-country performer and leader of the I Am Morbid supergroup. Written with the bestselling author Joel McIver, it’s an autobiography that transcends the heavy metal category by its very nature. Much more than a mere memoir, I Am Morbid is an instruction manual for life at the sharp end—a gathering of wisdom distilled into ten acute lessons for anyone interested in furthering their fortunes in life. Morbid Angel redefined the term pioneers. A band of heavy-metal-loving kids from all over America who broke through a host of music industry prejudices and went on to scale huge commercial heights, they introduced a whole new form of extreme music to the world. Formed in 1984, and breaking into the limelight in 1989 with their devastating first album, Altars Of Madness, the Florida death-metal legends became the first band of their genre to sign to a major label, from which point they came to dominate the worldwide metal scene for two decades and beyond. David left Morbid Angel in 1996, and again, following a reunion, in 2015. For the first time, I Am Morbid explores the reasons behind his departure, and the transformation of his life, career, and music in the years since. This is a classic but never predictable tale of a man who has fought convention every step of the way—and won.
Featuring two previously unpublished short stories! Visitors to the Morbid Museum seek the dark and twisted corners of the world. They are both terrified and intrigued by the unknown. Tales of killers, monsters, and madmen curated by the Master of Death, Mr. Siris Grim. Mr. Grim collects the darkness that everyone attempts to hide. He displays it within the corridors of his gruesome gallery. Who will be next to buy a ticket and walk the halls of the Morbid Museum?
A health check on our corrupt and broken political system by one of our finest historians The deadly coronavirus spread across societies already riddled with political ills: rampant xenophobia and corruption, privatisation run amok, Brexiteer vainglory of 'a global Britain', a Euroland dominated by self-proclaimed nasty parties, and in America, the unspeakable Trump. As the acclaimed historian Donald Sassoon observes in this blistering polemic, there were morbid symptoms galore. Sassoon paints an unforgettable picture of our galloping descent into political barbarism, mixing blunt exposé and classical references with an astonishing array of data. Why does the United States proportionately have more civilians owning guns than Yemen, where there is a war on? Why did the UK enter the pandemic with fewer doctors than any EU country except Poland and Romania? In Morbid Symptoms he refuses to abandon what Antonio Gramsci termed the optimism of the will, instead recalling a line from Machiavelli's Istorie fiorentine: 'do not impute past disorders to the nature of the men, but to the times, which, being changed, give reasonable ground to hope that, with better government, our city will have better fortune in the future'.
"It's shocking and sinful, and I couldn't put it down!" -Joan Rivers The strange, startling, and utterly fascinating stories behind the world's most notorious celebrity deaths. Was Jayne Mansfield really decapitated? Which manly appendage of Napoleon's was cut off during his autopsy? (And where did it go?) What went to the grave (literally) with River Phoenix, Frank Sinatra, and Princess Diana? Death is fascinating. Just think about the last time you slowed down as you passed the scene of a car accident. When a public figure bites the dust, the curiosity only increases. From Attila the Hun to Marie Antoinette, from Heath Ledger to Anna Nicole Smith, the deaths of the rich and famous spark endless speculation and tabloid fodder. Their lives-and deaths-are grave matters.
The proprietor of a strange and mysterious shop sells bizarre tattoos with the promise of fulfilling their owners' greatest wishes. But the tattoos begin to take on a life of their own and soon start to control their owners.
Beneath the original Venetian glass and rosewood case at La Specola in Florence lies Clemente Susini's Anatomical Venus (c. 1790), a perfect object whose luxuriously bizarre existence challenges belief. It - or, better, she - was conceived of as a means to teach human anatomy without need for constant dissection, which was messy, ethically fraught and subject to quick decay. This life-sized wax woman is adorned with glass eyes and human hair and can be dismembered into dozens of parts revealing, at the final remove, a beatific foetus curled in her womb. Sister models soon appeared throughout Europe, where they not only instructed the specialist students, but also delighted the general public. Deftly crafted dissectable female wax models and slashed beauties of the world's anatomy museums and fairgrounds of the 18th and 19th centuries take centre stage in this disquieting volume. Since their creation in late 18th-century Florence, these wax women have seduced, intrigued and amazed. Today, they also confound, troubling the edges of our neat categorical divides: life and death, science and art, body and soul, effigy and pedagogy, spectacle and education, kitsch and art. Incisive commentary and captivating imagery reveal the evolution of these enigmatic sculptures from wax effigy to fetish figure and the embodiment of the uncanny.
Combines hundreds of unseen early Hellhammer and Celtic Frost photos with a vast treasure trove of artwork and memorabilia. A substantial written component by Fischer details his upbringing on the outskirts of Zurich and the hardships and triumphs he faced bringing his groundbreaking death metal bands Hellhammer and Celtic Frost to reality. In addition, the book includes an introduction by Nocturno Culto of Norwegian black metal act Darkthrone and a foreword by noted British author Joel McIver.
In the 12th-century Benedictine monastery of Shrewsbury, Brother Cadfael has settled down to a quiet life in charge of the herbarium. It is fortunate his prowess as a herbalist is matched by his detective skills - when his prior acquires the bones of a saint, the obstacles include murder.
Aaron Walsh is a psychopath. For years he has kept that fact hidden, but one bad day is about to bring it all out into the open. When Jane Flannery walks into his computer repair store, he becomes obsessed. He wants to know every detail about her life. Unfortunately for Jane, Aaron already has everything he needs to accomplish that goal. Her computer. Jane is in great danger and she doesn't even know it yet. SPR says, "It's strange to claim that a book about a guy who is this downtrodden as 'fun', but Walsh is a spirited narrator, no matter how spiritless he claims to be. Mind you, he's an extremely creepy narrator and person, even hateful at times. Profane and grotesque, he's still compelling; you're driven to keep reading to see just how downtrodden he can be. If you're in the mood to explore the dark depths of human behaviour, Morbid Thoughts is a riveting read." Kirkus says, "Although this story is often somber and grotesque, McGovern injects enough nuance to prevent it from being a mere blood bath. A riveting character study even during its most appalling moments."