Anthology Complex
Author: M.B. Julien
Publisher: M.B. Julien
Published: 2024-02-05
Total Pages: 162
ISBN-13:
DOWNLOAD EBOOKAn individual who is physically unsubscribed to the world attempts to understand what it means to be human.
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Author: M.B. Julien
Publisher: M.B. Julien
Published: 2024-02-05
Total Pages: 162
ISBN-13:
DOWNLOAD EBOOKAn individual who is physically unsubscribed to the world attempts to understand what it means to be human.
Author: Michelle O'Callaghan
Publisher: Cambridge University Press
Published: 2020-12-10
Total Pages: 263
ISBN-13: 1108869939
DOWNLOAD EBOOKThe printed poetry anthologies first produced in sixteenth-century England have long been understood as instrumental in shaping the history of English poetry. This book offers a fresh approach to this history by turning attention to the recreative properties of these books, both in the sense of making again, of crafting and recrafting, and of poetry as a pleasurable pastime. The model of materiality employed extends from books-as-artefacts to their embodiedness - their crafted, performative, and expressive capacities. Publishers invariably advertised the recreational uses of anthologies, locating these books in early modern performance cultures in which poetry was read, silently and in company, sometimes set to music, and re-crafted into other forms. Engaging with studies of material cultures, including work on craft, households, and soundscapes, Crafting Poetry Anthologies argues for a domestic Renaissance in which anthologies travelled across social classes, shaping recreational cultures that incorporated men and women in literary culture.
Author: Laura Winter
Publisher: Narr Francke Attempto Verlag
Published: 2024-01-29
Total Pages: 362
ISBN-13: 3381112228
DOWNLOAD EBOOKSerial storytelling has the advantage of unlocking rather than simplifying the complexities of digital culture. With their worldbuilding potential, TV series open up new artistic horizons, particularly for the dystopian genre. Situated at the nexus of dystopia, complex TV, and a metamodern cultural logic, Dystopia on Demand: Technology, Digital Culture, and the Metamodern Quest in Complex Serial Dystopias offers readers novel insights into the dynamics of serial dystopias in the contemporary streaming landscape. Introducing the term 'complex serial dystopias' to describe series that allow audiences to engage with the dystopian premise from multiple angles, the book examines four Anglo-American series, including Black Mirror, Mr. Robot, Westworld, and Kiss Me First. The in-depth analyses trace the variety of ways in which these series offer critical reflections on the human-technology entanglement in digital culture.
Author: Mark A. Bedau
Publisher: MIT Press
Published: 2008-03-21
Total Pages: 481
ISBN-13: 0262524759
DOWNLOAD EBOOKContemporary classics on the the major approaches to emergence found in contemporary philosophy and science, with chapters by such prominent scholars as John Searle, Stephen Weinberg, William Wimsatt, Thomas Schelling, Jaegwon Kim, Daniel Dennett, Herbert Simon, Stephen Wolfram, Jerry Fodor, Philip Anderson, David Chalmers, and others. Emergence, largely ignored just thirty years ago, has become one of the liveliest areas of research in both philosophy and science. Fueled by advances in complexity theory, artificial life, physics, psychology, sociology, and biology and by the parallel development of new conceptual tools in philosophy, the idea of emergence offers a way to understand a wide variety of complex phenomena in ways that are intriguingly different from more traditional approaches. This reader collects for the first time in one easily accessible place classic writings on emergence from contemporary philosophy and science. The chapters, by such prominent scholars as John Searle, Stephen Weinberg, William Wimsatt, Thomas Schelling, Jaegwon Kim, Robert Laughlin, Daniel Dennett, Herbert Simon, Stephen Wolfram, Jerry Fodor, Philip Anderson, and David Chalmers, cover the major approaches to emergence. Each of the three sections ("Philosophical Perspectives," "Scientific Perspectives," and "Background and Polemics") begins with an introduction