Classical Marble: Geochemistry, Technology, Trade

Classical Marble: Geochemistry, Technology, Trade

Author: N. Herz

Publisher: Springer Science & Business Media

Published: 2013-04-17

Total Pages: 464

ISBN-13: 9401577951

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Marble in Ancient Greece and Rome: Geology, Quarries, Commerce, Artifacts Marble remains the sine qua non raw material of the an cient Greeks and Romans. Beginning in the Bronze Age sculptu re began in marble and throughout classical times the most im portant statues, reliefs, monuments and inscriptions were made of it. Yet, quarry sources changed in time as preferences for different marbles were influenced by local traditions, the pos sibilities of transport, esthetic tastes, and economics. Marble studies and the identification of the provenance of marble can thus reveal much about Greek and Roman history, trade, esthe tics and technology. Persons in many disciplines are studying various aspects of Greek and Roman marble usage. Geologists and geochemists are working on methods to determine the provenance of marble; ar chaeologists are noting changing patterns of import and use in excavation~ and discovering how improving quarrying techniques and prelimihary dressing of the extracted material influenced the final shape of artifacts; ancient historians are now under standing quarry organization and bureaucracies that controlled marble production and trade; art historians are seeing how phy sical characteristics of the stone affected the techniques and style of sculpture; architects and engineers are interested in quarry technologies and usage in building construction. These specialists drawn from many disciplines rarely have an opportu nity to compare notes and see how each can contribute to the research effort of others.


Göktepe Marbles

Göktepe Marbles

Author: Donato Attanasio

Publisher: L'Erma Di Bretschneider

Published: 2021

Total Pages: 323

ISBN-13: 9788891319906

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The Goektepe marbles, white, black and two-toned, corroborated by archaeological studies and evidences and by scientific archaeometrical studies have been published in several previous paper on the most renowned international journals, but the idea to publish a monographic volume is based on the suggestion that this kind of publication can emphasize the importance of the Goektepe marble, in fact, the new Roman imperial sculptural marble. The large and intensive field research changed completely our knowledge about Roman marble quarries in ancient Asia Minor, due to the unexpected discovery of more than 30 exploitation sites of roman times. The importance of these quarries consists in the fact that the produced marbles were all intended to be export marbles to be destined not only to other foreign cities of the Roman Empire, but mainly to Rome.


Gods in Color

Gods in Color

Author: Vinzenz Brinkmann

Publisher: Prestel

Published: 2017

Total Pages: 0

ISBN-13: 9783791357072

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ForewordMAX HOLLEINESSAYSA HISTORY OF RESEARCH AND SCHOLARSHIP ON THE POLYCHROMY OF ANCIENT SCULPTUREVINZENZ BRINKMANNON THE POLYCHROMY OF ANCIENT SCULPTUREVINZENZ. BRINKMANN AND ULRIKE KOCH-BRINKMANNREDISCOVERING COLORPolychrome Art from Ancient Egypt and the Near EastRENÉE DREYFUSESSAYSTHE DISCOVERY OF THE POLYCHROMY OF ANCIENT GREEK SCULPTUREWinckelmann's Research on Statues and TextsOLIVER PRIMAVESICOLOR AND LIGHTDodwell and Pomardi in GreeceJOHN CAMP.ANCIENT PAINTS AND.PAINTING TECHNIQUES Methods of InvestigationVINZENZ BRINKMANN, ULRIKE KOCH-BRINKMANN, AND HEINRICH PIENINGCATALOGUE OF THE EXHIBITIONBibliographyAcknowledgmentsMAX HOLLEINPhotography Credits.


Ancient Stones

Ancient Stones

Author: Marc Waelkens

Publisher: Leuven University Press

Published: 1992

Total Pages: 308

ISBN-13: 9789061864943

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The meeting assembled an interdisciplinary group of nearly 50 archaeologists and art historians, geologists and geochemists from the U.S.A. and 14 European and Near Eastern countries to discuss the provenance, quarrying, transport and use of stone from prehistoric to early Christian times, both in Europe and in the Near East. The papers which reflect a merger between classicism and geotechnology, thus deal with (1) quarries from the Bronze Age to the Byzantine period, their technology and organization, (2) quarry prospection through satellite imaging, (3) dressing of artifacts near the quarries, (4) trade, availability and archaeological use of certain stones in antiquity, (5) determination of obsidian, flint, granite, marble, limestones, sandstones and arkoses from Europe, Asia Minor and the Near East by means of petrological and chemical analysis, trace element analysis, electron microprobe and stable isotope analysis, ESR spectroscopy, X-ray fluorescence and X-ray powder diffradtometry, mercury porosimetry, cathodoluminiscence, light diffustion from laser-irradiated stones, computer assisted assessment of coloured stones or amulti-method appraoch, and (6) provenance determination applied to ancient artifacts.The volume is highly recommended for those who wish to combine a journey into classical scholarship with geochemical sciences.


Marble

Marble

Author: J. Paul Getty Museum

Publisher: Getty Publications

Published: 1991-03-21

Total Pages: 299

ISBN-13: 0892361743

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In sixteen essays, prominent art historians, sculptors, scientists, and conservators discuss ancient marble sculpture. The essays are based on a symposium held at the J. Paul Getty Museum in April 1988. Topics include the provenancing of marble, the detection of marble forgeries, scientific analysis and authentication of ancient marble, marble quarrying and trade in the ancient world, and the techniques used in ancient sculpture.


Painting in Stone

Painting in Stone

Author: Fabio Barry

Publisher: Yale University Press

Published: 2020-10-27

Total Pages: 449

ISBN-13: 0300248164

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A sweeping history of premodern architecture told through the material of stone Spanning almost five millennia, Painting in Stone tells a new history of premodern architecture through the material of precious stone. Lavishly illustrated examples include the synthetic gems used to simulate Sumerian and Egyptian heavens; the marble temples and mansions of Greece and Rome; the painted palaces and polychrome marble chapels of early modern Italy; and the multimedia revival in 19th-century England. Poetry, the lens for understanding costly marbles as an artistic medium, summoned a spectrum of imaginative associations and responses, from princes and patriarchs to the populace. Three salient themes sustained this “lithic imagination”: marbles as images of their own elemental substance according to premodern concepts of matter and geology; the perceived indwelling of astral light in earthly stones; and the enduring belief that colored marbles exhibited a form of natural—or divine—painting, thanks to their vivacious veining, rainbow palette, and chance images.