An Imaginative Experience

An Imaginative Experience

Author: Mary Wesley

Publisher: Random House

Published: 2012-03-31

Total Pages: 242

ISBN-13: 1446443396

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A train screeches to a halt in the middle of the English countryside and, observed by her fascinated fellow travellers, a woman climbs down and rushes to the aid of a sheep, stranded on its back and unable to rise. Sylvester Weekes watches with interest and noticing, as she turns, that her face is full of tragedy, the woman's lonely image lodges in his mind. But he is not the only one to speculate over her actions - Maurice Benson, former private detective turned full-time birdwatcher, is convinced that the mysterious woman must be tracked down, in whatever way possible. This is a story rich in character and wit, and powerfully moving in its exploration of the heart's pain and deliverance. It is a tale of loss, of release, of an acceptance of the cruelties of fate and of the imaginative experience of love.


Imagination and Experience

Imagination and Experience

Author: Íngrid Vendrell Ferran

Publisher: Taylor & Francis

Published: 2024-07-16

Total Pages: 383

ISBN-13: 1040109179

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This volume brings together two philosophical research areas that have been subject to increased attention: work regarding the unique character of having an experience and studies on the nature and powers of imagination. The importance of imagination seems to stand in tension with the assumed unique and irreplaceable role of experience in our lives. However, new arguments in various philosophical debates suggest that there is a need to examine how both areas of research interrelate and can enrich one another. The chapters in this volume examine whether the traditional accounts of experience and imagination need to be challenged. They are divided into thematic sections that discuss epistemological, ontological, normative, phenomenological, and intersubjective questions related to experience and imagination. Imagination and Experience is an essential resource for scholars and advanced students working in philosophy of mind, epistemology, ethics, aesthetics, and philosophy of psychology.


Aesthetics, Imagination and the Unity of Experience

Aesthetics, Imagination and the Unity of Experience

Author: Raymond Kenneth Elliott

Publisher: Ashgate Publishing, Ltd.

Published: 2006

Total Pages: 232

ISBN-13: 9780754604334

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R.K. Elliott's essays on aesthetics put forward a number of common themes that together constitute a unified approach to aesthetics. Throughout his writing, Elliott combines analytic rigour with sympathy for ideas in continental philosophy. This book, the first to gather together Elliott's key essays, powerfully illuminates the unifying role of imagination and the aesthetic in human experience.


The Imagination Machine

The Imagination Machine

Author: Martin Reeves

Publisher: Harvard Business Press

Published: 2021-06-08

Total Pages: 248

ISBN-13: 1647820871

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A guide for mining the imagination to find powerful new ways to succeed. We need imagination now more than ever—to find new opportunities, rethink our businesses, and discover paths to growth. Yet too many companies have lost their ability to imagine. What is this mysterious capacity? How does imagination work? And how can organizations keep it alive and harness it in a systematic way? The Imagination Machine answers these questions and more. Drawing on the experience and insights of CEOs across several industries, as well as lessons from neuroscience, computer science, psychology, and philosophy, Martin Reeves of Boston Consulting Group's Henderson Institute and Jack Fuller, an expert in neuroscience, provide a fascinating look into the mechanics of imagination and lay out a process for creating ideas and bringing them to life: The Seduction: How to open yourself up to surprises The Idea: How to generate new ideas The Collision: How to rethink your idea based on real-world feedback The Epidemic: How to spread an evolving idea to others The New Ordinary: How to turn your novel idea into an accepted reality The Encore: How to repeat the process—again and again. Imagination is one of the least understood but most crucial ingredients of success. It's what makes the difference between an incremental change and the kinds of pivots and paradigm shifts that are essential to transformation—especially during a crisis. The Imagination Machine is the guide you need to demystify and operationalize this powerful human capacity, to inject new life into your company, and to head into unknown territory with the right tools at your disposal.


Art and Its Significance

Art and Its Significance

Author: Stephen David Ross

Publisher: SUNY Press

Published: 1984-01-01

Total Pages: 590

ISBN-13: 9780873957649

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The philosophy of art, including the theory of interpretation, has been among the most generative branches of philosophy in the latter half of the twentieth century. Remarkable, interesting, and important work has emerged on both sides of the Atlantic, from all the major sources of philosophic thought. For the first time, Stephen David Ross brings together the best of recent writing with the major historical texts and the most influential works of the past century to provide valuable insight into the nature of art and how we are to understand it. The selections in this collection comprise a remarkably wide array of positions on the nature and importance of art in human experience. A wealth of material is divided into four parts. Part I from the history of philosophy includes selections by the essential writers: Plato, Aristotle, Kant, Hegel, Nietzsche. In Part II there are significant selections from Dewey, Langer, Goodman, Heidegger, and Merleau-Ponty. The major selections in Part III are from Hirsch and Gadamer on the nature of interpretation, supplemented by selections from Pepper, Derrida, and Foucault. Selections in Part IV sharpen the issues that emerge from the more theoretical discussions in the preceeding sections. Part IV includes important psychological theories, seminal proclamations by twentieth century artists, and selections from Bullough on aesthetic distance, as well as from Marcuse, who develops an important variation on the Marxist view of art.


