Bringing Back the Past

Bringing Back the Past

Author: Pamela Jane Smith

Publisher: University of Ottawa Press

Published: 1998-01-01

Total Pages: 293

ISBN-13: 1772821527

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Over the past century and a half, Canadian archaeology rehabilitated large portions of a history once thought to be lost beyond recovery. This book is among the first to document and analyze the growth of archaeology in Canada.


Annual Report

Annual Report

Author: National Museum of Canada

Publisher:

Published: 1939

Total Pages: 1438

ISBN-13:

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"The National Museum of Canada, by W. H. Collins" (historical sketch of the museum): Annual report, 1926, p. 32-70.


Potato Island Site, District of Kenora, Ontario

Potato Island Site, District of Kenora, Ontario

Author: Polly Koezur

Publisher: University of Ottawa Press

Published: 1976-01-01

Total Pages: 125

ISBN-13: 1772820482

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A number of aspects of the prehistory of northern Ontario are considered in these reports. Of central concern are the spatial variations of the Terminal Woodland ceramics and the evidence for the transition from the Laurel assemblage into Blackduck assemblage


The Blind Man and the Loon

The Blind Man and the Loon

Author: Craig Mishler

Publisher: U of Nebraska Press

Published: 2013-05-01

Total Pages: 284

ISBN-13: 0803239823

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The story of the Blind Man and the Loon is a living Native folktale about a blind man who is betrayed by his mother or wife but whose vision is magically restored by a kind loon. Variations of this tale are told by Native storytellers all across Alaska, arctic Canada, Greenland, the Northwest Coast, and even into the Great Basin and the Great Plains. As the story has traveled through cultures and ecosystems over many centuries, individual storytellers have added cultural and local ecological details to the tale, creating countless variations. In The Blind Man and the Loon: The Story of a Tale, folklorist Craig Mishler goes back to 1827, tracing the story’s emergence across Greenland and North America in manuscripts, books, and in the visual arts and other media such as film, music, and dance theater. Examining and comparing the story’s variants and permutations across cultures in detail, Mishler brings the individual storyteller into his analysis of how the tale changed over time, considering how storytellers and the oral tradition function within various societies. Two maps unequivocally demonstrate the routes the story has traveled. The result is a masterful compilation and analysis of Native oral traditions that sheds light on how folktales spread and are adapted by widely diverse cultures.