Young adult story of a high school student who decides to pick up a gun after his best friend is shot after a party. The moral at the story's conclusion is 'carrying a gun doesn't make you a man' or solve your problems. It only creates further problems.
In the summer of 2006, Christina Nordstrom met Bob Wright, known as Homeless Bob, Homeless by Fire, who sat on a milk crate on the sidewalk outside Park Street Church in Boston. Walking to work one morning, rather than avoiding eye contact, she overcame her fear, crossed the street, and greeted him. She learned how to constructively help him and, with friends Sue Straley and Jonathan Margolis, helped facilitate his progress from Park Street to a permanent home. The story charts their evolving friendship as formerly Homeless Bob adjusted to his new home, and about his death and how he is remembered.
Power. As a young boy, Angel Huertas witnessed an intruder come in through the window and attack his sister and torment his mother and grandmother. He grew up poor. He was often bullied in his neighborhood. But there was something about him something everyone recognized something that made him special. He learned fast how to take charge on the streets of Brooklyn. He learned what power was. How to wield it. He was respected on those streets. Feared. Known.Playboy Angel. He rose from the streets of The Southside to rule over an empire until he was betrayed and shot. Twice, he died. Twice, he was returned to life. This is the story of a boy who becomes a man; of the rise to street power and the fall. And the grace of God. This is the story of a boy who becomes a man not when he rules the streets, but when he learns what real power means.
This moving memoir tells the story of how a young woman descended into the world of prostitution and drug abuse, yet found the strength to rebuild her life. Rhea Coombs's father is a convicted murderer and she grew up with a hippy mother who constantly moved house and lived in a succession of squats and communes before settling in Bristol. It was in Bristol that Rhea had her first introduction to drugs, pimps and prostitution. Pregnant at sixteen, she escaped to London and mixed with gangsters in seedy Soho nightclubs, eventually becoming addicted to crack and heroin and running a crack house. Rhea was forced to give up her children, but she never stopped loving them and through her strength and courage was finally able to escape for the world of drugs and prostitution, and regain custody of her children. This is her remarkable story.
When sixteen-year-old Angel meets Call at the mall, he buys her meals and says he loves her, and he gives her some candy that makes her feel like she can fly. Pretty soon she's addicted to his candy, and she moves in with him. As a favor, he asks her to hook up with a couple of friends of his, and then a couple more. Now Angel is stuck working the streets at Hastings and Main, a notorious spot in Vancouver, Canada, where the girls turn tricks until they disappear without a trace, and the authorities don't care. But after her friend Serena disappears, and when Call brings home a girl who is even younger and more vulnerable than her to learn the trade, Angel knows that she and the new girl have got to find a way out.
Little Pedro, who sings like an angel, is allowed to lead the Christmas procession, known as La Posada, through the old Mexican section of downtown Los Angeles.
Busted! Jesse "Street Angel" Sanchez, aka Shiraz Thunderbird, gets pinched and must do a stretch in Angel City's infamous juvenile corrections center, Alcatraz, Jr. For the Deadliest Girl Alive, three squares a day and a warm, dry bed aint all bad. Jesse meets a girl gang, besties a superhero sidekick, pushes the lunch lady to the limit, and watches Harriet the Spy! Will juvie break our hero, or will "Shiraz Thunderbird" break OUT of Alcatraz, Jr.? STREET ANGEL GOES TO JUVIE releases alongside the Free Comic Book Day title: STREET ANGEL'S DOG!
Specific psychological and physical strategies for avoiding and preventing crime at home and on the street are accompanied by photographs of the Guardian Angels in training and demonstrating techniques of self-defense
"Artist-author J. Michael Walker wandered L.A.'s many streets named after saints, uncovering their transcendent beauty. Combining meticulous research with artistic inspiration, Walker depicts historical and contemporary Angelinos as their divine equivalents. Proud, defiant, and illuminative, these "street-saints" reveal their own unique versions of sublimity and, in doing so, challenge traditional notions of what it means to bless and blessed."--BOOK JACKET.
Winner, 2023 Choice Outstanding Academic Title Chinese Film Classics, 1922–1949 is an essential guide to the first golden age of Chinese cinema. Offering detailed introductions to fourteen films, this study highlights the creative achievements of Chinese filmmakers in the decades leading up to 1949, when the Communists won the civil war and began nationalizing cultural industries. Christopher Rea reveals the uniqueness and complexity of Republican China’s cinematic masterworks, from the comedies and melodramas of the silent era to the talkies and musicals of the 1930s and 1940s. Each chapter appraises the artistry of a single film, highlighting its outstanding formal elements, from cinematography to editing to sound design. Examples include the slapstick gags of Laborer’s Love (1922), Ruan Lingyu’s star turn in Goddess (1934), Zhou Xuan’s mesmerizing performance in Street Angels (1937), Eileen Chang’s urbane comedy of manners Long Live the Missus! (1947), the wartime epic Spring River Flows East (1947), and Fei Mu’s acclaimed work of cinematic lyricism, Spring in a Small Town (1948). Rea shares new insights and archival discoveries about famous films, while explaining their significance in relation to politics, society, and global cinema. Lavishly illustrated and featuring extensive guides to further viewings and readings, Chinese Film Classics, 1922–1949 offers an accessible tour of China’s early contributions to the cinematic arts.