Apocalyptic Messenger is an extremely personal volume that delivers sincerity of thought and praise for the Lord Jesus Christ in a unique way. As a compilation of writings, there are varied writing styles including songs, poems, maxims, aphorisms, and fairy tales. As an artist, the attempt was to celebrate God within the pages and encourage thought on the subject of spirituality. What was achieved was a highly detail oriented body of writings that accomplishes that purpose. Unlike anything I have ever seen, Apocalyptic Messenger delivers an extraordinary vision of God as could only be seen by the most honest and soulful of revelations.
New Testament Message, Volume 22: A Biblical-Theological Commentary "Those who continue to look for some help in deciphering the Apocalypse will welcome this clear and competent commentary." --The Bible Today "(Adela Yarbro Collins) can only be thanked for offering to a wide public a lucid, well-informed and profound commentary on a book which continues to cause considerable confusion." --The Catholic Biblical Quarterly
Praise for the first edition: "Aberth wears his very considerable and up-to-date scholarship lightly and his study of a series of complex and somber calamites is made remarkably vivid." -- Barrie Dobson, Honorary Professor of History, University of York The later Middle Ages was a period of unparalleled chaos and misery -in the form of war, famine, plague, and death. At times it must have seemed like the end of the world was truly at hand. And yet, as John Aberth reveals in this lively work, late medieval Europeans' cultural assumptions uniquely equipped them to face up postively to the huge problems that they faced. Relying on rich literary, historical and material sources, the book brings this period and its beliefs and attitudes vividly to life. Taking his themes from the Four Horsemen of the Apocalypse, John Aberth describes how the lives of ordinary people were transformed by a series of crises, including the Great Famine, the Black Death and the Hundred Years War. Yet he also shows how prayers, chronicles, poetry, and especially commemorative art reveal an optimistic people, whose belief in the apocalypse somehow gave them the ability to transcend the woes they faced on this earth. This second edition is brought fully up to date with recent scholarship, and the scope of the book is broadened to include many more examples from mainland Europe. The new edition features fully revised sections on famine, war, and plague, as well as a new epitaph. The book draws some bold new conclusions and raises important questions, which will be fascinating reading for all students and general readers with an interest in medieval history.
The Seventh-day Adventist Church was founded upon an apocalyptic message that needed to be preached to the entire worldimmediately and at any cost. But does the church today preach that same message with the same urgency? Has the Adventist Church become irrelevant because it has sought to be more relevant to the world? Knight challenges us to go back to our roots, to examine the prophecies that fueled the early Seventh-day Adventists' determination to evangelize the world.
Melvin traces the emergence and development of the motif of angelic interpretation of visions from late prophetic literature (Ezekiel 40-48; Zechariah 1-6) into early apocalyptic literature (1 Enoch 17-36; 72-82; Daniel 7-8). Examining how the historical and socio-political context of exilic and post-exilic Judaism and the broader religious and cultural environment shaped Jewish angelology in general, Melvin concludes that the motif of the interpreting angel served a particular function. Building upon the work of Susan Niditch, Melvin concludes that the interpreting angel motif served a polemical function in repudiating divination as a means of predicting the future, while at the same time elevating the authority of the visionary revelation. The literary effect is to reimagine God as an imperial monarch who rules and communicates through intermediaries-a reimagination that profoundly influenced subsequent Jewish and Christian tradition.
"What was gunpowder?" Trivial. What was electricity? Meaningless. This atomic bomb is the Second Coming in wrath." - Winston Churchill, July 1945 Commencing earnestly in the1960s, the American novel began its exploration into how mankind could adjustto life in the shadow of the mushroom cloud, how we could begin to think aboutthe Unthinkable. American writers faced squarely the age birthed by nuclearphysics and found in its very darkness difficult avenues to hope byrediscovering that most potent, traditional response to a history in crisis:the apocalyptic temper. Dewey focuses on seven novelsthat touch the variety of generic experiments and postures of the post-WorldWar II American novel. These novels by Vonnegut, Coover, Percy, Pynchon,Gaddis, and DeLillo represent a significant argument concerning the Americanliterary response to living within the oppressive technologies of the NuclearAge. Departing from other studies that veer toward speculative fiction ortoward the more narrowly defined religious angles, In a Dark Time defines the apocalyptic temper as a most traditionalliterary genre that articulates the anxieties of a community in crisis, a wayfor that community to respond to the perception of a history gone critical byturning squarely to that history and to find, in that gesture, the way toward agenuine hope. Dewey's new approach consistsof applying the theory of apocalyptic literature to a body of essentiallysecular writings. Dewey resists the traditional approach - studying worksdealing with nuclear devastation - to focus on how a generation of literaryresponses have dealt with the larger questions about how to live with therecognition of End times. Dewey convincingly demonstrates that this literaturereminds its moments in history that only in a dark time will the eye begin tosee.
How do people understand the Quran to be divine revelation? What is it about the text that inspires such devotion and commitment in the reader/believer? Todd Lawson explores how the timeless literary genres of epic and apocalypse bear religious meaning in the Quran, communicating the sense of divine presence, urgency and truth. Grounding his approach in the universal power of story and myth, he embarks upon a fascinating inquiry into the unique power of one of the most loved, widely read and recited books in the world.
An interdisciplinary approach, wit hits comparative study of sources, helps to highlight the intellectual preoccupations of many religious thinkers who grappled with the overwhelming prospect of Universal destruction.
