The contributors to The Anomie of the Earth explore the convergences and resonances between Autonomist Marxism and decolonial thinking. In discussing and rejecting Carl Schmitt's formulation of the nomos—a conceptualization of world order based on the Western tenets of law and property—the authors question the assumption of universal political subjects and look towards politics of the commons divorced from European notions of sovereignty. They contrast European Autonomism with North and South American decolonial and indigenous conceptions of autonomy, discuss the legacies of each, and examine social movements in the Americas and Europe. Beyond orthodox Marxism, their transatlantic exchanges point to the emerging categories disclosed by the collapse of the colonial and capitalist frameworks of Western modernity. Contributors. Joost de Bloois, Jodi A. Byrd, Gustavo Esteva, Silvia Federici, Wilson Kaiser, Mara Kaufman, Frans-Willem Korsten, Federico Luisetti, Sandro Mezzadra, Walter D. Mignolo, Benjamin Noys, John Pickles, Alvaro Reyes, Catherine Walsh, Gareth Williams, Zac Zimmer
This sixth volume of Advances in Criminological Theory is testimony to a resurgent interest in anomie-strain theory, which began in the mid- 1980s and continues unabated. Contributors focus on the new body of empirical research and theorizing that has been added to the anomie tradition that extends from Durkheim to Merton. The first section is a major, 75-page statement by Robert K. Merton, examining the development of the anomie-and-opportunity-structure paradigm and its significance to criminology., The Legacy of Anomie Theoy assesses the theory's continuing usefulness, explains the relevance of Merton's concept of goals/means disparity as a psychological mechanism in the explanation of delinquency, and compares strain theory with social control theory. A macrosociological theoretical formulation is used to explain the association between societal development and crime rates. In other chapters, anomie is used to explain white-collar crime and to explore the symbiotic relationship between Chinese gangs and adult criminal organizations within the cultural, economic, and political context of the American-Chinese community.
Few ideas are as important and pervasive in the discourse of the twentieth century as the idea of culture. Yet culture, Christopher Herbert contends, is an idea laden from its inception with ambiguity and contradiction. In Culture and Anomie, Christopher Herbert conducts an inquiry into the historical emergence of the modern idea of culture that is at the same time an extended critical analysis of the perplexities and suppressed associations underlying our own exploitation of this term. Making wide reference to twentieth-century anthropologists from Malinowski and Benedict to Evans-Pritchard, Geertz, and Lévi-Strauss as well as to nineteenth-century social theorists like Tylor, Spencer, Mill, and Arnold, Herbert stresses the philosophically dubious, unstable character that has clung to the "culture" idea and embarrassed its exponents even as it was developing into a central principle of interpretation. In a series of detailed studies ranging from political economy to missionary ethnography, Mayhew, and Trollope's fiction, Herbert then focuses on the intellectual and historical circumstances that gave to "culture" the appearance of a secure category of scientific analysis despite its apparent logical incoherence. What he describes is an intimate relationship between the idea of culture and its antithesis, the myth or fantasy of a state of boundless human desire—a conception that binds into a single tradition of thought such seemingly incompatible writers as John Wesley, who called this state original sin, and Durkheim, who gave it its technical name in sociology: anomie. Methodologically provocative and rich in unorthodox conclusions, Culture and Anomie will be of interest not only to specialists in nineteenth-century literature and intellectual history, but also to readers across the wide range of fields in which the concept of culture plays a determining role.
This is the only collection of Durkheim's writings to draw upon the whole body of his work. Many of the texts in the book are here translated for the first time. Dr. Giddens takes his selections from a wide variety of sources and includes a number of items from untranslated writings in the Revue Philosophique, Année Sociologique and from L'évolution pedagogue en France. Selections from previously translated writings have been checked against the originals and amended or re-translated where necessary. Dr. Giddens arranges his selections thematically rather than chronologically. However, extracts from all phases of Durkheim's intellectual career are represented, giving the date of their first publication, which makes the evolution of his thought easily traceable. In his introduction Dr. Giddens discusses phases in the interpretation of Durkheim's thought, as well as the main themes in his work, with an analysis of the effects of his thinking on modern sociology. The book is for students at any level taking courses in sociology, social anthropology and social theory, for whom Durkheim is one of the major writers studied.
First published in 1987, Anomie examines essential moments of Western thought, tracing the complex concept of anomie. The Greek origin of the term (a-nomia, absence of joy) relates it to the notions of disorder, inequity and anarchy. 20th century sociology has long called into question an over simple dichotomy between law and the absence of law. The book shows that this questioning is not new. It has its roots in Ancient Greek thought and in the founding texts of the Judeo-Christian tradition. It appears in the legal and religious states of the English Renaissance, and in the emerging sociology of 19th century French, where Orrù opposes the collectivism of Durkheim to the individualism of Jean-Marie Guyau. The latter’s thought, little recognized at that time, finds an echo in contemporary sociology, notably in American sociologist R. K. Merton. To write the history of the concept, to account for the fluctuations in meaning that it undergoes in the changing prism of diverse societies, to uncover the subterranean continuities between yesterday and today: this is the aim of the book. This book will be of interest to students of history, sociology, literature and philosophy.