putting the chapters into context and posing key questions for further exploration. A bibliography lists more specialized material, and an associated website (http://mitpress.mit.edu/emergence) links to downloadable software and to other sites and publications about emergence. Contributors P. W. Anderson, Andrew Assad, Nils A. Baas, Mark A. Bedau, Mathieu S. Capcarrère, David Chalmers, James P. Crutchfield, Daniel C. Dennett, J. Doyne Farmer, Jerry Fodor, Carl Hempel, Paul Humphreys, Jaegwon Kim, Robert B. Laughlin, Bernd Mayer, Brian P. McLaughlin, Ernest Nagel, Martin Nillson, Paul Oppenheim, Norman H. Packard, David Pines, Steen Rasmussen, Edmund M. A. Ronald, Thomas Schelling, John Searle, Robert S. Shaw, Herbert Simon, Moshe Sipper, Stephen Weinberg, William Wimsatt, and Stephen Wolfram
Author: Stephen Hamrick
Publisher: Routledge
Published: 2016-02-24
Total Pages: 228
ISBN-13: 1317009738
DOWNLOAD EBOOKThough printer Richard Tottel’s Songes and Sonettes (1557) remains the most influential poetic collection printed in the sixteenth century, the compiliation has long been ignored or misundertood by scholars of early modern English culture. Embracing a broad range of critical and historical perspectives, the eight essays within this volume offer the first sustained analysis of the many ways that consumers read and understood Songes and Sonettes as an anthology over the course of the early modern period. Copied by a monarch, set to music, sung, carried overseas, studied, appropriated, rejected, edited by consumers, transferred to manuscript, and gifted by Shakespeare, this muti-author verse anthology of 280 poems transformed sixteenth-century English language and culture. With at least eleven printings before the end of Elizabeth I’s reign, Tottel’s ground-breaking text greatly influenced the poetic publications that followed, including individual and multi-author miscellanies. Contributors to this essay collection explore how, in addition to offering a radically new kind of English verse, ’Tottel’s Miscellany’ engaged politics, friendship, religion, sexuality, gender, morality and commerce in complex-and at times, contradictory-ways.
Author: Eric A. Stanley
Publisher: AK Press
Published: 2015-10-05
Total Pages: 425
ISBN-13: 1849352356
DOWNLOAD EBOOKA Lambda Literary Award finalist, Captive Genders is a powerful tool against the prison industrial complex and for queer liberation. This expanded edition contains four new essays, including a foreword by CeCe McDonald and a new essay by Chelsea Manning. Eric Stanley is a postdoctoral fellow at UCSD. His writings appear in Social Text, American Quarterly, and Women and Performance, as well as various collections. Nat Smith works with Critical Resistance and the Trans/Variant and Intersex Justice Project. CeCe McDonald was unjustly incarcerated after fatally stabbing a transphobic attacker in 2011. She was released in 2014 after serving nineteen months for second-degree manslaughter.
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Publisher: BRILL
Published: 2021-11-22
Total Pages: 355
ISBN-13: 9004486321
DOWNLOAD EBOOKFrom Tottel's Miscellany (1557) to the last twentieth-century Oxford Book of English Verse (1999), anthologies have been a prime institution for the preservation and mediation of poetry. The importance of anthologies for creating and re-creating the canon of English poetry, for introducing ‘new' programmes of poetry, as a record of changing poetic fashions, audience tastes and reading practices, or as a profitable literary commodity has often been asserted. Despite its impact, however, the poetry anthology in itself has attracted surprisingly little critical interest in Britain or elsewhere in the English-speaking world. This volume is the first publication to explore the largely unmapped field of poetry anthologies in Britain. Essays written from a wide range of perspectives in literary and cultural studies, and the point of view of poets, editors, publishers and cultural institutions, aim to do justice to the typological, functional and historical variety with which this form of publication has manifested itself - from early modern print culture to the postmodern age of the world wide web.
