And There I Stood with My Piccolo, originally published in 1948, is a zesty and colorful memoir of composer Meredith Willson’s early years—from growing up in Mason City, Iowa, to playing the flute with John Philip Sousa’s band and the New York Philharmonic Orchestra, to a successful career in composing for radio and motion pictures in Hollywood. It was apparent to everyone, except maybe Willson himself, that he was on his way to something big. Lighthearted and inspiring, it is no surprise Willson’s tales caught the attention of prominent Broadway producers. In 1957, just nine years after the publication of this book, The Music Man became a Broadway sensation, winning five Tony Awards, including Best Musical. Meredith Willson’s musical comedy is to this day arguably the most produced and beloved musical in American culture.
Chronicles the creation of Meredith Willson’s The Music Man—reprinted now as the Broadway Edition Composer Meredith Willson described The Music Man as “an Iowan’s attempt to pay tribute to his home state.” Now featuring a new foreword by noted singer and educator Michael Feinstein, this book presents Willson’s reflections on the ups and downs, surprises and disappointments, and finally successes of making one of America’s most popular musicals. Willson’s whimsical, personable writing style brings readers back in time with him to the 1950s to experience firsthand the exciting trials and tribulations of creating a Broadway masterpiece. Fresh admiration of the musical—and the man behind the music—is sure to result.
The Music Man stands as one of the greatest achievements in American musical theatre, but few know about its rocky beginnings and the against-all-odds success story of its creator Meredith Willson. Mark Cabaniss steps back into the Golden Age of Broadway and brings to life the origins of this classic show, the music behind it, and the unlikely story of its creator. Interweaving behind-the-scenes accounts of people who worked with Willson, Cabaniss looks at his long and unusual career as a composer, conductor, radio personality, and flutist, which reached its pinnacle in The Music Man. No one initially believed in Willson’s “Valentine to Iowa,” seeing it as nothing but a corny flop or, worse, a recipe for disaster. But when the curtain fell on opening night, a star called The Music Man was born. Over 65 years later, that star is still marching right to this day, endeared by millions around the world. To understand Willson, his career, and his music is to understand how The Music Man came to be: he was truly the only person who could have ever written this show due to his unique background, talent, incredible persistence, and belief. The show’s ultimate success and longevity was anything but inevitable—rather, it was truly a miracle.
A favorite personality on radio and television for over 50 years, Don Barber recalls the many celebrities he's met, his private life, and his years in the business, a virtual history of broadcasting and 20th century America told with humor and fond memories. To be enjoyed by readers of all ages.
Ulric Dahlgren was a brilliant, ambitious young man who became the youngest full colonel in the United States Army at the age of twenty-one, yet died before his twenty-second birthday. This is the first biography of Dahlgren, and thankfully it was penned by cavalry expert and award-winning author Eric J. Wittenberg. Wittenberg’s account chronicles Dahlgren’s full life story, with a deep look at his military career and extensive connections within the nation’s capital, all of which led to the climax of his life: the notorious Dahlgren Raid. Like a Meteor Burning Brightly: The Short but Controversial Life of Colonel Ulric Dahlgren is based upon a plethora of source material, including previously unknown or little-used archival sources. Anyone interested in the Civil War in general, or just a fascinating life well-told, will want this book on their shelf.
Meredith Willson marched into the hearts of American music lovers with productions such as the "The Music Man" and "The Unsinkable Molly Brown," and unforgettable show tunes like "76 Trombones." It is the amazing story of how a youngster with talent and tenacity, possessed with what he would later call a streak of "Iowa stubborn", rose to become one of America's most famous musicians. It is the story of a remarkable career in which Willson: helped scientist Lee deForest in experiments that developed sound for motion pictures, wrote the music for Charlie Chaplin's first "talkie," wrote a song recorded by the Beatles, and won the first Grammy award ever presented. John C. Skipper is a newspaper journalist whose 35-year career has produced thousands of newspaper columns and five books. John and his wife, Sandi, live in Mason City, Iowa, just a stone's throw from Willson's famous footbridge. They have three grown daughters and one grandchild.
