The first monograph on Anna Weyant, featuring over sixty drawings spanning the past four years. Alongside the main print run are ten special edition copies, each containing a drawing by the artist.
Two fuzzy creatures are happily putting the finishing touches on their sandcastle when each of them thinks of something that would make it even better. As they work furiously to incorporate each new change, their tiny sandcastle becomes an over-the-top palace...but is it really perfect? This latest book in the beloved series featuring the pals from Theodor Seuss Geisel Award winner You Are (Not) Small reminds us that perfection is in the eye--and heart--of the beholder.
Capturing the development of a rising star in the art world, Anna Weyant unveils the artist’s sharp-witted commentary on the representation of women in pop culture and the art historical canon. This book chronicles six years of Weyant’s artistic output and is the most comprehensive publication about her painting practice to date. Anna Weyant is the first monograph published by Gagosian that is devoted to the New York-based artist best-known for her precisely rendered figures with their creamy curves and soft beauty, which simmer with the tensions between feminine sexuality and purity, tragedy, and comedy. With a dark sense of humor, Weyant unpicks the tropes and traditions of art historical representation, interrupting masculine expectations to often absurd and excruciating effect. Particularly drawn to the uncertainties of adolescence, the artist captures young females in situations of intimate weirdness and catastrophe. The resonance of art history and the effect of doubling are topics discussed in essays by both John Elderfield and Yvonne Owens. Elderfield explores the meaning of the uncanny in film, painting, and sculpture, examining the strangeness of familiarity, and the difference between a real figure and a porcelain doll or an automaton. Owens highlights the pictorial devices reimagined by Weyant, including the still life and seductive symbols of vanitas and memento mori. Naomi Fry describes the potential violence of the double and the menace of everyday objects in Weyant’s world, which she compares to “a velvet-lined jewel box softly sealed shut.” With wry reference to pop culture, Fry asserts the subtle differences and multiple viewpoints that reveal the painter’s virtuosity and the fullness of female experience. In a conversation between Weyant and Edward Steed, the artist and the acclaimed cartoonist for the New Yorker discuss the awkwardness of fame, the sweet spot of comedy, and the indescribable nature of a great work of art.
The new look on the history of art and its blind spots, the far-reaching digitization of structures and content, the changing role of museums and art criticism, new forces from influencers to NFTs: Hardly any market system has evolved as profoundly in the last decade as the distribution of art. With 25 years of experience in the art industry, Dirk Boll acts as a continuous chronicler and seasonal commentator of these pervasive developments. His handbook Art and its Market is a reliable source of in-depth knowledge about the inner workings of global art market systems. How do auctions, the network of galleries, and fairs work? How are prices being made, and how do trends both in the production of art as well as its collection emerge? What is more, this edition provides comprehensive information on the practical issues of art acquisition: What are the customs and pitfalls, the economic interdependencies between the artists, buyers and other market players, and the legal regulations governing the trade with art?
Infusing her sensibility into every detail—from the Limoges vases in the chintz bedroom to the crystal-trimmed candelabra in the salon—Carrie Walter Stettheimer (American, 1869–1944) wove together the fashion and style of New York's high society in the early twentieth century to create one of the finest dollhouses in the world. Stettheimer worked on the twelve-room dollhouse for nearly two decades, creating many of the furnishings and decorations by hand. Styles of decoration vary from room to room, yet the wallpapers, furniture, and fixtures are all characteristic of the period following World War I. The result is a magnificent work of art, now in the permanent collection of the Museum of the City of New York.What may be the most astounding aspect of the Stettheimer Dollhouse is its one-of-a-kind art gallery, featuring miniature works from renowned avant-garde artists of the 1920s. Along with her mother and two sisters—Florine, a painter whose works are in many major museum collections, and Ettie, a writer—Stettheimer hosted grand soirées attended by contemporary artists, including Alexander Archipenko, Marcel Duchamp, and Gaston Lachaise, who presented her with miniature works for her dollhouse.The Stettheimer Dollhouse showcases all the works created especially for the dollhouse, including Duchamp's three-inch version of Nude Descending a Staircase. Each artist in the collection is profiled, while descriptions and color photographs of each room in the dollhouse offer an intimate tour of this delightful masterpiece.
This striking new book features 18 paintings by the renowned American abstract painter Helen Frankenthaler. Showcasing eighteen of Frankenthaler’s paintings, dating from 1962 to 1987, this beautiful book highlights the diverse relationship between drawing and painting evident in the artist’s work. The book includes color plates of all 18 works, as well as nine double-page spread details. Never-before-published documentary material appears throughout new and insightful texts by John Elderfield, Francine Prose, and Carol Armstrong. This book accompanies the 2016 exhibition of Frankenthaler’s work at Gagosian Gallery Beverly Hills.
Help your child learn how to drift off happily on their own with this calming bedtime story. Monty the frog just can't get to sleep. He's tried everything. Counting sheep doesn't work, his book is far too scary... and the more he thinks about sleep, the more worried he becomes! But, as Monty discovers, sometimes the best thing to do is to simply take a deep breath and think happy thoughts. Children can often struggle to fall asleep independently. This warm and funny picture book is perfect for dealing with bedtime anxiety, giving children the tools they need to fall asleep all on their own! If you love The Rabbit Who Wants to Fall Asleep, you'll love this!