Gottfried Semper

Gottfried Semper

Author: Harry Francis Mallgrave

Publisher: Yale University Press

Published: 1996-01-01

Total Pages: 468

ISBN-13: 9780300066241

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Biografie van de Duitse architect en architectuurtheoreticus (1803-1879)


Occidentalist Perceptions of European Architecture in Nineteenth-century Persian Travel Diaries

Occidentalist Perceptions of European Architecture in Nineteenth-century Persian Travel Diaries

Author: Vahid Vahdat

Publisher:

Published: 2017

Total Pages: 0

ISBN-13: 9781472473943

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Cover -- Title -- Copyright -- Contents -- Acknowledgments -- A note on the text -- List of figures -- 1 The first brick -- Prologue -- Modernity, distorted -- The inception of modernity in Iran -- The research odyssey -- A cross section through the book -- Notes -- References -- 2 Modernity in a suitcase -- Innocents abroad -- Abolhasan -- Mirza Saleh -- Rezaqoli -- Farrokh-Khan -- Modernity as a souvenir -- Notes -- References -- 3 When worlds collide -- Verbalizing space -- Quantifying space -- Journey from the center of the earth -- Farangestan as a wonderland -- Virtual realities -- Representing the representation -- The reincarnated image -- Notes -- References -- 4 Imagining the modern -- Mapping modernity -- A kucheh-bagh to progress -- Refashioning the Farangi house -- Rediscovering Eram -- Reflecting a different sky -- The kingly palace -- The bridal chamber -- The nightless city -- Space that belongs to nobody -- Touching the Milky Way -- Constructing the magical -- Aesthetics of rationality -- Spatial lacunae -- Notes -- References -- 5 Tajaddod as a discourse -- League of extraordinary gentlemen -- Building the future -- Epilogue -- Notes -- References -- Appendix A: Abolhasan's itinerary -- Appendix B: Mirza Saleh's itinerary -- Appendix C: Rezaqoli's itinerary -- Appendix D: Farrokh-Khan's itinerary -- Glossary -- Bibliography -- Index


Style-Architecture and Building-Art

Style-Architecture and Building-Art

Author: Hermann Muthesius

Publisher: Getty Publications

Published: 1994-12-15

Total Pages: 144

ISBN-13: 0892362820

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Style-Architecture and Building-Art is Hermann Muthesius’s classic criticism of nineteenth century architecture. Now published for the first time in English, this pivotal text represents the first serious effort by Muthesius to define the elements of early modernist architecture according to notions of realism and simplicity. Although Muthesius is known best in Anglo-American architectural literature for his studies of the English house, his scholarship constituted a wide-ranging modernist polemic emanating from the German realist movement of the late 1890s. Notions that were introduced in Style-Architecture and Building-Art became common in later modernist historiography: disdain for the nineteenth century’s artistic eclecticism and lack of originality; appreciation of the material and industrial aspects of building technology, and, above all, a simpler approach to design. Muthesius' critique of stylistic architecture is not only linked to the development of the Deutsche Werkbund movement, but also can be viewed more broadly as a cornerstone of the modern movement. In his introduction, Standford Anderson situates Muthesius and his work in turn-of-the-century architectural discourse and analyzes his vision of a new form of architecture. Anderson also discusses the rationale underlying the call for cultural renewal, the role of English architectural models in Muthesius’s thought, critical differences between the first and second editions of Style-Architecture and Building-Art, the influence of the Jugendstil and Art Nouveau movements on Muthesius and, in turn, the influence of Muthesius on the Deutsche Werkbund movement.


Forging Architectural Tradition

Forging Architectural Tradition

Author: Dragan Damjanović

Publisher: Berghahn Books

Published: 2022-03-11

Total Pages: 0

ISBN-13: 1800733372

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Architectural conservation and national narratives -- Styles for the nation and state -- Appropriation of heritage(s).


Architecture, Death and Nationhood

Architecture, Death and Nationhood

Author: Hannah Malone

Publisher: Taylor & Francis

Published: 2017-04-28

Total Pages: 279

ISBN-13: 1317089898

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In the nineteenth century, new cemeteries were built in many Italian cities that were unique in scale and grandeur, and which became destinations on the Grand Tour. From the Middle Ages, the dead had been buried in churches and urban graveyards but, in the 1740s, a radical reform across Europe prohibited burial inside cities and led to the creation of suburban burial grounds. Italy’s nineteenth-century cemeteries were distinctive as monumental or architectural structures, rather than landscaped gardens. They represented a new building type that emerged in response to momentous changes in Italian politics, tied to the fight for independence and the creation of the nation-state. As the first survey of Italy’s monumental cemeteries, the book explores the relationship between architecture and politics, or how architecture is formed by political forces. As cities of the dead, cemeteries mirrored the spaces of the living. Against the backdrop of Italy’s unification, they conveyed the power of the new nation, efforts to construct an Italian identity, and conflicts between Church and state. Monumental cemeteries helped to foster the narratives and mentalities that shaped Italy as a new nation.


Nineteenth-century Photographs and Architecture

Nineteenth-century Photographs and Architecture

Author: Micheline Nilsen

Publisher: Ashgate Publishing, Ltd.

Published: 2013

Total Pages: 296

ISBN-13: 9781409448334

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Eschewing the limiting idea that nineteenth-century architecture photography merely reflects functionality, the objective of this collection is to reflect the aesthetic, intellectual, and cultural concerns of the time. The essays hold appeal for social and cultural historians, as well as those with an interest in the fields of art history, urban geography, history of travel and tourism.Nineteenth-century photographers captured what could be seen and what they wanted to be seen. Their images informed of exploration, progress, heritage, and destruction. Architecture was a staple subject for the first generation of photographers as it patiently tolerated the long exposures of the early processes. During its formative decades photography responded to evolutionary cultural forces of market and artistic production. Photographs of architecture reflected a specific political or social context modulated through individual points of view. For this reason, the examination of each photographic image as a primary visual document and an aesthetic object rather than a technical milestone on a chronological trajectory affords a richer multi-faceted approach to the extensive and complex corpus of photographs taken by photographers all over the world. This project acknowledges the importance of technique in the early decades of photography but focuses on the thematic content of the material. It places the photography of architecture in an international context under the contemporary critical lens sharpened by theoretical and cultural examinations of the topic.


Manufacturing Middle Ages

Manufacturing Middle Ages

Author:

Publisher: BRILL

Published: 2013-08-22

Total Pages: 450

ISBN-13: 9004244875

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Across the nineteenth century European history, philology, archaeology, art, and architecture turned from a common classical vocabulary and ideology to images of pasts and origins drawn primarily from the Middle Ages. The result was a paradox, as scholars and artists, schooled in the same pan-European vocabularies and methodologies nevertheless sought to discover through them unique and, frequently, oppositional national identities. These essays, edited by Patrick J. Geary and Gábor Klaniczay, focus on this all-European phenomenon with a special focus on Scandinavia and East-Central Europe, bearing witness to the inextricable links between cultural and scientific engagement, the search for national identity, and political agendas in the long nineteenth century that made the search for archaic origins an entangled history. Contributors include: Walter Pohl, Ian Wood, Sverre Bagge, Maciej Janowski, Sir David Wilson, Anders Andrén, Ernő Marosi, Carmen Popescu, Ahmet Ersoy, Michael Werner, Joep Leerssen, R. Howard Bloch, Pavlína Rychterová, Tommaso di Carpegna Falconieri, Stefan Detchev, Florin Curta, and Péter Langó.