"Arcimboldo, a 16th century Italian artist [working in Vienna and Prague] is an artist with an indisputable claim, he single mindedly pursued his invention, the so-termed "composite head", applying it to numerous and varied subjects. Apt and witty combinations of animals, fish, fruit, vegetables, and a variety of other objects, all painted with meticulous realism, are fitted together into head and shoulder figures that sometimes have the look of portraits. He also devised compositions that can be hung upside down as well as right side up. Arcimboldo's major works were his numerous series on allegorical themes, especially the Four Seasons and the Four Elements."--Amazon.
In Giuseppe Arcimboldo’s most famous paintings, grapes, fish, and even the beaks of birds form human hair. A pear stands in for a man’s chin. Citrus fruits sprout from a tree trunk that doubles as a neck. All sorts of natural phenomena come together on canvas and panel to assemble the strange heads and faces that constitute one of Renaissance art’s most striking oeuvres. The first major study in a generation of the artist behind these remarkable paintings, Arcimboldo tells the singular story of their creation. Drawing on his thirty-five-year engagement with the artist, Thomas DaCosta Kaufmann begins with an overview of Arcimboldo’s life and work, exploring the artist’s early years in sixteenth-century Lombardy, his grounding in Leonardesque traditions, and his tenure as a Habsburg court portraitist in Vienna and Prague. Arcimboldo then trains its focus on the celebrated composite heads, approaching them as visual jokes with serious underpinnings—images that poetically display pictorial wit while conveying an allegorical message. In addition to probing the humanistic, literary, and philosophical dimensions of these pieces, Kaufmann explains that they embody their creator’s continuous engagement with nature painting and natural history. He reveals, in fact, that Arcimboldo painted many more nature studies than scholars have realized—a finding that significantly deepens current interpretations of the composite heads. Demonstrating the previously overlooked importance of these works to natural history and still-life painting, Arcimboldo finally restores the artist’s fantastic visual jokes to their rightful place in the history of both science and art.
Newbery Medal-winning author Nancy Willard's trilogy of adventure tales, now in one volume. Children won't be able to put down these stories of the journeys of a boy and his orange cat, Plumpet. Anatole has a knack for seeking and finding adventure, often with Plumpet, his orange cat, who is accustomed to ghost trains, amnesiac soldiers, flying horses, and wallpaper portals, just a few of the enchantments encountered along the way. From his perilous search for wild fennel to cure his grandmother’s asthma, to his high-stakes game of checkers to save his uncle from a wizard’s evil spell, Anatole’s missions will keep young readers turning the pages of this omnibus edition of the Newbery Medal–winning author Nancy Willard’s trilogy of fantasy tales: Sailing to Cythera, The Island of the Grass King, and Uncle Terrible. David McPhail’s pen-and-ink illustrations throughout are beautifully detailed engagements with Willard’s world of make-believe. Anatole may be small but he is determined to right the wrongs he finds in each of the lands he enters. Whether kindness or evil will prevail is a matter of suspense, but Anatole is always on the side of the light.
Art and Food is a collection of essays exploring a range of research topics relating to the representation of food in art and art in food, from iconography and allegory, through class and commensality, to kitchen architecture and haute cuisine.
Explores Dali's experiments with perspectives, offering more than one hundred color and sixty-one black and white illustrations of the artist's optical illusions.
As the winter solstice approaches, so does the final battle of an age-old war in this third novel of the landmark literary fantasy series. The would-be historian and author Pierce Moffett has moved from New York to the Faraway Hills, where he seems to discover—or rediscover—a path into magic, past and present. Meanwhile, single mother Rosie Rasmussen grapples with her mysterious uncle's legacy and her young daughter Samantha’s inexplicable seizures. And for Pierce's lover Rose Ryder, another path unfolds: she’s drawn into a cult that promises to exorcise her demons. It is the dark of the year, between Halloween and the winter solstice, and the gateway is open between the worlds of the living and the dead. A great cycle of time is ending, and Pierce and Rosie, Samantha and Rose Ryder must take sides in an epic conflict that is approaching its ultimate confrontation . . . Or is it? Dæmonomania is a journey into the very mystery of existence: what is, what went before, and what could break through at any moment in our lives. It follows The Solitudes and Love & Sleep, both of which were included in Harold Bloom’s Western Canon.
The concept of poesie critique - poetry that possesses both a poetic and a critical function - has an extensive history in modern literature. Written in response to another work of art, be it a painting, a film, a poem, or a piece of music, the critical poem comments on the latter in various ways but refuses to abandon its poetic mission. Marvelous Encounters examines surrealist poets writing in French, Spanish, and Catalan who experimented with this intriguing genre. The first three chapters are concerned with the French surrealists, who began to cultivate critical poetry toward the end of World War I. Chapter 2 considers how Louis Aragon and Philippe Soupault appropriated the critical poem, as they reviewed books of poetry and films starring Charlie Chaplin. Chapter 3, which examines how Benjamin Peret and Paul Eluard conceived of critical poetry, analyzes their response to poems by Tristan Tzara and paintings by Giorgio de Chirico and Joan Miro. Chapter 4 is devoted entirely to Andre Breton.
First published in 1997. For this second edition of Art Books: A Basic Bibliography of Monographs on Artists, the vast number of new books published since 1985 was surveyed and evaluated. This has resulted in the selection of 3,395 additional titles. These selections, reflective of the increase in the monographic literature on artists during the last ten years, are evidence of the activities of a larger number of art historians in more countries worldwide, of the increasingly diverse and ambitious exhibition programs of museums whose number has also increased dramatically, and also of a lively international art market and the attendant gallery activities. The selections of the first edition have been reviewed, errors have been corrected and important new editions and reprints have been noted. The second edition contains 278 names of artists not represented in the first edition.
With the great Renaissance voyages to the New World came the popularity of Wunderkammern, or cabinets of wonders, in which newly discovered monsters and marvels could be displayed. Like such a cabinet, this collection of essays surveys the monstrous and the marvelous—as transmuted in the alembic of Rikki Ducornet's open-hearted vision—in literature, art and film. For her, excess anomaly, and heterodoxy entice the imagining mind to embrace "otherness," enlarge the world and regenerate Eden.
