Shortlisted for the Hearst Big Books Award, 2019 Sometimes a promise becomes a prison. Fearing eternal singledom, childhood friends Kate and Paul make the age-old vow that if they don't find love by thirty, they will marry each other. Years later, with the deadline of their 30th birthdays approaching, the unlikely couple decide to keep their teenage promise. After all, they are such good friends. Surely that's enough to make a marriage? Now, on the eve of their 10th wedding anniversary, they will discover that love between men and women is more complex, and more precarious, than they could ever have imagined. As Kate struggles with a secret that reaches far into their past, will the couple's vow become the very thing that threatens their future? Love Will Tear Us Apart is a moving and heart-breaking exploration of modern love and friendship, from the bestselling author of Try Not to Breathe.
Next to the death of a loved one, the ending of a relationship is the most painful experience most people will ever go through. Coming Apart is a first aid kit for getting through the ending. It is a tool that will enable you to live through the end of your relationship with your self-esteem intact.Daphne Rose Kingma, the undisputed expert on matters of the heart, explores the critical facets of relationship breakdowns:Love myths: why we are really in relationshipsThe life span of loveHow to get through the endingHow to create a personal workbook for finding resolutionTime does a lot to heal our broken hearts, but really understanding what transpired in each of our relationships is what allows us to finally let go and move on.Replaces ISBN 9781573245470
This is a simple saga of the twists and turns in the life of a farm boy. Depicted through his eyes are such world disturbing events as the "great depression" and World War II. It tells of that farm boy's disappointments through the journey of life and reveals how the "Higher Power" overshadowing him turned those disappointments into blessings. Through the author's eyes we get glimpses of how life was lived on a farm in the early part of the twentieth century. It tells of the simple joys experienced by those living the rural way of life. It tells about life in a one-room school with one's mother as the teacher. It tells of the struggles of young people in their effort to get an education. Through the eyes of that farm boy one gets a close view of the horrors encountered on the battlefield. It tells of a marriage that "could not work" but did. It tells of life in the minister's manse and the view of church life from the other side of the pulpit. Also, it tells of the joy of encountering the different cultures experienced through travel in other parts of the world. It speaks of how life at the end of the trail can be the most difficult of all of life's encounters.
Relationships are hard enough to negotiate without advice from outsiders who don’t know you at all. This book is not a “how-to” aimed at attaining the ideal. Rather, it is a how-it-is, an exploration of how relationships are, how they develop, how they deteriorate, how they may end and how they may even revive. Strange as it may seem, it is not a book about how individual human beings are. It doesn’t concern itself with individual human failings. Those failings are given in being human. Instead, it describes the potentials for joy, disappointment and burden that are intrinsic to relationship and by extension to the process of becoming fully human. In a world obsessed with attaining an illusory ideal, becoming fully human is the greatest threat.
The #1 New York Times Bestseller “An engaging look at the often head-scratching, frequently infuriating mating behaviors that shape our love lives.” —Refinery 29 A hilarious, thoughtful, and in-depth exploration of the pleasures and perils of modern romance from Aziz Ansari, the star of Master of None and one of this generation’s sharpest comedic voices At some point, every one of us embarks on a journey to find love. We meet people, date, get into and out of relationships, all with the hope of finding someone with whom we share a deep connection. This seems standard now, but it’s wildly different from what people did even just decades ago. Single people today have more romantic options than at any point in human history. With technology, our abilities to connect with and sort through these options are staggering. So why are so many people frustrated? Some of our problems are unique to our time. “Why did this guy just text me an emoji of a pizza?” “Should I go out with this girl even though she listed Combos as one of her favorite snack foods? Combos?!” “My girlfriend just got a message from some dude named Nathan. Who’s Nathan? Did he just send her a photo of his penis? Should I check just to be sure?” But the transformation of our romantic lives can’t be explained by technology alone. In a short period of time, the whole culture of finding love has changed dramatically. A few decades ago, people would find a decent person who lived in their neighborhood. Their families would meet and, after deciding neither party seemed like a murderer, they would get married and soon have a kid, all by the time they were twenty-four. Today, people marry later than ever and spend years of their lives on a quest to find the perfect person, a soul mate. For years, Aziz Ansari has been aiming his comic insight at modern romance, but for Modern Romance, the book, he decided he needed to take things to another level. He teamed up with NYU sociologist Eric Klinenberg and designed a massive research project, including hundreds of interviews and focus groups conducted everywhere from Tokyo to Buenos Aires to Wichita. They analyzed behavioral data and surveys and created their own online research forum on Reddit, which drew thousands of messages. They enlisted the world’s leading social scientists, including Andrew Cherlin, Eli Finkel, Helen Fisher, Sheena Iyengar, Barry Schwartz, Sherry Turkle, and Robb Willer. The result is unlike any social science or humor book we’ve seen before. In Modern Romance, Ansari combines his irreverent humor with cutting-edge social science to give us an unforgettable tour of our new romantic world.
OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.
The horrors that thousands of lesbian and gay couples face are detailed in this moving political and personal story of immigration and love. As Judy and Karin’s legal battles reveal, when only one half of a gay couple is an American citizen, immigration struggles are confounded by the fact that the partners cannot legally marry in most parts of the United States. With resources that outline which organizations can help and what the challenges and the realities of this situation are, this reference reaches out to couples, their friends and family, and anyone interested in assisting by offering advice and camaraderie on this subset of the gay marriage issue. Royalties from the book, which is published in association with Immigration Equality and Out4Immigration, go to groups working to overcome immigration denial for gay couples.
"Once upon a time two daring young artists - Marina Abramovic from Yugoslavia, and Uwe Laysiepen from West Germany - chanced to meet in Amsterdam, fall in love, and begin an extraordinary collaboration. Their guiding principles: "no fixed living-place, permanent movement, direct contact, local relation, self-selection, passing limitations, taking risks, mobile energy, no rehersal, no predicted end, no repetition." For a dozen years, and across five continents, they produced a body of work that is regarded as being among the most conceptually powerful and emotionally challenging in all of Performance Art.
When a murder in the past destroys the foundation of her present-day life, Kate uses her genetic ability to time-travel to stop the murder and attempt to change the timeline--which may erase the memory of the boy she loves.
