William Seymour was born 13 April 1758 in Greenwich, Connecticut. He married Esther Sands in 1783 in Newburgh, New York. They had four children. He married Elizabeth Powell and they had two children. He died 1811. Descendants and relatives lived mainly in New York.
William Seymour Tyler (1810-1897), born in Harford, Pa. was the son of Nabby Seymour and Joab Tyler. Tyler ancestry is traced to Job Tyler of Andover, Massachusetts who was born ca. 1619. William was a teacher and married Amelia Ogden Whiting (1819-1904).
Jeremiah Adams Sr. (1794-1883) moved from Connecticut to New York, and married Catherine Bowen in 1816. She died in 1836 in Erie County, Pennsylvania, leaving Jeremiah with 8 children. In 1837 he married widow Elizabeth (Willard) Shattuck, widow of Joseph Shattuck Jr., and later they moved to Vermilion, Erie County, Ohio. Descendants and relatives also lived in Michigan, Illinois, Iowa, Nebraska, Minnesota, North Dakota, Montana, Oregon, California, Texas and elsewhere. Includes family history and genealogical data for each generation back to immigrant Henry Adams (1583-1646) of Braintree, Massachusetts, and also for at least four generations of his ancestors in England.
Winner of the Connecticut Book Award (2011) Winner of the Connecticut League of History Organizations Award of Merit (2012) Connecticut women have long been noted for their creation of colorful and distinctive needlework, including samplers and family registers, bed rugs and memorial pictures, crewel-embroidered bed hangings and garments, silk-embroidered pictures of classical or religious scenes, quilted petticoats and bedcovers, and whitework dresses and linens. This volume offers the first regional study, encompassing the full range of needle arts produced prior to 1840. Seventy entries showcase more than one hundred fascinating examples—many never before published—from the Connecticut Historical Society's extensive collection of this early American art form. Produced almost exclusively by women and girls, the needle arts provide an illuminating vantage point for exploring early American women's history and education, including family-based traditions predating the establishment of formal academies after the American Revolution. Extensive genealogical research reveals unseen family connections linking various types of needlework, similar to the multi-generational male workshops documented for other artisan trades, such as woodworking or metalsmithing. Photographs of stitches, reverse sides, sketches, design sources, and related works enhance our understanding and appreciation of this fragile art form and the talented women who created it. An exhibition of needlework in this book will be held at the Connecticut Historical Society in late fall, 2010. Funding for this project has been provided by the Coby Foundation, Ltd., and the National Endowment for the Arts.