Everyone in Dawn Powell's New York satire Angels on Toast is on the make: Lou Donovan, the entrepeneur who ricochets frantically between his well-connected current wife, his disreputable ex, and his dangerously greedy mistress; Trina Kameray, the exotic adventuress whose job title is as phony as her accent; T.V. Truesdale, the man with the aristocratic manner, the fourteen-dollar suit, and the hyperactive eye for the main chance. A dizzyingly fast-paced and deliriously entertaining novel.
"From the #1 New York Times and international bestselling authors of An Invisible Thread comes a heartwarming and inspiring book about the incredible impact that acts of kindness from strangers can have on the world around us. One day in 1986, Laura Schroff, a busy ad sales executive, passed an eleven-year-old boy panhandling on the street. She stopped and offered to take him to McDonald's for lunch. Twenty years later, at Laura's fiftieth birthday party, Maurice Mazyck gave a toast, thanking Laura for her act of kindness, which ended up changing the course of his life. In that toast, Maurice said that when Laura stopped on that busy street corner all those years ago, God had sent him an angel. Laura's invisible thread journey has deepened her belief that angels--divine and otherwise--are all around us. After An Invisible Thread was published in 2011, readers from around the country and world began sharing with Laura their own stories about how chance encounters with strangers have changed their lives.From a woman who saved a life simply by buying someone a book, to a financier who gave a stranger the greatest gift of all, to a teacher who chose a hug over discipline and changed a lost boy's future--Angels on Earth will introduce a series of remarkable people whose invisible thread stories will move, surprise, and inspire readers. Angels on Earth sheds light on how each of us can live happier, more purposeful lives through sharing acts of kindness"--
A STORY OF COURAGE, PASSION, AND HEROISM SET AGAINST ONE OF THE MOST TRAUMATIC WARS IN HISTORY Growing up in Wales, Catherine Carreg has been allowed to run wild, spending her childhood racing ponies along the beach with her friend Deio, the cattle-driver’s son. But Catherine is consumed by a longing to escape the monotony of village life and runs away to London with Deio’s help. Alone in the unfamiliar city, Catherine secures a position in Florence Nightingale’s home for sick governesses. As the nation is gripped by reports of war in the Crimea, Catherine volunteers as a nurse—and her life changes beyond all recognition. Arriving in Scutari, she is immediately thrown into a living nightmare. Amid the madness and chaos, Catherine is forced to grow up quickly, learning the hardest lessons of love and war.
A darkly witty classic about literary worth, ambition, and romantic idealism set in turn-of-the-century England, with an introduction from Hilary Mantel (Wolf Hall) “A delicious satire on the career of schoolgirl sensation Angelica Deverell. She's a truly magnificent comic creation: petulant, paranoid and frighteningly prolific." –The Guardian Angelica Deverell lives above her diligent, drab mother’s grocery shop in a dreary turn-of-the-century English neighborhood, but spends her days dreaming of handsome Paradise House, where her aunt is enthroned as a maid. But in Angel’s imagination, she is the mistress of the house, a realm of lavish opulence, of evening gowns and peacocks. Then she begins to write popular novels, and this fantasy becomes her life. And now that she has tasted success, Angel has no intention of letting anyone stand in her way—except, perhaps, herself. Now back in print after 20 years, this under-recognized classic is (unlike Angel's own novels) self-aware, funny, and subtly layered. It both sharply satirizes its protagonist and acknowledges the intensity of her imagination and the rigor of her work, all the while seeing her as fully human, complicated, and even sympathetic.
INTERNATIONAL BETSELLER • In this uplifting autobiography, a modern-day Irish mystic shares her vivid encounters and conversations with the angelsand spirits she has known her entire life. With an afterword on angels and America and a bonus chapter on how to connect with your angel Lorna Byrne physically sees and talks with angels every day and has done so ever since she was a baby. As a young child, she assumed everyone could see the angels who always accompanied her. Adults, however, were often skeptical, concerned that Lornadid not seem to be focusing on the world around her. Today, sick and troubled people from all around the world are drawn to her for comfort and healing, and theologians of different faiths seek her guidance. Angels in My Hair is a moving and deeply inspirational chronicle of Lorna’s remarkable life story. Invoking a wonderful sense of place, she describes growing up poor in Ireland and marrying the man of her dreams—only to have the marriage cut short by tragedy. Angels in My Hair has garnered overwhelming responses from readers from many walks of life, giving them hope and helping them to realize that no matter how alone they might feel they always have a guardian angel by their side.