The Oxford Handbook of the Philosophy of Consciousness

The Oxford Handbook of the Philosophy of Consciousness

Author: Uriah Kriegel

Publisher:

Published: 2020

Total Pages: 711

ISBN-13: 0198749678

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This handbook provides a panoramic view of current philosophical research on consciousness. Bringing together contributions from experts in the field, it covers the various types of consciousness, the many related psychological phenomena, and the relationship between consciousness and physical reality.


Collingwood on the Moral Principles of Art

Collingwood on the Moral Principles of Art

Author: Christopher Dreisbach

Publisher: Associated University Presse

Published: 2009

Total Pages: 216

ISBN-13: 9781575911243

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"This book addresses the apparent contradiction in moral condemnation of good artworks. Since there is no direct contradiction, it must involve a third thing that connects aesthetic value and moral value. A significant view about this third thing results from combining R. G. Collingwood's aesthetic and moral theories, and articulating a theory of judgment on his behalf. The view is that an artwork is aesthetically good if the artist fulfilled the moral duty to express emotion successfully. Why this matters and how it fits into the larger conversation about morality and art round out this book's study."--BOOK JACKET.


Perceptual Imagination and Perceptual Memory

Perceptual Imagination and Perceptual Memory

Author: Fiona Macpherson

Publisher: Oxford University Press

Published: 2018-05-24

Total Pages: 269

ISBN-13: 0191027715

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In Perceptual Imagination and Perceptual Memory a group of distinguished contributors examine how perceptual imagination and memory resemble and differ from each other and from other kinds of sensory experience.They question the role each plays in perception and in the acquisition of knowledge. The collection discusses the epistemic roles that the imagination and memory play in our mental lives. It pushes forward the debates about the nature of perceptual imagination and perceptual memory. This innovative study will encourage future discussions on these interesting topics by students and scholars in the field. This volume presents ten new essays on the nature of perceptual imagination and perceptual memory, framed by an introductory overview of these topics. How do perceptual imagination and memory resemble and differ from each other and from other kinds of sensory experience? And what role does each play in perception and in the acquisition of knowledge? These are the two central questions that the contributors seek to address.


The Varieties of Consciousness

The Varieties of Consciousness

Author: Uriah Kriegel

Publisher: Philosophy of Mind

Published: 2015

Total Pages: 297

ISBN-13: 019984612X

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Recent work on consciousness has featured a number of debates on the existence and character of controversial types of phenomenal experience. Perhaps the best-known is the debate over the existence of a sui generis, irreducible cognitive phenomenology, a phenomenology proper to thought. Another concerns the existence of a sui generis phenomenology of agency. Such debates bring up a more general question: how many types of sui generis, irreducible, basic, primitive phenomenology do we have to posit to just be able to describe the stream of consciousness? This book offers a first general attempt to answer this question in contemporary philosophy. It develops a unified framework for systematically addressing this question and applies it to six controversial types of phenomenal experience, namely, those associated with thought and judgment, will and agency, pure apprehension, emotion, moral thought and experience, and the experience of freedom.


Art, Emotion and Ethics

Art, Emotion and Ethics

Author: Berys Gaut

Publisher: OUP Oxford

Published: 2007-05-24

Total Pages: 288

ISBN-13: 0191532436

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Art, Emotion and Ethics is a systematic investigation of the relation of art to morality, a topic that has been of central and recurring interest to the philosophy of art since Plato. Berys Gaut explores the various positions that have been taken in this debate, and argues that an artwork is always aesthetically flawed insofar as it possesses a moral defect that is aesthetically relevant. Three main arguments are developed for this view; these involve showing how moral goodness is itself a kind of beauty, that artworks can teach us about morality and that this is often an aesthetic merit in them, and that our emotional responses to works of art are properly guided in part by moral considerations. Art, Emotion and Ethics also contains detailed interpretations of a wide range of artworks, including Rembrandt's Bathsheba and Nabokov's Lolita, which show that ethical criticism can yield rich and plausible accounts of individual works. Gaut develops a new theory of the nature of aesthetic value, explores how art can teach us about the world and what we morally ought to do by guiding our imaginings, and argues that we can have genuine emotions towards people and events that we know are merely fictional. Characterised by its clarity and sustained argument, this book will be of interest to anyone who wants to understand the relation of art to morality.