Diane Arnson Svarlien's translation of Euripides' Andromache, Hecuba, and Trojan Women exhibits the same scholarly and poetic standards that have won praise for her Alcestis, Medea, Hippolytus. Ruth Scodel's Introduction examines the cultural and political context in which Euripides wrote, and provides analysis of the themes, structure, and characters of the plays included. Her notes offer expert guidance to readers encountering these works for the first time.
This is the final in a series of three volumes of a new prose translation of Euripides' most popular plays. In the three great war plays contained in this volume Euripides subjects the sufferings of Troy's survivors to a harrowing examination. The horrific brutality which both women and children undergo evokes a response of unparalleled intensity in the playwright whom Aristotle called the most tragic of the poets. Yet the new battle-ground of the aftermath of war is one in which the women of Troy evince an overwhelming greatness of spirit. We weep for the aged Hecuba in her name play and in the Trojan Women, yet we respond with an at times appalled admiration to her resilience amid unrelieved suffering. And in her name play Andromache, the slave-concubine of her husband's killer, endures her existence in the victor's country with a Stoic nobility. Of their time yet timeless, these plays insist on the victory of the female spirit amid the horrors visited on them by the gods and men during war.
A daring and timely feminist retelling of The Iliad from the perspective of the women of Troy who endured it—an extraordinary follow up to The Silence of the Girls from the Booker Prize-winning author of The Regeneration Trilogy and “one of contemporary literature’s most thoughtful and compelling writers" (The Washington Post). Troy has fallen and the victorious Greeks are eager to return home with the spoils of an endless war—including the women of Troy themselves. They await a fair wind for the Aegean. It does not come, because the gods are offended. The body of King Priam lies unburied and desecrated, and so the victors remain in suspension, camped in the shadows of the city they destroyed as the coalition that held them together begins to unravel. Old feuds resurface and new suspicions and rivalries begin to fester. Largely unnoticed by her captors, the one time Trojan queen Briseis, formerly Achilles's slave, now belonging to his companion Alcimus, quietly takes in these developments. She forges alliances when she can, with Priam's aged wife the defiant Hecuba and with the disgraced soothsayer Calchas, all the while shrewdly seeking her path to revenge.
Children, lead this old woman outside. A slave like the rest of you, She once was your queen. Troy has fallen to the Greeks, and Hecuba, its beloved queen, is widowed and enslaved. She mourns her great city and the death of her husband, but when fresh horrors emerge, her grief turns to rage and a lust for revenge. A savage indictment of the devastation of war, Hecuba is brought to life in this thrillingly visceral new version. Hecuba premièred at the Donmar Warehouse, London in September 2004.
Three plays about women and the Trojan War, in fresh translations for the stage, the classroom, or the general reader. The publication of Trojan Women, Helen, and Hecuba in one volume also invites provocative engagement with issues of gender, history, warfare, and politics.
A modern-day version of Euripides' anti-war play, The Trojan Women has been rewritten and is set in a mother-and-baby unit of a prison. The war is over. Beyond the prison walls, Troy and its people burn. Inside the prison, the city's captive women await their fate. Stalking the antiseptic confines of its mother and baby unit is Hecuba, the fallen Trojan queen, whilst the pregnant Chorus is shackled to her bed. But their grief at what has been before will soon be drowned out by the horror of what is to come, as the Greek lust for vengeance consumes everything – man, woman and baby – in its path. This caustic and radical new version of Euripides' classic tragedy comes from one of the UK's most exciting young poets, Caroline Bird. It is an intense, gripping look at what happens when the world collapses.
The center of the play is Hecuba, the exiled queen of Troy, and her sorrow at the death of her family and her city at the end of the Trojan War. In Euripides' play, the ladies of Troy are depicted after their city has been taken over, their husbands have been killed, and their remaining families have been sold into slavery. Athena and Poseidon, two Greek gods, are talking about how to punish the Greek soldiers for tolerating Ajax the Lesser's rape of Cassandra as the story opens.Upon her arrival, the widowed princess Andromache finds that her youngest daughter, Polyxena, had been killed by her mother's enemies.The Greek authorities are worried that the little kid would one-day exact revenge on his father Hector. She is still alive, as is made clear in the book's conclusion.Many of the Trojan ladies mourn the loss of the land that gave them a good upbringing throughout the book. Hecuba in particular makes it clear that Troy had been her home her entire life, only for her to see herself as an elderly grandmother witnessing the destruction of Troy, the deaths of her husband, her children, and her grandchildren before being sold into slavery by Odysseus.
Brill’s Companion to Euripides, as well as presenting a comprehensive and authoritative guide to understanding Euripides and his masterworks, provides scholars and students with compelling fresh perspectives upon a broad range of issues in the field of Euripidean studies.
This is an English translation of Euripides' tragedy The Trojan Women about the consequences of war; the victors and the fate of those defeated in war. Focus Classical Library provides close translations with notes and essays to provide access to understanding Greek culture.
