As the pieces fall into place, High Angel Rosiel's master plan becomes clear. With Lucifer under his control, he intends to enter Atziluth, the highest plane of Heaven, through the Gate of the Grand Cross and take control of the Tablet of Heaven, an object that can grant all wishes. Aware of Rosiel's plan, Setsuna and the other angels race to the Gate to stop Rosiel from bringing about the destruction of the world. But the closer they get the more they see that Lucifer may have his own reasons for entering the Gate. -- VIZ Media
A Beloved Fantasy From One Of Japan's Top CreatorsProlific shôjo (""girls"") comics artist Yuu Watase has created a wonderfully exciting, funny, and heartfelt tale of a normal junior-high-school girl who is transported into a fictional version of ancient China. She encounters base villains and dashing heroes, and still manages to worry about her grades and where her next banquet is coming from. THE BELOVED ROMANTIC FANTASY SERIES CONTINUES! Just when Miaka thought her adventures as a priestess in ancient China were over, the god Suzaku reappeared to send her on a new quest. Miaka must reenter The Universe of the Four Gods and collect the seven magic stones that contain the lost memories of her soulmate Taka… or risk losing him forever! Bride Miaka has been fighting a battle across two different worlds to keep Taka, the human incarnation of her true love Tamahome, from vanishing. But what could it mean when Tamahome himself returns to confront Miaka and Taka? The answer to this riddle leads Miaka and the Seven Celestial Warriors to the stunning finale of the best-selling Fushigi Yûgi series!
The story of Tsukushi, an average teenage girl with the courage to stand up for her rights. Despite all her trials, she finds herself in a love triangle. Will she ever find her special someone and live happily ever after?
The band relocates to the center of the rock 'n' roll universe -- London! But while the boys are away pursuing their dreams, they must leave their girlfriends, fiancées and wives back in Japan.
The authoritative edition of Jung’s miscellaneous collected writings The Symbolic Life gathers some 160 of Jung’s writings that span sixty years and reflect his inquiring mind, numerous interests, and wide circle of professional and personal acquaintance. These writings include three longer works, “The Symbolic Life,” “Symbols and the Interpretation of Dreams,” and “The Tavistock Lectures”; a number of previously overlooked reviews, reports, and articles from the early years of Jung’s career; several finished or virtually finished manuscripts that weren’t published in his lifetime, including a 1901 report on Freud’s On Dreams; and works Jung wrote after retiring from active medical practice. The other pieces collected here include forewords to books by colleagues and pupils, replies to journalists’ questions, encyclopedia articles, and letters on technical subjects.
What happens when the hottest guy in school is a girl?!? The Prettiest Boy In School...Isn't A Boy!Japanese-American track-and-field star Mizuki has transferred to a high school in Japan...but not just any school! To be close to her idol, high jumper Izumi Sano, she's going to an all-guys' high school...and disguising herself as a boy! But as fate would have it, they're more than classmates...they're roommates! Now, Mizuki must keep her secret in the classroom, the locker room, and her own bedroom. And her classmates--and the school nurse--must cope with a new transfer student who may make them question their own orientation... Male Models Tired of Sano and Mizuki taking their relationship so slow, Julia confronts Sano to get him moving faster. But Sano has more things to worry about...his younger brother, Shin, has run away from home! Then, when a photo of Minami, Nakatsu and Sano appears in a girls' fashion magazine, the men of Hana-Kimi find themselves stalked...and propositioned!
Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.In this book, Patricia Pender argues that Buffy includes diverse elements of feminism and reconfigures - and sometimes revises - the ideals of American second wave feminism for a wide third wave audience. She also explores the ways in which the final season's vision of collective feminist activism negotiates racial and class boundaries.Exploring the Slayer's postmodern politics, her position as a third wave feminist icon, her placing of masculinity in extremis, and her fandom and legacy in popular culture, this is a fresh and challenging contribution to the growing literature on the pitfalls and pleasures of a great cult TV show.
Since the first translations of Lewis Carroll's Alice books appeared in Japan in 1899, Alice has found her way into nearly every facet of Japanese life and popular culture. The books have been translated into Japanese more than 500 times, resulting in more editions of these works in Japanese than any other language except English. Generations of Japanese children learned English from textbooks containing Alice excerpts. Japan's internationally famous fashion vogue, Lolita, merges Alice with French Rococo style. In Japan Alice is everywhere--in manga, literature, fine art, live-action film and television shows, anime, video games, clothing, restaurants, and household goods consumed by people of all ages and genders. In Alice in Japanese Wonderlands, Amanda Kennell traverses the breadth of Alice's Japanese media environment, starting in 1899 and continuing through 60s psychedelia and 70s intellectual fads to the present, showing how a set of nineteenth-century British children's books became a vital element in Japanese popular culture. Using Japan's myriad adaptations to investigate how this modern media landscape developed, Kennell reveals how Alice connects different fields of cultural production and builds cohesion out of otherwise disparate media, artists, and consumers. The first sustained examination of Japanese Alice adaptations, her work probes the meaning of Alice in Wonderland as it was adapted by a cast of characters that includes the "father of the Japanese short story," Ryūnosuke Akutagawa; the renowned pop artist Yayoi Kusama; and the best-selling manga collective CLAMP. While some may deride adaptive activities as mere copying, the form Alice takes in Japan today clearly reflects domestic considerations and creativity, not the desire to imitate. By engaging with studies of adaptation, literature, film, media, and popular culture, Kennell uses Japan's proliferation of Alices to explore both Alice and the Japanese media environment.
War will determine who wins control of Japan--but the bonds of love and loyalty will decide the nation's future. As the battle reaches its climax, will Shuri pursue his destiny as king or trust Sarasa's dream of democracy? When placed on the throne of Kyoto, will Asagi turn on Sarasa? And when Sarasa is forced to choose between her love for Shuri and her loyalty to her comrades, can she make the right decision?
