New York Times Bestseller! A delightful and quirky compendium of the Animal Kingdom’s more unfortunate truths, with over 150 hand-drawn illustrations. Ever wonder what a mayfly thinks of its one-day lifespan? (They’re curious what a sunset is.) Or how a jellyfish feels about not having a heart? (Sorry, but they’re not sorry.) This melancholy menagerie pairs the more unsavory facts of animal life with their hilarious thoughts and reactions. Sneakily informative, and wildly witty, SAD ANIMAL FACTS will have you crying with laughter.
A witty philosophical murder mystery with a charming twist: the crack detectives are sheep determined to discover who killed their beloved shepherd. On a hillside near the cozy Irish village of Glennkill, a flock of sheep gathers around their shepherd, George, whose body lies pinned to the ground with a spade. George has cared devotedly for the flock, even reading them books every night. Led by Miss Maple, the smartest sheep in Glennkill (and possibly the world), they set out to find George’s killer. The A-team of investigators includes Othello, the “bad-boy” black ram; Mopple the Whale, a Merino who eats a lot and remembers everything; and Zora, a pensive black-faced ewe with a weakness for abysses. Joined by other members of the richly talented flock, they engage in nightlong discussions about the crime, wild metaphysical speculations, and embark on reconnaissance missions into the village, where they encounter some likely suspects. Along the way, the sheep confront their own all-too-human struggles with guilt, misdeeds, and unrequited love. Funny, fresh, and endearing, it introduces a wonderful new breed of detectives to Canadian readers.
Whose truth is the lie? Stay up all night reading the sensational psychological thriller that has readers obsessed, from the #1 New York Times bestselling author of Too Late and It Ends With Us. #1 New York Times Bestseller · USA Today Bestseller · Globe and Mail Bestseller · Publishers Weekly Bestseller Lowen Ashleigh is a struggling writer on the brink of financial ruin when she accepts the job offer of a lifetime. Jeremy Crawford, husband of bestselling author Verity Crawford, has hired Lowen to complete the remaining books in a successful series his injured wife is unable to finish. Lowen arrives at the Crawford home, ready to sort through years of Verity’s notes and outlines, hoping to find enough material to get her started. What Lowen doesn’t expect to uncover in the chaotic office is an unfinished autobiography Verity never intended for anyone to read. Page after page of bone-chilling admissions, including Verity's recollection of the night her family was forever altered. Lowen decides to keep the manuscript hidden from Jeremy, knowing its contents could devastate the already grieving father. But as Lowen’s feelings for Jeremy begin to intensify, she recognizes all the ways she could benefit if he were to read his wife’s words. After all, no matter how devoted Jeremy is to his injured wife, a truth this horrifying would make it impossible for him to continue loving her.
The eagerly anticipated follow-up to the author’s award-winning Bones and Fat, Odd Bits features over 100 recipes devoted to the “rest of the animal,” those under-appreciated but incredibly flavorful and versatile alternative cuts of meat. We’re all familiar with the prime cuts—the beef tenderloin, rack of lamb, and pork chops. But what about kidneys, tripe, liver, belly, cheek, and shank? Odd Bits will not only restore our taste for these cuts, but will also remove the mystery of cooking with offal, so food lovers can approach them as confidently as they would a steak. From the familiar (pork belly), to the novel (cockscomb), to the downright challenging (lamb testicles), Jennifer McLagan provides expert advice and delicious recipes to make these odd bits part of every enthusiastic cook’s repertoire.