Some cases are as cold as the grave... A lost soul in limbo, Kevin Fahey is trying to prove he's a better ghost than he ever was a man. And trying to help Maggie Gunn, the detective who replaced him, is a good way to start.
My Home is Far Away is the most precisely autobiographical of Powell’s fifteen novels. In this family chronicle set in early twentieth century Ohio, young Marcia Willard’s family struggles to keep up with the rapidly changing times, and Marcia endures disillusionment, cruelty, and betrayal to forge a survivor’s sense of independence. John Updike has compared Powell with Theodore Dreiser, Willa Cather, Sherwood Anderson, “and those other Midwestern writers who felt something epic in the national shift from rural to urban, from provincial sequestration to metropolitan liberation.” By 1941, when Powell set to work on My Home Is Far Away, she was better known for the smart, boozy, bawdy, hilarious send-ups of Manhattan high and low life. She had begun to attain a reputation for high sophistication and nothing could be less “sophisticated” – in the glittering, all-knowing, furiously present-tense, big-city manner Powell had perfected – than My Home Is Far Away. This was the month of cherries and peaches, of green apples beyond the grape arbor, of little dandelion ghosts in the grass, of sour grass and four-leaf clovers, of still dry heat holding the smell of nasturtiums and dying lilacs. This was the best month of all and the best day. It was not birthday, Easter, Christmas, or picnic, but all these things and something else, something wonderful, something utterly unknown. The two little girls in embroidered white Sunday dresses knew no way to express their secret joy but by whirling each other dizzily over the lawn crying, “We’re moving, we’re moving! We’re moving to London Junction!” My Home Is Far Away is one of the very few examples of a book written for adults, with an adult command of the language, that maintains the vantage point of a hungry, serious child throughout. It might be likened to a memoir that has been penned not with the usual tranquility of distance but rather with the sense that everything happening to the characters is happening right now, without any promise of eventual escape, without any assurance that childhood, too, shall pass away. My Home is Far Away had been out of print for sixty years when Steerforth reissued it in 1995. It received immediate widespread acclaim, and was featured on the cover of the New York Times Book Review, where Terry Teachout called it “one of the permanent masterpieces of childhood, comparable with David Copperfield, What Maisie Knew and the early reminiscences of Colette,” and where he proclaimed Powell to be “one of this country’s least recognized great novelists.”
A young woman learns the trials and tribulations of becoming a mother and wife while growing up in the 1950's. This book will make you laugh, cry, and hold your interest from start to finish. It's both exciting and suspenseful.
Dennis Orphen, in writing a novel, has stolen the life story of his friend, Effie Callingham, the former wife of a famous, Hemingway-like novelist, Andrew Callingham. Orphen’s betrayal is not the only one, nor the worst one, in this hilarious satire of the New York literary scene. (Powell personally considered this to be her best New York novel.) Powell takes revenge here on all publishers, and her baffoonish MacTweed is a comic invention worthy of Dickens. And as always in Powell’s New York novels, the city itself becomes a central character: “On the glittering black pavement legs hurried by with umbrella tops, taxis skidded along the curb, their wheels swishing through the puddles, raindrops bounced like dice in the gutter.” Powell’s famous wit was never sharper than here, but Turn, Magic Wheel is also one of the most poignant and heart-wrenching of her novels.
From undocumented men named Angel, to angels falling from the sky, Natalie Scenters-Zapico’s gripping debut collection, The Verging Cities, is filled with explorations of immigration and marriage, narco-violence and femicide, and angels in the domestic sphere. Deeply rooted along the US-México border in the sister cities of El Paso, Texas, and Cd. Juárez, Chihuahua, these poems give a brave new voice to the ways in which international politics affect the individual. Composed in a variety of forms, from sonnet and epithalamium to endnotes and field notes, each poem distills violent stories of narcos, undocumented immigrants, border patrol agents, and the people who fall in love with each other and their traumas. The border in Scenters-Zapico’s The Verging Cities exists in a visceral place where the real is (sur)real. In these poems mouths speak suspended from ceilings, numbered metal poles mark the border and lovers’ spines, and cities scream to each other at night through fences that “ooze only silt.” This bold new vision of border life between what has been named the safest city in the United States and the murder capital of the world is in deep conversation with other border poets—Benjamin Alire Saenz, Gloria Anzaldúa, Alberto Ríos, and Luis Alberto Urrea—while establishing itself as a new and haunting interpretation of the border as a verge, the beginning of one thing and the end of another in constant cycle.