This title was first published in 2000: This text presents the results of a three-year study in social research, which aimed to measure and explain anomie in different parts of the world with different cultures and different socio-political and economic conditions. Both quantitative and qualitative methods were applied, and the book not only represents the projects in juxtaposition, but also attempts to show how they relate to each other. The project elaborated instruments for practical use of both public and private agents in development co-operation in order to assess the stability or instability of a given society and to orient development policies accordingly. The book aims to provide the basis for an early detection system for anomie. The main interest is intercultural setting, the detection of hidden anomic potential and the close linkages between scientific research and its applicability for development policy and practice in applied anomie research.
Anomie, strain and subcultural theories are among the leading theories of crime. Anomie theories state that crime results from the failure of society to regulate adequately the behavior of individuals, particularly the efforts of individuals to achieve monetary success. Strain theories focus on the impact of strains or stressors on crime, including the inability to achieve monetary success through legal channels. And subcultural theories argue that some individuals turn to crime because they belong to groups that excuse, justify or approve of crime. This volume presents the leading selections on each theory, including the original statements of the theories, key efforts to revise the theories, and the latest statements of each theory. The coeditors, Robert Agnew and Joanne Kaufman, are prominent strain theorists; and their introductory essay provides an overview of the theories, discusses the relationship between them, and introduces each of the selections.
This ebook is a selective guide designed to help scholars and students of criminology find reliable sources of information by directing them to the best available scholarly materials in whatever form or format they appear from books, chapters, and journal articles to online archives, electronic data sets, and blogs. Written by a leading international authority on the subject, the ebook provides bibliographic information supported by direct recommendations about which sources to consult and editorial commentary to make it clear how the cited sources are interrelated related. A reader will discover, for instance, the most reliable introductions and overviews to the topic, and the most important publications on various areas of scholarly interest within this topic. In criminology, as in other disciplines, researchers at all levels are drowning in potentially useful scholarly information, and this guide has been created as a tool for cutting through that material to find the exact source you need. This ebook is a static version of an article from Oxford Bibliographies Online: Criminology, a dynamic, continuously updated, online resource designed to provide authoritative guidance through scholarship and other materials relevant to the study and practice of criminology. Oxford Bibliographies Online covers most subject disciplines within the social science and humanities, for more information visit www.aboutobo.com.
Caroline Walker (b. 1982, Dunfermline) has established herself as one of the UKs most exciting figurative painters of her generation working internationally today. By means of an elegant and seductive yet forthright use of paint, Walker makes paintings that explore ideas of gender in relation to architecture. With a particular interest in femininity, she addresses peoples physical, psychological, emotional, and social relationships with the buildings in which they spend time whether at home, at work, at leisure or in more mysterious circumstances. By depicting women undertaking all manner of activities, from everyday chores, sleeping, and sunbathing to more obscure or dramatic scenarios, she takes the viewer inside peoples private worlds and states of mind. Some of the women depicted seem lonely, bored, tired, or depressed, while others appear playful and relaxed, whether alone or in company. Often it is unclear who the women are or what their relationship is with the premises in which they are located, raising notions of identity, class, and roles acted out at different times in peoples lives. As many of the locations depicted are luxury houses and apartments, it is hard to say if a particular person is the owner or a tenant, a guest or a maid, opening up economic, political, social, and cultural questions about the paintings are we looking at the super rich at leisure, house-sitters, holidaymakers, domestic workers, squatters, or actors on set? While the paintings are often charming and appealing, there is regularly something odd or unexpected underlying them occasionally verging on the threatening or dangerous. Sometimes dream homes can be anything but The research and development for Walkers paintings is an elaborate process. Involving numerous life models and actors, she finds properties around the world in which to stage photo shoots. Carefully chosen costumes, accessories and props are brought along, and Walker directs her cast around the property. Following this, the artist makes a number of drawings and oil sketches before settling on a composition to work up into a final painting back in her studio. It is a process that clearly helps to generate the cinematic and theatrical atmosphere that pervades her work. Alongside film influences ranging from Hitchcock to Lynch and recent Hollywood productions, Walker is inspired by artists including Eric Fischl, the Scottish colorists, and current painting from Central and Eastern Europe, as well as by the constructed photography of Hannah Starkey, Gregory Crewdson, and Jeff Wall. Full of contemporary and historical references and influences, Walkers practice is an engaging journey into the modern female condition and the female gaze. In Every Dream Home the first monograph of Walkers work features around fifty key paintings, oil sketches, and ink drawings alongside an introductory text by art historian, critic, and curator Marco Livingstone, an essay by independent critic and curator Jane Neal, and an interview with the artist by editor and curator Matt Price.
Indonesia suffered an explosion of religious violence, ethnic violence, separatist violence, terrorism, and violence by criminal gangs, the security forces and militias in the late 1990s and early 2000s. By 2002 Indonesia had the worst terrorism problem of any nation. All these forms of violence have now fallen dramatically. How was this accomplished? What drove the rise and the fall of violence? Anomie theory is deployed to explain these developments. Sudden institutional change at the time of the Asian financial crisis and the fall of President Suharto meant the rules of the game were up for grabs. Valerie Braithwaite's motivational postures theory is used to explain the gaming of the rules and the disengagement from authority that occurred in that era. Ultimately resistance to Suharto laid a foundation for commitment to a revised, more democratic, institutional order. The peacebuilding that occurred was not based on the high-integrity truth-seeking and reconciliation that was the normative preference of these authors. Rather it was based on non-truth, sometimes lies, and yet substantial reconciliation. This poses a challenge to restorative justice theories of peacebuilding.
