Antigua, Penny, Puce is a tale of sibling rivalry in which Jane and Oliver fight for posession of a never-issued one-penny stamp from Antigua. They Hanged my Saintly Billy tells of Dr William Palmer, a notorious surgeon, racehorse owner and confessed forger who was also a thief.
The Nazarene Gospel Restored is Robert Graves's major work on the life of Jesus, written in collaboration with the distinguished Hebrew scholar Joshua Podro. The research and writing occupied them for over ten years, in a working relationship compounded, in John W. Presley's phrase, 'of argument, scholarship and mutual respect', in which the imaginative writer and the Hebraist drew on their vast knowledge of the ancient world to reveal an extraordinary new, 'true' story of Jesus. The result is, as Graves wrote to T.S. Eliot, 'a very long, very readable, very strange book', and one that Presley argues is as central to Graves's thought as The White Goddess. The Nazarene Gospel Restored was controversial when first published: the Church Times refused to advertise it, reviews were hostile, and Graves twice sued for libel. In the twenty-first century it is possible to read it in the context of a continuing engagement with the historical Jesus, both scholarly and popular. In this new edition, John W. Presley gives a detailed account of the composition and reception of the book, setting it in the context of Graves's writing and of biblical scholarship. The inclusion of Graves's Foreword and annotations for a project revised edition make this an indispensable resource.
This book discusses sex and death in the eighteenth-century, an era that among other forms produced the Gothic novel, commencing the prolific examination of the century’s shifting attitudes toward death and uncovering literary moments in which sexuality and death often conjoined. By bringing together various viewpoints and historical relations, the volume contributes to an emerging field of study and provides new perspectives on the ways in which the century approached an increasingly modern sense of sexuality and mortality. It not only provides part of the needed discussion of the relationship between sex, death, history, and eighteenth-century culture, but is a forum in which the ideas of several well-respected critics converge, producing a breadth of knowledge and a diversity of perspectives and methodologies previously unseen. As the contributors demonstrate, eighteenth-century anxieties over mortality, the body, the soul, and the corpse inspired many writers of the time to both implicitly and explicitly embed mortality and sexuality within their works. By depicting the necrophilic tendencies of libertines and rapacious villains, the fetishizing of death and mourning by virtuous heroines, or the fantasy of preserving the body, these authors demonstrate not only the tragic results of sexual play, but the persistent fantasy of necro-erotica. This book shows that within the eighteenth-century culture of profound modern change, underworkings of death and mourning are often eroticized; that sex is often equated with death (as punishment, or loss of the self); and that the sex-death dialectic lies at the discursive center of normative conceptions of gender, desire, and social power.
Literature and Culture Handbooks are an innovative series of guides to major periods, topics and authors in British and American literature and culture. Designed to provide a comprehensive, one-stop resource for literature students, each handbook provides the essential information and guidance needed from the beginning of a course through to developing more advanced knowledge and skills. Written in clear language by leading academics, they provide an indispensable introduction to key topics, including: • Introduction to authors, texts, historical and cultural contexts • Guides to key critics, concepts and topics • An overview of major critical approaches, changes in the canon and directions of current and future research • Case studies in reading literary and critical texts • Annotated bibliography (including websites), timeline, glossary of critical terms. The Eighteenth-Century Literature Handbook is an invaluable introduction to literature and culture in the eighteenth century.
What does it mean to study English Literature? Have can you navigate and get the most from your degree? The English Literature Companion is your comprehensive introduction to, and exploration of, the discipline of English and Literary Studies. It is your advisor on key decisions, and your one-stop reference source throughout the course. It combines: - A wide-ranging introduction to the nature, breadth and key components of the study of English Literature - Essays by experts in the field on key topics, periods and critical approaches - A glossary of critical terms and a chronology of literary history - Guidance about study skills, from using your time effectively to the practical mechanics of writing essays - Extensive signposting to wider reading and further sources of information - Advice on key decisions taken during a degree and on subsequent career direction and further study Giving you the foundation and resources you need for success in English Literature, this book is essential pre-course reading and will be an invaluable reference resource throughout your degree.
Bringing together three of Robert Graves' most significant writings on the meaning of the Great War--the original 1929 edition of Goodbye to All That, the essay A Postscript to Goodbye to All That, and the play But It Still Goes On--this volume brings works that have been long out of print to a new audience. These works explore the nature of personal literature written about the Great War, as well as the cultural and emotional wasteland left in its wake. The introduction by Steven Trout provides an invaluable context for Graves' classic autobiography.
"The book is organized around five distinct themes that include studies on Graves's own literary criticism, offer new insights into his poetry, produce commentary on his often overlooked fictional output, make some reflections on the origins and importance of his White Goddess, and examine some literary crosscurrents that have pollinated Graves's work."--BOOK JACKET.
Concerns with matriarchal deities and the creative reinterpretation of mythology infuse these works from a celebrated British author. In The Golden Fleece, Graves liberates the tale of Jason and the Argonauts from its status as a children's story and reconstitutes it as a fully fledged epic. Seven Days in New Crete is set in a future in which the New Cretans have abandoned 20th-century technology in favor of a magical, matriarchal society where wars are conveniently fought between breakfast and tea and casualties can be swiftly reborn.