How many times on the roads of life did we wish we had been given a hint or inspiration about what to do, where to go and with whom? The answer was already there within us but we could not hear it. The present book is intended to become an aid, for the reader, to find an inspiration daily or in times of need, which can give that necessary and, above all "inspired" push to find Motivation, Courage, Determination within oneself, and to have wise counsel on numerous areas of life. The value of this work is precisely the collection by subject of Phrases, Aphorisms and Inspirations from the greatest figures in ancient and, especially recent history. Numerous are the Inspirational Phrases and Aphorisms from writers, philosophers, poets and thinkers, motivators and managers who have made history and continue to do so, leaving an indelible mark behind them.
Sinners Anonymous gives us a harsh look at our world that is tainted by sin and how this sin affects us. The book allows the reader to participate in an intimate retelling of the narrator's personal story while challenging the reader to confront the sin in his or her own life. The narrator gives very clear, concise instructions on how to face sin, fight sin, and put it to death. This reformed publication was written from the perspective of a young adult author who is a Christian in an evangelical reformed church. The narrator chose to write anonymously due to the sensitive and emotional nature of the narrator's personal story, and she wants the focus to be centered around Christ and His beautiful sacrifice He made for His bride, the church. This story is not for the faint of heart as there are some emotionally triggering details that could potentially be disturbing to some readers, specifically those who may have experienced abuse or sexual trauma. There is a warning in the book before this section appears, should the reader wish to skip it. Overall, Sinners Anonymous was written to convict us that we should be taking sin more seriously and fighting it more often. Should you decide to pick up this book, there will be no more excuses as to how you deal with sin in your own life. You've been warned.
Fourteen-year-old Jennie's life is turning upside down. Her father has walked out, and her anguished mother seeks solace in pills. Her best friend practically abandons her to be with a boyfriend. It seems like Jennie's real best friend is her diary. Then she meets Mr. Johnstone, the substitute math teacher. Jennie has never met such a charismatic teacher. She feels honored when Mr. J. seems to single her out for special attention, and begins to fantasize about him as her boyfriend. When Mr. J. first reveals his feelings for her, she is thrilled by the relationship that grows outside the classroom walls. Then, slowly, Jennie's diary becomes a record of her loneliness, pain, and confusion. Will it also offer her a way to escape from this treacherous love?
The first collection of poetry by the New York Times bestselling author of The Dark Between Stars. Love Her Wild is a collection of new and beloved poems from the poet Atticus, who has captured the hearts and minds of hundreds of thousands of avid followers on his Instagram account @atticuspoetry, including superstars like Karlie Kloss and Shay Mitchell. Dubbed the “#1 poet to follow” by Teen Vogue and “the world’s most tattoo-able” poet by Galore magazine, in Love Her Wild, Atticus captures what is both raw and relatable about the smallest and the grandest moments in life: the first glimpse of a new love in Paris, skinny dipping on a summer’s night, the irrepressible exuberance of the female spirit, or drinking whiskey in the desert watching the rising sun. With honesty, poignancy, and romantic flare Atticus distills the most exhilarating highs and the heartbreaking lows of life and love into a few short lines, ensuring that his words will become etched in your mind—and will awaken your sense of adventure.
In Anonymous, learn to recognize the riches in the uncelebrated seasons of your life. When your potential is unseen and your abilities are unappreciated, use those times as opportunities to develop an unshakable identity and to find rest in God's timing—just as Jesus did. Unsettling spaces are actually the surprising birthplace of true spiritual strength. Most of Jesus’ first thirty years went unnoticed by the world, but that season of quiet anonymity prepared Him for true greatness...and made Him unshakable when His time had come. Using Jesus' hidden years as inspiration, Alicia Chole memorably demonstrates how to: Resist resentment when your accomplishments go unnoticed Repurpose your own hidden years and experience deep growth Resolutely live out God's dreams for you with integrity and confidence We all experience times of hiddenness, when our potential is unseen and our abilities remain uncelebrated. This book will encourage you to not rush through those times by reminding you that these anonymous seasons of the soul hold enormous power to cultivate character traits that cannot be developed any other way!
Theatre in Dublin,1745–1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin’s many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan’s becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening’s entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre’s daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component’s entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons’s offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of “special Irish interest.” The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important “minors.” This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.
The argument presented in this book is that the recent ‘spiritual’ trajectory of Roy Bhaskar’s work, upon which he first embarked with the publication of his From East to West, undermines the fundamental achievements of his earlier work. The problem with Bhaskar’s new philosophical system (Transcendental Dialectical Critical Realism or simply Meta-Reality), from the critical-realist Marxist perspective endorsed here, is that it marks both a departure from and a negation of the earlier concerns of Bhaskar to develop a realist philosophy of science and under-labour for an emancipatory materialist socio-historical science. The end-result is a meta-philosophy which is irrealist, speculative, under-theorized, internally self-contradictory, and which cannot provide philosophical guidance to liberatory social practices. In opposition to theist ontological logics more generally (including the rather more rational theism presented by Margaret Archer, Andrew Collier and Doug Porpora), the argument of this book is that the earth-bound materialist dialectics of the classical Marxist tradition, and the naturalistic humanism these dialectics under-labour on the terrain of socio-historical being, offer a much more promising way forward for critical realist theory and for liberatory politics and ethics.
