Contemporary Fiction from Central America At times unsettling, absurd, suspenseful, tragic, exhilarating, and revelatory, the stories in this collection bring together the widely divergent styles and subject matter of writers from Costa Rica, El Salvador, Guatemala, Honduras, Nicaragua, and Panama. An arresting, luminous collection' - Publishers Weekly'
An anthology of 62 stories from around the non-Euro-American world providing new definitions of cultural diversity and commonality and an invaluable tool for teachers responding to the growing need for multicultural literature. Over the past two decades, sweeping political changes and burgeoning new technologies have resulted in communities being increasingly defined in global as well as regional and national terms. Although the intellectual terra nova of world cultures remains largely uncharted, this anthology of sixty-two stories from around the non-Euro-American world provides what Elisabeth Young-Bruehl calls "an introductory map to the great wealth of literary works now being produced in, at once, the particular settings of the writers' experiences and the global setting." Young-Bruehl finds that while the cultural diversity the stories exemplify is amazing, so too is the similarity in thematic terms of the concerns that this diversity presents. Thus she organized Global Cultures thematically to highlight and clarify how these worldwide cultures both converge and diverge. A comprehensive general introduction outlines forces behind the transnational approach to literary study and chapter introductions contextualize each story. Stories from India, Cuba, South Africa, and Uruguay are connected by the theme of exile and immigration; tales from Nigeria, Guatemala, Cameroon, and Egypt share a theme of political violence and civil uprisings; works from Taiwan, Chile, Jamaica, and Syria describe commonalities of women facing effects of modernization, prejudice, war, and immigration. Global Cultures contributes to the fast-growing body of contemporary short fictions newly available in English and is an invaluable resource to meet the need for multicultural literature.
As a result of his hard exterior and lonely tendencies, Tyler Steele finds himself a single father alone in the world - until a stranger and her daughter show up and change his life. Third generation Texas Ranger Tyler Steele is the last of a dying breed-- a modern day cowboy hero living in a world that doesn't quite understand his powerful sense of right and wrong and instinct to defend those who can't defend themselves. Despite his strong moral compass, Ty has trouble seeing his greatest weakness. His hard outer shell, the one essential to his work, made him incapable of forging the emotional connection his wife Andie so desperately needed. Now retired, rasing their son Brodie on his own, and at risk of losing his ranch, Ty does not know how to rebuild from the rubble of his life. The answer comes in the form of Samantha and her daughter Hope, on the run from a seemingly inescapable situation. They are in danger, desperate, and alone. Though they are strangers, Ty knows he can help-- protecting the innocent is what he does best. As his relationship with Sam and Hope unfolds, Ty realizes he must confront his true weaknesses if he wants to become the man he needs to be.
A Good Morning America Book Club Pick and New York Times Bestseller! From debut author Asha Lemmie, “a lovely, heartrending story about love and loss, prejudice and pain, and the sometimes dangerous, always durable ties that link a family together.” —Kristin Hannah, #1 New York Times–bestselling author of The Nightingale Kyoto, Japan, 1948. “Do not question. Do not fight. Do not resist.” Such is eight-year-old Noriko “Nori” Kamiza’s first lesson. She will not question why her mother abandoned her with only these final words. She will not fight her confinement to the attic of her grandparents’ imperial estate. And she will not resist the scalding chemical baths she receives daily to lighten her skin. The child of a married Japanese aristocrat and her African American GI lover, Nori is an outsider from birth. Her grandparents take her in, only to conceal her, fearful of a stain on the royal pedigree that they are desperate to uphold in a changing Japan. Obedient to a fault, Nori accepts her solitary life, despite her natural intellect and curiosity. But when chance brings her older half-brother, Akira, to the estate that is his inheritance and destiny, Nori finds in him an unlikely ally with whom she forms a powerful bond—a bond their formidable grandparents cannot allow and that will irrevocably change the lives they were always meant to lead. Because now that Nori has glimpsed a world in which perhaps there is a place for her after all, she is ready to fight to be a part of it—a battle that just might cost her everything. Spanning decades and continents, Fifty Words for Rain is a dazzling epic about the ties that bind, the ties that give you strength, and what it means to be free.
A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.
Abby and her parents have moved to Israel, where they've always dreamed of living. Abby's excited about her new home, but she misses her grandma. As they exchange letters and emails, Abby tells about her new life-learning Hebrew, eating falafel, and floating in the Dead Sea. And through the long dry summer, as she looks forward to the first rain of autumn, she misses how she and Grandma used to splash and play on rainy days. Finally, one morning, Abby hears the long-awaited ping ping ping on the roof. And then something even more wonderful happens. Kathryn Mitter's bright paintings perfectly complement Charlotte Herman's appealing story of the love between a grandma and a little girl.
New from the creator of New York Times Best-Illustrated book Along a Long Road and A Long Way Away Includes Read-Aloud/Read-to-Me functionality where available. Book Description:Picture book master Frank Viva does it again, this time with astounding book that transform both words and pictures in delightful ways, while telling the story of a young boy spending his birthday at Coney Island, in search of his heart's desire.