Author: Warren Treadgold
Publisher: Stanford University Press
Published: 1997-11-01
Total Pages: 971
ISBN-13: 0804779376
DOWNLOAD EBOOK“A vivid story of Byzantium’s existence over the span of 1,100 years . . . . this work may well become the standard English-language history of Byzantium.” —Library Journal This is the first comprehensive and up-to-date history of Byzantium to appear in almost sixty years, and the first ever to cover both the Byzantine state and Byzantine society. It begins in A.D. 285, when the emperor Diocletian separated what became Byzantium from the western Roman Empire, and ends in 1461, when the last Byzantine outposts fell to the Ottoman Turks. Spanning twelve centuries and three continents, the Byzantine Empire linked the ancient and modern worlds, shaping and transmitting Greek, Roman, and Christian traditions—including the Greek classics, Roman law, and Christian theology—that remain vigorous today, not only in Eastern Europe and the Middle East but throughout Western civilization. Though in its politics Byzantium often resembled a third-world dictatorship, it has never yet been matched in maintaining a single state for so long, over a wide area inhabited by heterogeneous peoples. Drawing on a wealth of original sources and modern works, the author treats political and social developments as a single vivid story, told partly in detailed narrative and partly in essays that clarify long-term changes. He avoids stereotypes and rejects such old and new historical orthodoxies as the persistent weakness of the Byzantine economy and the pervasive importance of holy men in Late Antiquity. Without neglecting underlying social, cultural, and economic trends, the author shows the often-crucial impact of nearly a hundred Byzantine emperors and empresses. What the emperor or empress did, or did not do, could rapidly confront ordinary Byzantines with economic ruin, new religious doctrines, or conquest by a foreign power. Much attention is also paid to the complex life of the court and bureaucracy that has given us the adjective “byzantine.” The major personalities include such famous names as Constantine, Justinian, Theodora, and Heraclius, along with lesser-known figures like Constans II, Irene, Basil II the Bulgar-Slayer, and Michael VIII Palaeologus. Byzantine civilization emerges as durable, creative, and realistic, overcoming repeated setbacks to remain prosperous almost to the end. With 221 illustrations and 18 maps, A History of the Byzantine State and Society should long remain the standard history of Byzantium not just for students and scholars but for all readers. “Fluently written for the general reader.” —Los Angeles Times Book Review “Though several others have recently assayed to cover the complex history of the Eastern Roman Empire . . . none has done so as completely and satisfactorily as Treadgold.” —Libraries & Culture
Author: Michael E. Veal
Publisher: Wesleyan University Press
Published: 2016-10-18
Total Pages: 441
ISBN-13: 0819576549
DOWNLOAD EBOOKThis ground-breaking case study examines record production as ethnographic work. Since its founding in 2003, Seattle-based record label Sublime Frequencies has produced world music recordings that have been received as radical, sometimes problematic critiques of the practices of sound ethnography. Founded by punk rocker brothers Alan and Richard Bishop, along with filmmaker Hisham Mayet, the label's releases encompass collagist sound travelogues; individual artist compilations; national, regional and genre surveys; and DVDs—all designed in a distinctive graphic style recalling the DIY aesthetic of punk and indie rock. Sublime Frequencies' producers position themselves as heirs to canonical ethnographic labels such as Folkways, Nonesuch, and Musique du Monde, but their aesthetic and philosophical roots in punk, indie rock, and experimental music effectively distinguish their work from more conventional ethnographic norms. Situated at the intersection of ethnomusicology, sound studies, cultural anthropology, and popular music studies, the essays in this volume explore the issues surrounding the label—including appropriation and intellectual property—while providing critical commentary and charting the impact of the label through listener interviews.
Author: Kathryn Babayan
Publisher: Stanford University Press
Published: 2021-04-06
Total Pages: 343
ISBN-13: 1503627837
DOWNLOAD EBOOKHousehold anthologies of seventeenth-century Isfahan collected everyday texts and objects, from portraits, letters, and poems to marriage contracts and talismans. With these family collections, Kathryn Babayan tells a new history of the city at the transformative moment it became a cosmopolitan center of imperial rule. Bringing into view people's lives from a city with no extant state or civic archives, Babayan reimagines the archive of anthologies to recover how residents shaped their communities and crafted their urban, religious, and sexual selves. Babayan highlights eight residents—from king to widow, painter to religious scholar, poet to bureaucrat—who anthologized their city, writing their engagements with friends and family, divulging the many dimensions of the social, cultural, and religious spheres of life in Isfahan. Through them, we see the gestures, manners, and sensibilities of a shared culture that configured their relations and negotiated the lines between friendship and eroticism. These entangled acts of seeing and reading, desiring and writing converge to fashion the refined urban self through the sensual and the sexual—and give us a new and enticing view of the city of Isfahan.