Anthology of Japanese Literature
Anthology of Japanese Literature

Author: Donald Keene

Publisher:

Published: 2020-12-12

Total Pages: 446

ISBN-13: 9781621386759

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The sweep of Japanese literature in all its great variety and unusual beauty, from earliest times to the mid-nineteenth century, is conveniently presented here in this anthology for Western readers. It is a work designed to be read for pleasure, and the translations have been chosen not only for their accuracy but for their readability and immediate impact as English prose and poetry. Every genre and style, from the somber beauty of the celebrated No plays to the exquisitely fashioned poetry and eroticism of the novels of the seventeenth century, finds a place in this book. Donald Keene's substantial introduction, which traces the main developments linking the works presented, helps to make the anthology a book to be enjoyed not only as literature in its own right but also as a guide to the culture of Japan.

A Kamigata Anthology
A Kamigata Anthology

Author: Sumie Jones

Publisher: University of Hawaii Press

Published: 2020-02-29

Total Pages: 545

ISBN-13: 0824882636

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This is the first of a three-volume anthology of Edo- and Meiji-era urban literature that includes An Edo Anthology: Literature from Japan’s Mega-City, 1750–1850 and A Tokyo Anthology: Literature from Japan’s Modern Metropolis, 1850–1920. The present work focuses on the years in which bourgeois culture first emerged in Japan, telling the story of the rising commoner arts of Kamigata, or the “Upper Regions” of Kyoto and Osaka, which harkened back to Japan’s middle ages even as they rebelled against and competed with that earlier era. Both cities prided themselves on being models and trendsetters in all cultural matters, whether arts, crafts, books, or food. The volume also shows how elements of popular arts that germinated during this period ripened into the full-blown consumer culture of the late-Edo period. The tendency to imagine Japan’s modernity as a creation of Western influence since the mid-nineteenth century is still strong, particularly outside Japan studies. A Kamigata Anthology challenges such assumptions by illustrating the flourishing phenomenon of Japan’s movement into its own modernity through a selection of the best examples from the period, including popular genres such as haikai poetry, handmade picture scrolls, travel guidebooks, kabuki and joruri plays, prose narratives of contemporary life, and jokes told by professional entertainers. Well illustrated with prints from popular books of the time and hand scrolls and standing screens containing poems and commentaries, the entertaining and vibrant translations put a spotlight on texts currently unavailable in English.

Anthology of Japanese Literature
Anthology of Japanese Literature

Author: Donald Keene

Publisher: Open Road + Grove/Atlantic

Published: 2007-12-01

Total Pages: 490

ISBN-13: 0802198651

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A landmark collection of five periods of literature from the Land of the Rising Sun. The sweep of Japanese literature in all its great variety was made available to Western readers for the first time in this anthology. Every genre and style, from the celebrated Nō plays to the poetry and novels of the seventeenth century, find a place in this book. An introduction by Donald Keene places the selections in their proper historical context, allowing the readers to enjoy the book both as literature and as a guide to the cultural history of Japan. Selections include “Man’yōshū” or “Collection of Ten Thousand Leaves” from the ancient period; “Kokinshū” or “Collection of Ancient and Modern Poetry,” “The Tosa Diary” of Ki no Tsurayuki, “Yūgao” from “The Tale of Genji” of Murasaki Shikibu, and “The Pillow Book” of Sei Shōnagon from the Heian Period; “The Tale of the Heike” from the Kamakura Period; Plan of the No Stage, “Birds of Sorrow” of Seami Motokiyo, and “Three Poets at Minase” from the Muromachi Period; and selections from Bashō, including “The Narrow Road of Oku,” “The Love Suicides at Sonezaki” by Chikamatsu Monzaemon, and Waka and haiku of the Tokugawa Period.

The Cambridge History of Japanese Literature
The Cambridge History of Japanese Literature

Author: Haruo Shirane

Publisher: Cambridge University Press

Published: 2015-12-31

Total Pages:

ISBN-13: 1316368289

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The Cambridge History of Japanese Literature provides, for the first time, a history of Japanese literature with comprehensive coverage of the premodern and modern eras in a single volume. The book is arranged topically in a series of short, accessible chapters for easy access and reference, giving insight into both canonical texts and many lesser known, popular genres, from centuries-old folk literature to the detective fiction of modern times. The various period introductions provide an overview of recurrent issues that span many decades, if not centuries. The book also places Japanese literature in a wider East Asian tradition of Sinitic writing and provides comprehensive coverage of women's literature as well as new popular literary forms, including manga (comic books). An extensive bibliography of works in English enables readers to continue to explore this rich tradition through translations and secondary reading.

Unbinding The Pillow Book
Unbinding The Pillow Book

Author: Gergana Ivanova

Publisher: Columbia University Press

Published: 2018-11-06

Total Pages: 247

ISBN-13: 0231547609

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An eleventh-century classic, The Pillow Book of Sei Shōnagon is frequently paired with The Tale of Genji as one of the most important works in the Japanese canon. Yet it has also been marginalized within Japanese literature for reasons including the gender of its author, the work’s complex textual history, and its thematic and stylistic depth. In Unbinding The Pillow Book, Gergana Ivanova offers a reception history of The Pillow Book and its author from the seventeenth century to the present that shows how various ideologies have influenced the text and shaped interactions among its different versions. Ivanova examines how and why The Pillow Book has been read over the centuries, placing it in the multiple contexts in which it has been rewritten, including women’s education, literary scholarship, popular culture, “pleasure quarters,” and the formation of the modern nation-state. Drawing on scholarly commentaries, erotic parodies, instruction manuals for women, high school textbooks, and comic books, she considers its outsized role in ideas about Japanese women writers. Ultimately, Ivanova argues for engaging the work’s plurality in order to achieve a clearer understanding of The Pillow Book and the importance it has held for generations of readers, rather than limiting it to a definitive version or singular meaning. The first book-length study in English of the reception history of Sei Shōnagon, Unbinding The Pillow Book sheds new light on the construction of gender and sexuality, how women’s writing has been used to create readerships, and why ancient texts continue to play vibrant roles in contemporary cultural production.