This book focuses on the rise of sharing and collaboration practices among peers in Spanish digital cultures and social movements in the wake of Spain's financial meltdown of 2008.
Carme Riera, hailed as a dominant literary force in Spain, has long merited recognition in other countries. Her prose, with all its intricacy, humour, and grace, has been skilfully transported from Castilian and Catalan to English, and has been brought to our shores with its riches intact. Her stories focus on a broad range of characters-predominantly female-from the intellectually sophisticated to the plain and domestic, from younger to older, and each is given a perfect voice. The stories in this collection: ""A Matter of Self-Esteem,"" ""Mon Semblabe, Mon Frere,"" ""Against Love in Company,"" ""The Seductive Genuis,"" ""Report,"" ""Surprise at Sri Lanka,"" and ""Recipe Book"" display a wide variety of narrative. In ""A Matter of Self-Esteem,"" Angela, a writer in her late forties, falls passionately in love with Miguel, who humiliates her by using their brief affair as material for a novel which she is caricatured-Angela puts into play a revenge that is sheer genius. In ""Against Love in Company,"" Coral Flora, a teenager who is a gifted erotic poet marries a seventy-year-old man who cannot satisfy her sexually-she discovers a quite simple solution. The author weaves her seductive web; the reader can do nothing less than be drawn into it.
In November 2007, Romain Lannuzel Erasmus, student at the Autonomous University of Barcelona, mysteriously disappeared without a trace. This case remains unsolved, when the novel begins with another mysterious disappearance of Costantinu Iliescu, a Romanian student. His girlfriend and two of his Erasmus colleagues sound the alarm and move heaven and earth to find him, but both police and university officials believe that Iliescu has left voluntarily and refuse to get involved. However, they will soon have to change their minds as the events that occur after the disappearance of the Romanian student reveal that something terrible, dark and macabre is happening at the college.
Following WWII, the authoritarian and morally austere dictatorship of General Francisco Franco's Spain became the playground for millions of carefree tourists from Europe's prosperous democracies. This book chronicles how this helped to strengthen Franco's regime and economic and political standing.
In Culture and Society in Medieval Galicia, twenty-three international authors examine Galicia’s changing place in Iberia, Europe, and the Mediterranean and Atlantic worlds from late antiquity through the thirteenth century. With articles on art and architecture; religion and the church; law and society; politics and historiography; language and literature; and learning and textual culture, the authors introduce medieval Galicia and current research on the region to medievalists, Hispanists, and students of regional culture and society. The cult of St. James, Santiago Cathedral, and the pilgrimage to Compostela are highlighted and contextualized to show how Galicia’s remoteness became the basis for a paradoxical centrality in medieval art, culture, and religion. Contributors are Jeffrey A. Bowman, Manuel Castiñeiras, James D'Emilio, Thomas Deswarte, Pablo C. Díaz, Emma Falque, Amélia P. Hutchinson, Amancio Isla, Henrik Karge, Melissa R. Katz, Michael Kulikowski, Fernando López Sánchez, Luis R. Menéndez Bueyes, William D. Paden, Francisco Javier Pérez Rodríguez, Ermelindo Portela, Rocío Sánchez Ameijeiras, Adeline Rucquoi, Ana Suárez González, Purificación Ubric, Ramón Villares, John Williams †, and Roger Wright.
Mirror Images revolves around a mystery in the life of a fictious Latin American writer and former political prisoner, Pablo Corbalán. The novel touches on issues of literary intertextuality, resistance to dictatorship, the moral imperative of seeking the truth and, most particularly, personal connectedness.
This is an entirely new edition of the author′s 1984 study (originally published by South End Press) of radical media and movements. The first and second sections are original to this new edition. The first section explores social and cultural theory in order to argue that radical media should be a central part of our understanding of media in history. The second section weaves an historical and international tapestry of radical media to illustrate their centrality and diversity, from dance and graffiti to video and the internet and from satirical prints and street theatre to culture-jamming, subversive song, performance art and underground radio. The section also includes consideration of ultra-rightist media as a key contrast case. The book′s third section provides detailed case-studies of the anti-fascist media explosion of 1974-75 in Portugal, Italy′s long-running radical media, radio and access video in the USA, and illegal media in the dissolution of the former Soviet bloc dictatorships.
Emma Goldman has often been read for her colorful life story, her lively if troubled sex life, and her wide-ranging political activism. Few have taken her seriously as a political thinker, even though in her lifetime she was a vigorous public intellectual within a global network of progressive politics. Engaging Goldman as a political thinker allows us to rethink the common dualism between theory and practice, scrutinize stereotypes of anarchism by placing Goldman within a fuller historical context, recognize the remarkable contributions of anarchism in creating public life, and open up contemporary politics to the possibilities of transformative feminism.