The Pacific’s ‘Indigenous times’ are not just smaller sections of larger histories, but dimensions of their own. Histories of our Pacific world are richly rendered in these essays by Damon Salesa. From the first Indigenous civilisations that flourished in Oceania to the colonial encounters of the nineteenth century, and on to the complex contemporary relationships between New Zealand and the Pacific, Salesa offers new perspectives on this vast ocean – its people, its cultures, its pasts and its future. Spanning a wide range of topics, from race and migration to Pacific studies and empire, these essays demonstrate Salesa’s remarkable scholarship. Bridging the gap between academic disciplines and cultural traditions, Salesa locates Pacific peoples always at the centre of their stories. An Indigenous Ocean is a pivotal contribution to understanding the history and culture of Oceania.
Spanning nearly two centuries from first contact through to settlement and apology, this major work focuses on the human impact of the war in the Waikato, its origins and aftermath.
This catalogue showcases GLISTEN, a kinetic sculpture by Lisa Reihana, an Aotearoa New Zealander artist. Activated by wind and sunlight, the sculpture mirrors its environment with shimmers across its surfaces, inviting interaction within its triangular space. GLISTEN honours the weaving traditions of Southeast Asia and Aotearoa, allowing Songket and Māori Tāniko patterns to meet and coexist in a vibrant and harmonious visual celebration. The publication includes a curatorial essay, a dialogue with the artist about her creative process, and stunning photographs of GLISTEN. A foldout insert, designed to reflect the essence of GLISTEN, allows readers to peruse the intricate designs, accompanied by annotated text.
We Are the Ocean is a collection of essays, fiction, and poetry by Epeli Hau‘ofa, whose writing over the past three decades has consistently challenged prevailing notions about Oceania and prescriptions for its development. He highlights major problems confronted by the region and suggests alternative perspectives and ways in which its people might reorganize to relate effectively to the changing world. Hau‘ofa’s essays criss-cross Oceania, creating a navigator’s star chart of discussion and debate. Spurning the arcana of the intellectual establishments where he was schooled, Hau‘ofa has crafted a distinctive—often lyrical, at times angry—voice that speaks directly to the people of the region and the general reader. He conveys his thoughts from diverse standpoints: university-based analyst, essayist, satirist and humorist, and practical catalyst for creativity. According to Hau‘ofa, only through creative originality in all fields of endeavor can the people of Oceania hope to strengthen their capacity to engage the forces of globalization. “Our Sea of Islands,” “The Ocean in Us,” “Pasts to Remember,” and “Our Place Within,” all of which are included in this collection, outline some of Hau‘ofa’s ideas for the emergence of a stronger and freer Oceania. Throughout he expresses his concern with the environment and suggests that the most important role that the “people of the sea” can assume is as custodians of the Pacific, the vast area of the world’s largest body of water.
From a study of knowledge of the sea among indigenous cultures in the South Seas to inquiries into the subject of sea monsters, from studies of Pacific currents to descriptions of ocean-going research vessels, the sixty-three essays presented here reflect the scientific complexity and richness of social relationships that characterize ocean-ographic history. Based on papers presented at the Fifth International Congress on the History of Oceanography held at the Scripps Institution of Oceanography (the first ICHO meeting following the cessation of the Cold War), the volume features an unusual breadth of contributions. Oceanography itself involves the full spectrum of physical, biological, and earth sciences in their formal, empirical, and applied manifestations. The contributors to Oceanographic History: The Pacific and Beyond undertake the interdisciplinary task of telling the story of oceanography’s past, drawing on diverse methodologies. Their essays explore the concepts, techniques, and technologies of oceanography, as well as the social, economic, and institutional determinants of oceanographic history. Although focused on the Pacific, the geographic range of subjects is global and includes Micronesia, East Africa, and Antarctica; the bathymetric range comprises inshore fisheries, coral reefs, and the "azoic zone." The seventy-one contributors represent every continent of the globe except Antarctica, bringing together material on the history of oceanography never before published.
