A unique, visually stunning sci-fi action adventure as a woman discovers how she has been experimented on and takes control of her life again. Angela Della Morte works for Dr. Sibelius, the most brilliant mind of the century. Using a new technology, Sibelius Labs are capable of separate soul from body. Using this tech Angela’s soul can get into other dead host and take control of their bodies in undercover missions. But as the souls travels the void to get into their new receptacles, they must elude a tenebrous lifeform. This creature feeds with the substance of which the soul is made. It is the most dangerous predator in this new ecosystem, and its name is: Death.
A science fiction adventure adventure with a strong female protagonist searching for revenge against her tormentor. The story of Angela Della Morte continues! Angela has been captured by the Flud family who want the secret of her abilities, but Angela has a secret of her own and the world is not ready for it.
NOBEL PRIZE WINNER • From the author of One Hundred Years of Solitude comes the gripping story of the murder of a young aristocrat that puts an entire society—not just a pair of murderers—on trial. A man returns to the town where a baffling murder took place 27 years earlier, determined to get to the bottom of the story. Just hours after marrying the beautiful Angela Vicario, everyone agrees, Bayardo San Roman returned his bride in disgrace to her parents. Her distraught family forced her to name her first lover; and her twin brothers announced their intention to murder Santiago Nasar for dishonoring their sister. Yet if everyone knew the murder was going to happen, why did no one intervene to stop it? The more that is learned, the less is understood, as the story races to its inexplicable conclusion.
For fans of dystopian action adventure, a small group of survivors make their way across a changed planet. The carnivore plague has engulfed the earth, any who eat meat are consumed by it, transforming into mindless savages who only want to eat more and more. Only the mysterious Skeleton and his gang of vicious vegetarians have survived and have a chance to find a cure... if they don't become dinner first.
An exciting tale of giant monster mayhem with breathtaking art. A gigantic creature has been awaken from its eternal sleep in Antarctica. The destructive monster, only known as "The Salamander," has started a journey of chaos and destruction. The only thing that could stop this menace is another sleeping giant; a creature from under the ocean known as "Mega."
"In a galaxy far, far away ... A bustling planet full of exotic extraterrestrial beings crackles with the chaotic energy of a frontier world. And right in the middle of it all is Megan, a young human(?) girl rising through the ranks of the Intergalactic Mixed Battling Arts arena! But there's more to Megan than meets the eye. She might be a part of something much, much larger than her simple life at the family farm..." -- Back cover.
When civilization collapses a father must try and repair his relationship with his children while fighting to keep them alive. In the near future all metal on earth suddenly turns to worthless piles of rust and dust. With no technology, no guns, no computers, humanity reverts to a violent feudal system. Each pocket of civilization is ruled by knights of wood & glass & concrete. This is the new Dark Age.
"A mystical mediation on creation and death in which a man (a thinly disguised Clarice Lispector) infuses the "breath of life" into his creation [and] forms a dialogue between the god-like author and the speaking, breathing, dying creature herself: Angela Pralini"--P. [4] of cover.
In this groundbreaking collection, twenty-one prominent medievalists discuss continuity and change in ideas of personhood and community and argue for the viability of the comic mode in the study and recovery of history. These scholars approach their sources not from a particular ideological viewpoint but with an understanding that all topics, questions, and explanations are viable. They draw on a variety of sources in Latin, Arabic, French, German, Middle English, and more, and employ a range of theories and methodologies, always keeping in mind that environments are inseparable from the making of the people who inhabit them and that these people are in part constituted by and understood in terms of their communities. Essays feature close readings of both familiar and lesser known materials, offering provocative interpretations of John of Rupescissa's alchemy; the relationship between the living and the saintly dead in Bernard of Clairvaux's sermons; the nomenclature of heresy in the early eleventh century; the apocalyptic visions of Robert of Uzès; Machiavelli's De principatibus; the role of "demotic religiosity" in economic development; and the visions of Elizabeth of Schönau. Contributors write as historians of religion, art, literature, culture, and society, approaching their subjects through the particular and the singular rather than through the thematic and the theoretical. Playing with the wild possibilities of the historical fragments at their disposal, the scholars in this collection advance a new and exciting approach to writing medieval history.
The Death of Vazir-Mukhtar, a novel by Yury Tynyanov, one of the leading figures of the Russian formalist school, describes the final year in the life of Alexander Griboedov, the author of the comedy Woe from Wit. As ambassador to Persia, Griboedov was murdered in 1829 by a Tehrani mob during the sacking of the Russian embassy. One of the central texts of Russian formalist literary production, the novel is a brilliant meditation on the nature of historical and poetic consciousness and of artistic creation. It is a complex and fascinating work that explores the relationships among individual memory, historical fact, and the literary imagination. The result is a hybrid text, containing elements of various genres—historical, biographical, existential, and adventure novels—and a deeply personal, almost confessional testament to the writer’s relationship to his generation and the state. Completed in 1927, almost a century after the events it depicts, The Death of Vazir-Mukhtar marks the watershed between revolution and reaction. At a time when the Soviet regime was becoming increasingly restrictive of freedom of expression and conscience, Tynyanov grappled with the themes of disillusionment, betrayal, and unrealized potential. Unabashedly intellectual yet filled with intrigue and suspense, The Death of Vazir-Mukhtar is a great historical novel of Russian modernism.
