Pettit, a specialist in English language and literature before 1525, assumes that readers have at hand and open the first volume, which contains the texts themselves, and so dives into his line-by-line commentary without introduction or explanation. He refers to the texts by entry number rather than page. His 70-page bibliography of works cited and principal works consulted does not duplicate the list of Abbreviations and Signs (Volume One). He does not provide an index. The text is double spaced. The sewn binding and cloth cover are high quality. c. Book News Inc.
Pettit, a specialist in English language and literature before 1525, assumes that readers have at hand and open the first volume, which contains the texts themselves, and so dives into his line-by-line commentary without introduction or explanation. He refers to the texts by entry number rather than page. His 70-page bibliography of works cited and principal works consulted does not duplicate the list of Abbreviations and Signs (Volume One). He does not provide an index. The text is double spaced. The sewn binding and cloth cover are high quality. c. Book News Inc.
This history of early Christian creeds contains an up-to-date account of their origin and development from the credal texts in the New Testament to the fully fledged classical formulae of the 4th century. It includes the creeds’ use and alteration in subsequent periods until the time of Charlemagne and the beginnings of the filioque controversy. In addition, the author provides a scholarly commentary on the most common ancient confessions: the Nicene Creed and the Apostles’ Creed. Going beyond previous studies, the book contains chapters dedicated to the use of creeds in law, art, music, everyday life and even magic. Recently discovered source texts, such as a new Ethiopic version of the Roman Creed and a short recension of the Creed of Nicaea-Constantinople, receive extensive treatment. Credal developments in the eastern churches beyond the borders of the Roman Empire complete this comprehensive overview. This volume is intended both as a textbook for advanced students of theology and cognate disciplines and as a reference book on the creeds in a wide range of contexts. All source texts are accompanied by modern English translations. Winner of the Alberigo Award 2024 awarded by the European Academy of Religion.
In the modern world, angels can often seem to be no more than a symbol, but in the Middle Ages men and women thought differently. Some offered prayers intended to secure the angelic assistance for the living and the dead; others erected stone monuments carved with images of winged figures; and still others made angels the subject of poetic endeavour and theological scholarship. This wealth of material has never been fully explored, and was once dismissed as the detritus of a superstitious age. Angels in Early Medieval England offers a different perspective, by using angels as a prism through which to study the changing religious culture of an unfamiliar age. Focusing on one corner of medieval Europe which produced an abundance of material relating to angels, Richard Sowerby investigates the way that ancient beliefs about angels were preserved and adapted in England during the Anglo-Saxon period. Between the sixth century and the eleventh, the convictions of Anglo-Saxon men and women about the world of the spirits underwent a gradual transformation. This book is the first to explore that transformation, and to show the ways in which the Anglo-Saxons tried to reconcile their religious inheritance with their own perspectives about the world, human nature, and God.
This collection of Paine's writings focuses on the economic issues: the development of a central bank, paper money and public debt in the light of an interpretation of his politcal theory as a combination of liberal and republican ideas.
The detailed introduction provides an account of the historical and linguistic aspects of the text as well as a discussion of its meaning and significance responsive to developments in the sphere of Rose criticism proper. There is a full, up-to-date bibliography, glossary, table of references from the Fiore to the canonical Dante, and specialised rhetorical and technical index."--BOOK JACKET.
In Defense of Modern Music preserves, almost by accident, a private debate between Esteban de Arteaga, philosopher of the arts, and Vincenzo Manfredini, composer, singing teacher, and champion of Italian heroic opera in the 1780s. The text comprises Manfredini's unfavorable review of Arteaga's History of Italian Opera from its Origins to the Present Day, Arteaga's tetchy response, and Manfredini's scornful reply. The Defence plays a unique role in the debate on opera that raged across Europe at the time. Formidable personalities engaged in the argument, theorists and philosophers as much as practical men of the theatre. Arteaga followed in the footsteps of Algarotti, Diderot, Rousseau, and Brown in analyzing the state of opera in the Age of Enlightenment. Their theories were tested by the composers Gluck, Jommelli, and Traetta; librettists including Calzabiti and Coltellini; two leading choreographers, Angiolini and Noverre; and designers such as the Galliari Brothers. The Defence traces the noble ideas and achievements of these significant personalities in a casual, subjective, sometimes chaotic commentary, that vividly recreates the manner of 18th-century argument - sometimes fulsomely servile, elsewhere witty and ironic, descending occasionally to insults. This, the first English translation of the text, presents a unique account of an important 18th-century controversy, while shedding light on the language and manners of the period.
