¡Manteca!

¡Manteca!

Author: Melissa Castillo-Garsow

Publisher: Arte Publico Press

Published: 2017

Total Pages: 0

ISBN-13: 9781558858428

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"We defy translation," Sandra María Esteves writes. "Nameless/we are a whole culture/once removed." She is half Dominican, half Puerto Rican, with indigenous and African blood, born in the Bronx. Like so many of the contributors, she is a blend of cultures, histories and languages. Containing the work of more than 40 poets--equally divided between men and women--who self-identify as Afro-Latino, ¡Manteca! is the first poetry anthology to highlight writings by Latinos of African descent. The themes covered are as diverse as the authors themselves. Many pieces rail against a system that institutionalizes poverty and racism. Others remember parents and grandparents who immigrated to the United States in search of a better life, only to learn that the American Dream is a nightmare for someone with dark skin and nappy hair. But in spite of the darkness, faith remains. Anthony Morales' grandmother, like so many others, was "hardwired to hold on to hope." There are love poems to family and lovers. And music--salsa, merengue, jazz--permeates this collection.Editor and scholar Melissa Castillo-Garsow writes in her introduction that "the experiences and poetic expression of Afro-Latinidad were so diverse" that she could not begin to categorize it. Some write in English, others in Spanish. They are Puerto Rican, Dominican and almost every combination conceivable, including Afro-Mexican. Containing the work of well-known writers such as Pedro Pietri, Miguel Piñero and E. Ethelbert Miller, less well-known ones are ready to be discovered in these pages.


The Chicano Latino Literary Prize

The Chicano Latino Literary Prize

Author: Stephanie Fetta

Publisher: Arte Publico Press

Published: 2008-01-01

Total Pages: 352

ISBN-13: 1611923034

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ñDavid is mine!î Mrs. Renteria shouts out to her neighbors gathered about the dead but handsome young man found in the dry riverbed next to their homes in a Los Angeles barrio. ñDavid?î Tiburcio asked. ñSince when is his name David? He looks to me more like a ƒî Tiburcio glanced at the manÍs face, ñƒ a Luis.î Mrs. RenteriaÍs neighbors call out a litany of names that better suit the mysterious corpse: Roberto, Antonio, Henry, Enrique, Miguel, Roy, Rafael. The very first winner of the Chicano / Latino Literary Prize in 1974, Ron AriasÍ ñThe Wetbackî uses dark humor to reflect on the appearance of a dead brown man in their midst. This landmark collection of prize-winning fiction, poetry, and drama paints a historical and aesthetic panorama of Chicana/o and Latina/o letters over a twenty-five-year period beginning in 1974 and ending in 1999. Most, but not all, of the winning entries are featured in this anthology, which also includes second- and third-place winners, as well as honorable mentions. Now entering its thirty-first year, the award has recognized a wide variety of writers, from established ones such as Juan Felipe Herrera, Michael Nava, and Helena Maria Viramontes, to those that are lesser known. Many of the pieces in this anthology are considered to be foundational texts of Chicana/o and Latina/o literature, and those that are not as widely recognized deserve more serious study and attention. Presented in chronological order, the selected writings are primarily in English, although some are written in Spanish, and others in Spanglish. Some, like Francisco X. AlarconÍs poem ñRaices / Roots,î appear in both languages: ñMis raices / las cargo / siempre / conmigo / enrolladas / me sirven / de almohada.î ñI carry / my roots / with me / all the time / rolled up / I use them / as my pillow.î In addition to the diverse array of authors, styles, and genres, the works included in this collection cover a wide range of themes, from more political issues of ethnic, gender, and class.


Infinite Divisions

Infinite Divisions

Author: Tey Diana Rebolledo

Publisher: University of Arizona Press

Published: 1993

Total Pages: 436

ISBN-13: 9780816513840

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Offers examples of oral narratives and literature from the nineteenth century to the present


Bordering Fires

Bordering Fires

Author: Cristina Garcia

Publisher: Vintage

Published: 2009-01-21

Total Pages: 302

ISBN-13: 0307482405

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As the descendants of Mexican immigrants have settled throughout the United States, a great literature has emerged, but its correspondances with the literature of Mexico have gone largely unobserved. In Bordering Fires, the first anthology to combine writing from both sides of the Mexican-U.S. border, Cristina Garc’a presents a richly diverse cross-cultural conversation. Beginning with Mexican masters such as Alfonso Reyes and Juan Rulfo, Garc’a highlights historic voices such as “the godfather of Chicano literature” Rudolfo Anaya, and Gloria Anzaldœa, who made a powerful case for language that reflects bicultural experience. From the fierce evocations of Chicano reality in Jimmy Santiago Baca’s Poem IX to the breathtaking images of identity in Coral Bracho’s poem “Fish of Fleeting Skin,” from the work of Carlos Fuentes to Sandra Cisneros, Ana Castillo to Octavio Paz, this landmark collection of fiction, essays, and poetry offers an exhilarating new vantage point on our continent–and on the best of contemporary literature. From the Trade Paperback edition.


Looking Out, Looking in

Looking Out, Looking in

Author: William Luis

Publisher: Hispanic Civil Rights (Paperba

Published: 2012

Total Pages: 388

ISBN-13:

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The poems included in this comprehensive anthology run the gamut of styles and themes, but all are by Latinos writing from the mid- twentieth century to the present. Some deal with issues specific to the Hispanic experience, such as displacement, identity and language. Others ponder universal concerns, such as love, family and humanity. In "Letter to Arturo," Mexican-American poet Lucha Corpi pens a song of love to her son: "You've hardly left / and already I miss the light / caress of your hands / on my hair, / and your laughter and your tears, / and all your questions / about seas, / moons and deserts. / And all my poems / are tying themselves together / in my throat."More than 60 Latino poets are represented in this wide-ranging collection that focuses on poetry from the four largest groups in the United States: Mexican Americans, Cuban Americans, Puerto Ricans and Dominican Americans.Included are distinguished poets such as Julia Álvarez, Gloria Anzaldúa, Jimmy Santiago Baca, Martín Espada and Pedro Pietri, as well as less well-known writers who deserve more recognition. Whether writing about timeless issues or themes specific to their community, the poets in this volume craft a multilayered look at what it means to be Latino in the United States. Looking Out, Looking In is an indispensable and welcome addition to American and Latino literatures.


Shaking Off the Dark

Shaking Off the Dark

Author: Tino Villanueva

Publisher: Bilingual Review Press (AZ)

Published: 1998

Total Pages: 118

ISBN-13:

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Poetry in Spanish, English and Spanglish. Latino/a Studies. First published in 1984 by Arte Publico, "Shaking off the Dark" has become one of the classics of Chicano literature. This new, corrected edition features poems not included in the first edition, as well as introduction and bibliography. These poems are thoughtful, angry, perceptive, and address such topics as art, time, love, oppression, history, and language itself. "Distraught, /mad-eyed from told formulas/bound to rule my easy ways, /I look, I see, /but fail once more to know." In this "failure" to know, however, Villanueva provides us a gorgeous window onto the worlds he sees so sharply. "So arise, Chicano, " he extorts, "arise from the shadow of Nothingness; /arise from that neverending Nada of servitude./The problem is we live by other people's words" (from "Speak Up, Chicano, Speak Up"). Villanueva does speak up, creating poems to counter "other people's words." A recipient of the American Book Award, Villanueva lives in Boston and teaches at Boston University.