We live these days in a virtual nation of cities and celebrities, dreaming a small-town America rendered ever stranger by purveyors of nostalgia and dark visionaries from Sherwood Anderson to David Lynch. And yet it is the small town, that world of local character and neighborhood lore, that dreamed the America we know today—and the small-town boy, like those whose stories this book tells, who made it real. In these life-stories, beginning in 1890 with frontier historian Frederick Jackson Turner and moving up to the present with global shopkeeper Sam Walton, a history of middle America unfolds, as entrepreneurs and teachers like Henry Ford, George Washington Carver, and Walt Disney; artists and entertainers like Thomas Hart Benton, Grant Wood, Carl Sandburg, and Johnny Carson; political figures like William McKinley, William Jennings Bryan, and Ronald Reagan; and athletes like Bob Feller and John Wooden by turns engender and illustrate the extraordinary cultural shifts that have transformed the Midwest, and through the Midwest, the nation--and the world. Many of these men are familiar, icons even—Ford and Reagan, certainly, Ernie Pyle, Sinclair Lewis, James Dean, and Lawrence Welk—and others, like artists Oscar Micheaux and John Steuart Curry, economist Alvin Hansen and composer Meredith Willson, less so. But in their stories, as John E. Miller tells them, all appear in a new light, unique in their backgrounds and accomplishments, united only in the way their lives reveal the persisting, shaping power of place, and particularly the Midwest, on the cultural imagination and national consciousness. In a thoroughly engaging style Miller introduces us to the small-town Midwestern boys who became these all-American characters, privileging us with insights that pierce the public images of politicians and businessmen, thinkers and entertainers alike. From the smell of the farm, the sounds and silences of hamlets and county seats, the schoolyard athletics and classroom instruction and theatrical performance, we follow these men to their moments of inspiration, innovation, and fame, observing the workings of the small-town past in their very different relationships with the larger world. Their stories reveal in an intimate way how profoundly childhood experiences shape personal identity, and how deeply place figures in the mapping of thought, belief, ambition, and life's course.
Janis grew up in North Sacramento where neighbors were like family. When her parents divorced and sold their home, Janis learned to adapt to many different environments. She milked cows on her aunt's farm, attended a one-room schoolhouse and found the love of her life in a beautiful little town called Round Valley. This book contains a kaleidoscope of cherished moments ranging from childhood memories to family history. Janis and her husband, Ted, decided to "smell the roses" as they went along, so they saved up all winter in order to travel a week or two in the summer. They appreciate the opportunities to have seen many awesome things of beauty on their journeys like DaVinci's statue of David, The Hope Diamond and the Lincoln Monument. Retirement is a gift of time to enjoy family, grandkids, yard sales and casinos. There are still places to see, so the traveling itch may need a little more scratching.
The Dictionary of Midwestern Literature, Volume One, surveys the lives and writings of nearly 400 Midwestern authors and identifies some of the most important criticism of their writings. The Dictionary is based on the belief that the literature of any region simultaneously captures the experience and influences the worldview of its people, reflecting as well as shaping the evolving sense of individual and collective identity, meaning, and values. Volume One presents individual lives and literary orientations and offers a broad survey of the Midwestern experience as expressed by its many diverse peoples over time.Philip A. Greasley's introduction fills in background information and describes the philosophy, focus, methodology, content, and layout of entries, as well as criteria for their inclusion. An extended lead-essay, "The Origins and Development of the Literature of the Midwest," by David D. Anderson, provides a historical, cultural, and literary context in which the lives and writings of individual authors can be considered.This volume is the first of an ambitious three-volume series sponsored by the Society for the Study of Midwestern Literature and created by its members. Volume Two will provide similar coverage of non-author entries, such as sites, centers, movements, influences, themes, and genres. Volume Three will be a literary history of the Midwest. One goal of the series is to build understanding of the nature, importance, and influence of Midwestern writers and literature. Another is to provide information on writers from the early years of the Midwestern experience, as well as those now emerging, who are typically absent from existing reference works.
