Angels in the Machinery offers a sweeping analysis of the centrality of gender to politics in the United States from the days of the Whigs to the early twentieth century. Author Rebecca Edwards shows that women in the U.S. participated actively and influentially as Republicans, Democrats, and leaders of third-party movements like Prohibitionism and Populism--decades before they won the right to vote--and in the process managed to transform forever the ideology of American party politics. Using cartoons, speeches, party platforms, news accounts, and campaign memorabilia, she offers a compelling explanation of why family values, women's political activities, and even candidates' sex lives remain hot-button issues in politics to this day.
Offering an analysis of the centrality of gender to politics in the United States from the days of the Whigs to the early 20th century, the author argues that women in the US participated actively and transformed forever the ideology of American party politics before they got the right to vote.
The year is A.D. 1565 and the tiny island fortress of Malta, defended by an anachronistic crusading order called the Knights of St. John Hospitallers, is all that stands between the war machine of Sultan Suleiman the Magnificent and the very heart of Christendom. Pitifully outmatched and against impossible odds, the indomitable Grand Master Jean Parisot de La Valette nevertheless inspires his knights to "strike a blow for Christ" and sacrifice their lives to halt the invading Turks at the gates of Europe. Nicholas Prata relates the actual events of the Great Siege in riveting and graphic prose which brings the extreme heroism of the knights and the horror of combat sharply into focus.
Both collectively and individually we have a deep and abiding fascination with angels. This book explores depictions of angels in the visual arts and in scripture and associated apocryphal and mystical writings, specifically in the Hebrew and Christian Bibles and Islamic, Zoroastrian and other ancient and latter-day accounts. It examines the visual clues, artistic conventions and attributes that have been set down to help us to recognise angels in their particular roles and functions. Certain writings have had a particularly influential bearing on our understanding of angels. This text focuses on the hierarchies and orders proposed by the likes of Pseudo-Dionysius, St. Thomas Aquinas and others. In a new age of fascination with the metaphysical and supernatural (in film, television, popular mythology and literature), are we cementing or losing our connection with the authentic meaning and purpose that such vibrant and energised beings bring to our table? This book contains more than 30 illustrations in a central colour plates section. It also includes a useful glossary of terms and will prove a rich and enduring reference resource for libraries, as well as a stimulating go-to source for those interested in the world of angels and how human sensibilities and imaginative reasoning have enriched the subject, as a starting point for interreligious dialogue.
Political parties are the defining institutions of representative democracy and the darlings of political science, their governing and electoral functions among the chief concerns of the field. Yet they are often presented as grubby arenas of ambition, or worse. This book is a vigorous defence of their virtues.
In this new work Michel Serres, France's foremost philosopher of science, explores how traditional images of angels in art and legend foretell the preoccupations of modern life. Divided, as between Heaven and Hell, into First and Third Worlds, our societies search for ways to make contact, both by means of the most basic interpersonal relations and high-tech communications. The role of the messenger, Serres argues, is as important now as it was in Biblical times, perhaps more, and yet we lack a philosophy which can explain this role - a philosophy of movement, of communication. Angels: A Modern Myth offers such a philosophy, showing how angels as message-bearers are still part of our modern world, our means of bringing together and understanding science, law, and religion, and perhaps also the means of satisfying our need for reason, justice, and consolation. Abundantly illustrated with an astounding breadth of images ranging from Renaissance paintings to film stills, satellite photographs, computer microchips, and medical microscopy, this thought-provoking book addresses some of the most crucial issues of our time and will make essential reading for anyone seeking to comprehend the new phase of human development engendered by the transformation of our world by information technology.
Since the 1980s, Los Angeles has become the most racially and economically divided city in the United States. In the poorest parts of South Central Los Angeles, buildings in disrepair--the legacy of racial unrest. Moving beyond stereotypes of South Central's predominantly African American residents, João H. Costa Vargas recounts his almost two years living in the district. Personal, critical, and disquieting, Catching Hell in the City of Angels examines the ways in which economic and social changes in the twentieth century have affected the black community, and powerfully conveys the experiences that bind and divide its people. Through compelling stories of South Central, including his own experience as an immigrant of color, Vargas presents portraits of four groups. He talks daily with women living in a low-income Watts apartment building; works with activists in a community organization against police brutality; interacts with former gang members trying to maintain a 1992 truce between the Bloods and the Crips; and listens to amateur jazz musicians who perform in a gentrified section of the neighborhood. In each case he describes the worldviews and the definitions of "blackness" these people use to cope with oppression. Vargas finds, in turn, that blackness is a form of racial solidarity, a vehicle for the renewal of African American culture, and a political expression of revolutionary black nationalism. Vargas reveals that the social fault lines in South Central reflect both contemporary disparities and long-term struggles. In doing so, he shows both the racialized power that makes "blackness" a prized term of identity and the terrible price that African Americans have paid for this emphasis. Ultimately, Catching Hell in the City of Angels tells the story of urban America through the lives of individuals from diverse, overlapping, and vibrant communities. João H. Costa Vargas is assistant professor in the Center for African and African American Studies and the department of anthropology at the University of Texas, Austin. Robin D. G. Kelley is the William B. Ransford Professor of Cultural and Historical Studies at Columbia University. He is the author of numerous books, including Yo Mama's Disfunktional: Fighting the Culture Wars in Urban America.
"Although the two intertwined at first, the contributions of these "settlement women" to the development of the administrative state have been largely lost as the new field of public administration evolved from the research bureaus and diverged from social work. Camilla Stivers now shows how public administration came to be dominated not just by science and business but also by masculinity, calling into question much that is taken for granted about the profession and creating an alternative vision of public service.".
PULITZER PRIZE WINNER • NEW YORK TIMES BESTSELLER • The “remarkable” (Ken Burns), “utterly absorbing” (Forbes) Civil War classic that inspired the film Gettysburg, with more than three million copies in print “My favorite historical novel . . . a superb re-creation of the Battle of Gettysburg, but its real importance is its insight into what the war was about, and what it meant.”—James M. McPherson In the four most bloody and courageous days of our nation’s history, two armies fought for two conflicting dreams. One dreamed of freedom, the other of a way of life. Far more than rifles and bullets were carried into battle. There were memories. There were promises. There was love. And far more than men fell on those Pennsylvania fields. Bright futures, untested innocence, and pristine beauty were also the casualties of war. Michael Shaara’s Pulitzer Prize–winning masterpiece is unique, sweeping, unforgettable—the dramatic story of the battleground for America’s destiny.
For those who know... that something is going on... The witnesses are legion, scattered across the world and dotted through history, people who looked up and saw something impossible lighting up the night sky. What those objects were, where they came from, and who—or what—might be inside them is the subject of fierce debate and equally fierce mockery, so that most who glimpsed them came to wish they hadn’t. Most, but not everyone. Among those who know what they’ve seen, and—like the toll of a bell that can’t be unrung—are forever changed by it, are a pilot, an heiress, a journalist, and a prisoner of war. From the waning days of the 20th century’s final great war to the fraught fields of Afghanistan to the otherworldly secrets hidden amid Nevada’s dusty neverlands—the truth that is out there will propel each of them into a labyrinth of otherworldly technology and the competing aims of those who might seek to prevent—or harness—these beings of unfathomable power. Because, as it turns out, we are not the only ones who can invent and build...and destroy. Featuring actual events and other truths drawn from sources within the military and intelligence community, Tom DeLonge and A.J. Hartley offer a tale at once terrifying, fantastical, and perhaps all too real. Though it is, of course, a work of... fiction?