The Bandits from Rio Frio appears here for the first time in English in a translation that captures all the warmth and vitality of the original Spanish. All of Mexico in the mid nineteenth-century parades through the pages of Manuel Payno's classic novel. Landscapes painted with the clear light and shadows of the Mexican valleys and mountains, portraits of Indians and presidents in the teeming capital and in the humble indigenous pueblos; these provide the background as the author develops a romantic history of the impossible love between the Countess Mariana del Sauz and Lieutenant Colonel Juan Robreno. An illegitimate son results from a brief union of these lovers, and this star-crossed child is kidnapped and abandoned by Aztec witches. Wrongly accused of theft and murder, he must pursue the truth of his birth through staggering misfortunes. Another thread traces the criminal career of the notorious Evaristo, an artisan who becomes involved with the Countess' family and becomes a murderer and a bandit of national and even international fame. Yet another thread follows the lawyer Lamparilla's schemes for the love of the beautiful and independent Cecilia, a fruit vender and captain of a trajinera, the ancient Mexican freight canoe. The lives of these and many other memorable characters are swept up in a great web of organized crime spun by the fabulous Relumbron, presidential assistant, wealthy aristocrat, church stalwart, family man, and former associate of the great Santa Ana. Payno has lovingly preserved these portraits and landscapes of a Mexico and a society now long gone, yet somehow still familiar, still recognizable within the modern republic. He has defined what it means to beMexican, and his themes resonate today as powerfully as they must have a hundred years ago. Praise for Manuel Payno and Los Bandidos de Rio Frio ... a sweeping epic vision of a country... Payno's novel is an immense fresco of [Mexico], depicting members of all social classes... By presenting a wide spectrum of characters, Payno covers every aspect of popular life in Mexico... while sketching the political, rural, provincial, urban, military, religious, and economic problems of the country during times of anarchy. Jose Tomas de Cuellar, author of The Magic Lantern: Having a Ball and Christmas Eve (Library of Latin America) Manuel Payno's Los Bandidos de Rio Frio [is] the only Mexican novel of the nineteenth-century to approach an adequate and persuasive portrayal of the tragi-comedy of national politics and life in the decades after the Reformation. D. A. Brading, author of The First America: The Spanish Monarchy, Creole Patriots and the Liberal State 1492 - 1866 (Cambridge University Press) [Payno's] consistent refusal to assume a fixed and fervid loyalty to any one party left his judgment clear for objective evaluation of forces at play around him... Doris Sommer, author of Foundational Fictions: The National Romances of Latin America (University of California Press) Los Bandidos de Rio Frio is the most ample study of customs that exists in Mexican literature... nobody in Mexico has so completely covered the entire society of an epoch within the pages of a single book... Frank E. Warner, author of Historia de la novela mexicana en el siglo XIX (Editorial Porrua) ... a wild ride through tumultuous times... hang on to your hats (and wallets)! from the Preface
25th ANNIVERSARY EDITION • From the bestselling author of The Passenger and the Pulitzer Prize–winning novel The Road: an epic novel of the violence and depravity that attended America's westward expansion, brilliantly subverting the conventions of the Western novel and the mythology of the Wild West. Based on historical events that took place on the Texas-Mexico border in the 1850s, Blood Meridian traces the fortunes of the Kid, a fourteen-year-old Tennesseean who stumbles into the nightmarish world where Indians are being murdered and the market for their scalps is thriving. Look for Cormac McCarthy's latest bestselling novels, The Passenger and Stella Maris.
A fascinating new novella in Brandon Sanderson's Cosmere, the universe shared by his Mistborn series and the #1 New York Times bestselling Stormlight Archive. Sixth of the Dusk, set in a never-before-seen world, showcases a society on the brink of technological change. On the deadly island of Patji, where birds grant people magical talents and predators can sense the thoughts of their prey, a solitary trapper discovers that the island is not the only thing out to kill him. When he begins to see his own corpse at every turn, does this spell danger for his entire culture? -------------------- A note from the publisher: For a detailed behind-the-scenes look at the creation of this novella, including brainstorming and workshopping session transcripts, the first draft, line-by-line edits, and an essay by Brandon, please see Shadows Beneath: The Writing Excuses Anthology.
NEW YORK TIMES BESTSELLER • A stunning “portrait of the enduring grace of friendship” (NPR) about the families we are born into, and those that we make for ourselves. A masterful depiction of love in the twenty-first century. NATIONAL BOOK AWARD FINALIST • MAN BOOKER PRIZE FINALIST • WINNER OF THE KIRKUS PRIZE A Little Life follows four college classmates—broke, adrift, and buoyed only by their friendship and ambition—as they move to New York in search of fame and fortune. While their relationships, which are tinged by addiction, success, and pride, deepen over the decades, the men are held together by their devotion to the brilliant, enigmatic Jude, a man scarred by an unspeakable childhood trauma. A hymn to brotherly bonds and a masterful depiction of love in the twenty-first century, Hanya Yanagihara’s stunning novel is about the families we are born into, and those that we make for ourselves. Look for Hanya Yanagihara’s latest bestselling novel, To Paradise.
Working at the local processing plant, Marcos is in the business of slaughtering humans—though no one calls them that anymore. His wife has left him, his father is sinking into dementia, and Marcos tries not to think too hard about how he makes a living. After all, it happened so quickly. First, it was reported that an infectious virus has made all animal meat poisonous to humans. Then governments initiated the “Transition.” Now, eating human meat—“special meat”—is legal. Marcos tries to stick to numbers, consignments, processing. Then one day he’s given a gift: a live specimen of the finest quality. Though he’s aware that any form of personal contact is forbidden on pain of death, little by little he starts to treat her like a human being. And soon, he becomes tortured by what has been lost—and what might still be saved.