The Indo-Pacific is fast becoming the world's dominant region. As it grows in power and wealth, geopolitical competition has reemerged, threatening future stability not merely in Asia but around the globe. China is aggressive and uncooperative, and increasingly expects the world to bend to its wishes. The focus on Sino-US competition for global power has obscured "Asia's other great game": the rivalry between Japan and China. A modernizing India risks missing out on the energies and talents of millions of its women, potentially hampering the broader role it can play in the world. And in North Korea, the most frightening question raised by Kim Jong-un's pursuit of the ultimate weapon is also the simplest: can he control his nukes? In Asia's New Geopolitics: Essays on Reshaping the Indo-Pacific, Michael R. Auslin examines these and other key issues transforming the Indo-Pacific and the broader world. He also explores the history of American strategy in Asia from the 18th century through today. Taken together, Auslin's essays convey the richness and diversity of the region: with more than three billion people, the Indo-Pacific contains over half of the global population, including the world's two most populous nations: India and China. In a riveting final chapter, Auslin imagines a war between America and China in a bid for regional hegemony and what this conflict might look like.
For the first time, poetry, short stories, critical and creative essays, chants, and excerpts of plays by Indigenous Micronesian authors have been brought together to form a resounding—and distinctly Micronesian—voice. With over two thousand islands spread across almost three million square miles of the Pacific Ocean, Micronesia and its peoples have too often been rendered invisible and insignificant both in and out of academia. This long-awaited anthology of contemporary indigenous literature will reshape Micronesia’s historical and literary landscape. Presenting over seventy authors and one hundred pieces, Indigenous Literatures from Micronesia features nine of the thirteen basic language groups, including Palauan, Chamorro, Chuukese, I-Kiribati, Kosraean, Marshallese, Nauruan, Pohnpeian, and Yapese. The volume editors, from Micronesia themselves, have selected representative works from throughout the region—from Palau in the west, to Kiribati in the east, to the global diaspora. They have reached back for historically groundbreaking work and scouted the present for some of the most cited and provocative of published pieces and for the most promising new authors. Richly diverse, the stories of Micronesia’s resilient peoples are as vast as the sea and as deep as the Mariana Trench. Challenging centuries-old reductive representations, writers passionately explore seven complex themes: “Origins” explores creation, foundational, and ancestral stories; “Resistance” responds to colonialism and militarism; “Remembering” captures diverse memories and experiences; “Identities” articulates the nuances of culture; “Voyages” maps migration and diaspora; “Family” delves into interpersonal and community relationships; and “New Micronesia” gathers experimental, liminal, and cutting-edge voices. This anthology reflects a worldview unique to the islands of Micronesia, yet it also connects to broader issues facing Pacific Islanders and indigenous peoples throughout the world. It is essential reading for anyone interested in Pacific, indigenous, diasporic, postcolonial, and environmental studies and literatures.
Famously referred to as the "cradle of globalization," the Indian Ocean has received increasing attention from scholars. However, few have examined the 'human' dimensions of the ocean. In this volume, historians, geographers, anthropologists and literary analysts each address a specific human factor in Indian Ocean exchanges.
Taking up the idea that teaching is a political act, this collection of essays reflects on recent trends in ecocriticism and the implications for pedagogy. Focusing on a diverse set of literature and media, the book also provides background on historical and theoretical issues that animate the field of postcolonial ecocriticism. The scope is broad, encompassing not only the Global South but also parts of the Global North that have been subject to environmental degradation as a result of colonial practices. Considering both the climate crisis and the crisis in the humanities, the volume navigates theoretical resources, contextual scaffolding, classroom activities, assessment, and pedagogical possibilities and challenges. Essays are grounded in environmental justice and the project to decolonize the classroom, addressing works from Africa, New Zealand, Asia, and Latin America and issues such as queer ecofeminism, disability, Latinx literary production, animal studies, interdisciplinarity, and working with environmental justice organizations.
