The introduction of iron – and later steel – construction and decoration transformed architecture in the nineteenth century. While the structural employment of iron has been a frequent subject of study, this book re-directs scholarly scrutiny on its place in the aesthetics of architecture in the long nineteenth century. Together, its eleven unique and original chapters chart – for the first time – the global reach of iron’s architectural reception, from the first debates on how iron could be incorporated into architecture’s traditional aesthetics to the modernist cleaving of its structural and ornamental roles. The book is divided into three sections. Formations considers the rising tension between the desire to translate traditional architectural motifs into iron and the nascent feeling that iron buildings were themselves creating an entirely new field of aesthetic expression. Exchanges charts the commercial and cultural interactions that took place between British iron foundries and clients in far-flung locations such as Argentina, Jamaica, Nigeria and Australia. Expressing colonial control as well as local agency, iron buildings struck a balance between pre-fabricated functionalism and a desire to convey beauty, value and often exoticism through ornament. Transformations looks at the place of the aesthetics of iron architecture in the late nineteenth and early twentieth centuries, a period in which iron ornament sought to harmonize wide social ambitions while offering the tantalizing possibility that iron architecture as a whole could transform the fundamental meanings of ornament. Taken together, these chapters call for a re-evaluation of modernism’s supposedly rationalist interest in nineteenth-century iron structures, one that has potentially radical implications for the recent ornamental turn in contemporary architecture.
Asbury Park and Neptune, once popular Victorian seaside retreats, played an important role in the rebirth of rock and roll in the 1970s. In Asbury Park and Neptune, photographs document the changes to these communities, as well as the hamlets and boroughs that are currently or were formerly a part of Neptune, including Ocean Grove, Neptune City, Bradley Beach, and Avon-by-the-Sea.
This Book is the outcome of a long project begun thirty years ago. It is a book on the makings of pan-Africanism through the predicaments of being black in a world dominated by being white. The book is a tribute and celebration of the efforts of the African-American and African-Caribbean Diaspora who took the initiative and the audacity to fight and liberate themselves from the shackles of slavery. It is also a celebration of those Africans who in their own way carried the torch of inspiration and resilience to save and reconstruct the Free Humanism of Africa. As a story of the rise from the shackles of slavery and poverty to the summit of Victors of their Renaissance Identity and Self-Determination as a People, the book is the story of African refusal to celebrate victimhood. The book also situates women as central actors in the Pan-African project, which is often presented as an exclusively masculine endeavour. It introduces a balanced gender approach and diagnosis of the Women actors of Pan-Africanism which was very much lacking. The problem of balkanisation of Africa on post-colonial affiliations and colonial linguistic lines has taken its toll on Africas building of its common identity and personality. The result is that Africans are more remote to each other in their pigeon-hole-nation-states which put more restrictions for African inter-mobility, coupled by education and cultural affiliations, the communication and transportation and trading networks which are still tied more to their colonial masters than among themselves. This book looks into the problem of the new wave of Pan-Africanism and what strategies that can be proposed for a more participatory Pan-Africanism inspired by the everyday realities of African masses at home and in the diaspora. This book is the first book of its kind that gives a comprehensive and multidimensional coverage of Pan-Africanism. It is a very timely and vital compendium.
This book shows you one thing: How to deal with moisture problems in buildings and their components: Roofs, walls, attics, heating/ventilation/air conditioning systems, etc.; as well as how to deal with moisture problems in insulated chilled water pipes and underground pipes. You'll discover the basics of moisture control in an easy-to-understand manner through real-life moisture problems that the author himself has been through, and managed to solve. Not only does Mr. William A. Lotz, P.E. write about his extensive moisture control experience with 2000 buildings and projects, but also conveys the moisture control facts in a forthright, solution-oriented, jargon-free language. This language can be grasped by all building professionals: Architects, engineers, builders, facility managers, contractors, inspectors, specifers, etc. Even homeowners will find solutions to their moisture problems here. If you've ever struggled with moisture control despite the supreme advances in the building techniques, stop struggling; please. Following reading this book (or the specific chapter in this book pertaining to your problem), you'll be able to solve any awkward moisture problem life throws at you!