Drawn from a 20th-century French collection, this volume interprets classic motifs of ancient Egypt in a dynamic Art Deco style. Hundreds of images include serpents, scarabs, and mythological creatures as well as a profusion of stylized flowers. Individual motifs can serve as striking spot illustrations, and dozens of borders and panels can be used as repeating patterns.
Voluminous, diversified collection of ornamental two-, three-, and four-letter combinations — all in a rich variety of styles, many incorporating crowns, coronets, and ancient and modern alphabets. 130 black-and-white plates.
Over 1,000 royalty-free illustrations of animals, birds, insects and creatures both real and fanciful as depicted in dozens of design traditions from Ancient Egyptian to Early American. Chinese dragons, Indian elephants, Egyptian scarab beetles, and hundreds more, arranged by category and identified by captions. Indispensable source of ready-to-use animal art for artists, illustrators, craftspeople, more.
Beautifully rendered from book illustrations, pottery, metalwork, carvings, and other sources, these 280 black-and-white designs include geometrics, florals, and animal and human figures in circular, hexagonal, rectangular, and other shapes.
Ethnographic study of cultural politics in the contemporary Egyptian art world, examining how art-making is a crucial aspect of the transformation from socialism to neoliberalism in postcolonial countries.
371 illustrations adapted from Egyptian sources, depicting gods and pharaohs, priests and priestesses, ordinary people, plants and animals, scenes of state occasion, battle, funerary custom, domestic life, and more.
This book provides an innovative analysis of the conditions of ancient Egyptian craftsmanship in the light of the archaeology of production, linguistic analysis, visual representation and ethnographic research. During the past decades, the "imaginative" figure of ancient Egyptian material producers has moved from "workers" to "artisans" and, most recently, to "artists". In a search for a fuller understanding of the pragmatics of material production in past societies, and moving away from a series of modern preconceptions, this volume aims to analyse the mechanisms of material production in Egypt during the Middle Bronze Age (2000-1550 BC), to approach the profile of ancient Egyptian craftsmen through their own words, images and artefacts, and to trace possible modes of circulation of ideas among craftsmen in material production. The studies in the volume address the mechanisms of ancient production in Middle Bronze Age Egypt, the circulation of ideas among craftsmen, and the profiles of the people involved, based on the material traces, including depictions and writings, the ancient craftsmen themselves left and produced.
Kasushika Hokusai was among the foremost ukiyo-e artists of his generation, and his Thirty-six Views of Mt. Fuji ranks among the best-known series of Japanese woodblock prints. This edition presents a full-color reprint of that enduring masterpiece, plus the artist's later black-and-white series, One Hundred Views of Mt. Fuji. A must for all lovers of Japanese art.
Explores the variety of arts produced in Egypt over a span of 3,500 years. Examing the stories behind these objects and buildings, Riggs looks not only at what they can tell us about ancient Egyptian life, but also how their legacy continues to shape the contemporary world.