This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1979.
Why were so many religious images and objects broken and damaged in the course of the Reformation? Margaret Aston's magisterial new book charts the conflicting imperatives of destruction and rebuilding throughout the English Reformation from the desecration of images, rails and screens to bells, organs and stained glass windows. She explores the motivations of those who smashed images of the crucifixion in stained glass windows and who pulled down crosses and defaced symbols of the Trinity. She shows that destruction was part of a methodology of religious revolution designed to change people as well as places and to forge in the long term new generations of new believers. Beyond blanked walls and whited windows were beliefs and minds impregnated by new modes of religious learning. Idol-breaking with its emphasis on the treacheries of images fundamentally transformed not only Anglican ways of worship but also of seeing, hearing and remembering.
The Puritans of seventeenth century England have been blamed for everything from the English civil war to the rise of capitalism. But who were the Puritans of Stuart England? Were they apostles of liberty, who fled from persecution to the New World? Or were they intolerant fanatics, intent on bringing godliness to Stuart England? This study provides a clear narrative of the rise and fall of the Puritans across the troubled seventeenth century. Their story is placed in context by analytical chapters, which describe what the Puritans believed and how they organised their religious and social life. Quoting many contemporary sources, including diaries, plays and sermons, this is a vivid and comprehensible account, drawing on the most recent scholarship. Readers will find this book an indispensable guide, not only to the religious history of seventeenth century England, but also to its political and social history.
This major new study is an exploration of the Elizabethan Puritan movement through the eyes of its most determined and relentless opponent, Richard Bancroft, later Archbishop of Canterbury. It analyses his obsession with the perceived threat to the stability of the church and state presented by the advocates of radical presbyterian reform. The book forensically examines Bancroft's polemical tracts and archive of documents and letters, casting important new light on religious politics and culture. Focussing on the ways in which anti-Puritanism interacted with Puritanism, it also illuminates the process by which religious identities were forged in the early modern era. The final book of Patrick Collinson, the pre-eminent historian of sixteenth-century England, this is the culmination of a lifetime of seminal work on the English Reformation and its ramifications.
This collection offers readers a timely encounter with the historical experience of people adapting to a pandemic emergency and the corresponding narrative representation of that crisis, as early modern writers transformed the plague into literature. The essays examine the impact of the plague on health, politics, and religion as well as on the plays, prose fiction, and plague bills that stand as witnesses to the experience of a society devastated by contagious disease. Readers will find physicians and moralists wrestling with the mysteries of the disease; erotic escapades staged in plague-time plays; the poignant prose works of William Bullein and Thomas Dekker; the bodies of monarchs who sought to protect themselves from plague; the chameleon-like nature of the plague as literal disease and as metaphor; and future strains of plague, literary and otherwise, which we may face in the globally-minded, technology-dependent, and ecologically-awakened twenty-first century. The bubonic plague compelled change in all aspects of lived experience in Early Modern England, but at the same time, it opened space for writers to explore new ideas and new literary forms—not all of them somber or horrifying and some of them downright hilarious. By representing the plague for their audiences, these writers made an epidemic calamity intelligible: for them, the dreaded disease could signify despair but also hope, bewilderment but also a divine plan, quarantine but also liberty, death but also new life.
Dominic Aidan Bellenger is Prior of Downside Abbey and a Fellow of the Royal Historical Society and of the Society of Antiquaries. His publications include Medieval Worlds (Routledge 2002) and Princes of the Church (with Stella Fletcher, Sutton 2001), Stella Fletcher is a lecturer and writer on history. Her books include the Longman Companion to Renaissance Europe (1999).
The inside story of Elizabeth I's inner circle and the crucial human relationships which lay at the heart of her personal and political life. It is a vivid and often dramatic account, offering a deeper insight into Elizabeth's emotional and political conduct, and challenging many popular myths about her.
