Appropriation as Practice

Appropriation as Practice

Author: A. Schneider

Publisher: Springer

Published: 2006-06-30

Total Pages: 240

ISBN-13: 1403983178

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How the "traffic in culture" is practiced, rationalized and experienced by visual artists in the globalized world. The book focuses on artistic practices in the appropriation of indigenous cultures, and the construction of new Latin American identities. Appropriation is the fundamental theoretical concept developed to understand these processes.


The Ethics of Cultural Appropriation

The Ethics of Cultural Appropriation

Author: James O. Young

Publisher: John Wiley & Sons

Published: 2012-02-13

Total Pages: 321

ISBN-13: 1444350838

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The Ethics of Cultural Appropriation undertakes a comprehensive and systematic investigation of the moral and aesthetic questions that arise from the practice of cultural appropriation. Explores cultural appropriation in a wide variety of contexts, among them the arts and archaeology, museums, and religion Questions whether cultural appropriation is always morally objectionable Includes research that is equally informed by empirical knowledge and general normative theory Provides a coherent and authoritative perspective gained by the collaboration of philosophers and specialists in the field who all participated in this unique research project


Practices of Abstract Art

Practices of Abstract Art

Author: Wiebke Gronemeyer

Publisher: Cambridge Scholars Publishing

Published: 2016-12-14

Total Pages: 338

ISBN-13: 144385686X

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Recent decades have seen a renewed interest in the phenomenon of abstract art, particularly regarding its ability to speak to the political, social, and cultural conditions of our times. This collection of essays, which looks at historical examples of artistic practice from the early pioneers of abstraction to late modernism, investigates the ambivalent role that abstraction has played in the visual arts and cultures of the last hundred years. In addition, it explores various theoretical and critical narratives that seek to articulate new perspectives on its legacy in the visual arts. From metaphysical considerations and philosophical reflections to debates on interculturality and global perspectives, the contributors examine and reconsider abstraction in the visual arts from a contemporary point of view that acknowledges the many social, economic, cultural, and political aspects of artistic practice. As such, the volume progressively expands the boundaries of thinking about abstract art by engaging it in its increasingly diverse cultural environment.


Cutting Across Media

Cutting Across Media

Author: Kembrew McLeod

Publisher: Duke University Press

Published: 2011-08-05

Total Pages: 379

ISBN-13: 0822348225

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The contributors to this book focus on collage and appropriation art, exploring the legal ramifications of such practices in an age when private companies can own culture using copyright and trademark law.


Architecture of Appropriation

Architecture of Appropriation

Author: René Boer

Publisher:

Published: 2019

Total Pages: 394

ISBN-13: 9789083015200

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The squatting movement in the Netherlands has played a major role in the design of both the urban fabric and domestic interior, and continues to offer alternatives to the dominant, market-oriented housing policies. This book acknowledges squatting as an architectural practice, analysing six locations through drawings, interviews, and archival material to create a record of past and current struggles, spaces, and oral histories, thereby forming the basis for a new governmental acquisition policy. It brings together the expertise of the squatting movement with architects, archivists, scholars, and lawyers in order to discuss approaches to what are often criminalized spatial practices.


Appropriation

Appropriation

Author: David Evans

Publisher: MIT Press

Published: 2009

Total Pages: 239

ISBN-13: 0262550709

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"Many influential artists today draw on a legacy of 'stealing' images and forms from other makers. The term appropriation is particularly associated with the 'Pictures' generation, centred [sic] on New York in the 1980s; this anthology provides a far wider context. Historically, it reappraises a diverse lineage of precedents - from the Dadaist readymade to Situationist détournement - while contemporary 'art after appropriation' is considered from multiple perspectives within a global context." --back cover.


Cultural Appropriation and the Arts

Cultural Appropriation and the Arts

Author: James O. Young

Publisher: John Wiley & Sons

Published: 2010-02-01

Total Pages: 196

ISBN-13: 1444332716

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Now, for the first time, a philosopher undertakes a systematic investigation of the moral and aesthetic issues to which cultural appropriation gives rise. Cultural appropriation is a pervasive feature of the contemporary world (the Parthenon Marbles remain in London; white musicians from Bix Beiderbeck to Eric Clapton have appropriated musical styles from African-American culture) Young offers the first systematic philosophical investigation of the moral and aesthetic issues to which cultural appropriation gives rise Tackles head on the thorny issues arising from the clash and integration of cultures and their artifacts Questions considered include: “Can cultural appropriation result in the production of aesthetically successful works of art?” and “Is cultural appropriation in the arts morally objectionable?” Part of the highly regarded New Directions in Aesthetics series


Practice, Power, and Forms of Life

Practice, Power, and Forms of Life

Author: Terry Pinkard

Publisher: University of Chicago Press

Published: 2022-02-15

Total Pages: 181

ISBN-13: 022681324X

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"In Practice, Power, and Forms of Life, philosopher Terry Pinkard interprets Sartre's late work as a fundamental reworking of his earlier work, especially in terms of his understanding of the possibility of communal action as genuinely free, which the French philosopher had previously argued was impossible. Pinkard shows how Sartre figured in contemporary debates about the use of the first-person and how this informed his theory of action. Pinkard reveals how Sartre was led back to Hegel, which itself was spurred on by his newfound interest in Marxism in the 1950s. Pinkard also argues that Sartre took up Heidegger's critique of existentialism, developing a new post-Marxist theory of the way actors exhibit the class relations of their form of life in their actions, and showing how genuine freedom is present only in certain types of "we" relationships. Pinkard argues that Sartre constructed a novel position on freedom that has yet to be adequately taken up and thought through in philosophy and political theory. Through Sartre, Pinkard advances an argument that contributes to the history of philosophy as well as contemporary and future debates on action and freedom"--


Artistic License

Artistic License

Author: Darren Hudson Hick

Publisher: University of Chicago Press

Published: 2017-04-26

Total Pages: 240

ISBN-13: 022646038X

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The art scene today is one of appropriation—of remixing, reusing, and recombining the works of other artists. From the musical mash-ups of Girl Talk to the pop-culture borrowings of Damien Hirst and Jeff Koons, it’s clear that the artistic landscape is shifting—which leads to some tricky legal and philosophical questions. In this up-to-date, thorough, and accessible analysis of the right to copyright, Darren Hudson Hick works to reconcile the growing practice of artistic appropriation with innovative views of artists’ rights, both legal and moral. Engaging with long-standing debates about the nature of originality, authorship, and artists’ rights, Hick examines the philosophical challenges presented by the role of intellectual property in the artworld and vice versa. Using real-life examples of artists who have incorporated copyrighted works into their art, he explores issues of artistic creation and the nature of infringement as they are informed by analytical aesthetics and legal and critical theory. Ultimately, Artistic License provides a critical and systematic analysis of the key philosophical issues that underlie copyright policy, rethinking the relationship between artist, artwork, and the law.