This eight-volume, reset edition in two parts collects rare primary sources on Victorian science, literature and culture. The sources cover both scientific writing that has an aesthetic component – what might be called 'the literature of science' – and more overtly literary texts that deal with scientific matters.
The collections of the Advocates Library, with the exception of its legal books and manuscripts, were given by the Advocates to the National Library of Scotland in 1925.
A marvelously illustrated A-to-Z compendium of bird names from around the globe The Bird Name Book is an alphabetical reference book on the origins and meanings of common group bird names, from “accentor” to “zeledonia.” A cornucopia of engaging facts and anecdotes, this superbly researched compendium presents a wealth of incisive entries alongside stunning photos by the author and beautiful historic prints and watercolors. Myers provides brief biographies of prominent figures in ornithology—such as John Gould, John Latham, Alfred Newton, and Robert Ridgway—and goes on to describe the etymological history of every common group bird name found in standardized English. She interweaves the stories behind the names with quotes from publications dating back to the 1400s, illuminating the shared evolution of language and our relationships with birds, and rooting the names in the history of ornithological discovery. Whether you are a well-traveled birder or have ever wondered how the birds in your backyard got their names, The Bird Name Book is an ideal companion.
Sir William Jardine was a key figure in the history of Victorian-era science. He owned the finest private natural history museum and library in Britain and made natural history widely available by issuing the The Naturalists' Library , forty small, affordable volumes on birds, mammals, fish, and insects. Yet, until now, no comprehensive biography of him existed.This book explores the history of this singular man, his impact on the study of natural history, and its popularization through his publishing efforts.
In 1838, John Gould and his wife, Elizabeth, left behind their family and home in London to travel to the far-flung colony of Van Diemen's Land, from where Gould would travel around the mainland to observe the native fauna. Gould's artists - Elizabeth foremost among them - would depict these creatures in exquisite lithographs, accompanied by Gould's commentary. With all the acumen of a shrewd Victorian entrepreneur, Gould established a thriving business that took him into the world of the British aristocracy and the scientific elite. His is a tale of enduring love and of a man's unending ability to see beauty in nature, despite the greatest of life's tragedies.