A must-have compendium for the axe-wielding adventurer by one of the industry’s leading tastemakers Buchanan-Smith’s Axe Handbook is a trusted resource for anyone looking to reconnect with handcraft and the outdoors. Beautifully designed and lavishly illustrated, this handbook will inspire readers to rediscover the great outdoors. Peter Buchanan-Smith founded Best Made Co. in 2009 because he loved making things with his hands and wanted to start a company that would not only celebrate the inherent beauty of timeless, utilitarian tools, but would also inspire people to get out from behind their screens and experience the natural world. From the basics and fundamentals of handling and owning an axe to the details on how to find the right axe to everything a reader must know about use and maintenance, this stylish, informative axe guide is ideal for anyone interested in the outdoors. .
"Ever daydream about taking a little revenge? Lifting a corner of that precious rug everyone's busy sweeping secrets under? Well, let me tell you about Beryle Stone. She was a bestselling author and the most famous citizen to ever come out of Cottonwood, Kentucky. She knew everyone in town and they knew her. And when she died, she put all her worldly possessions up for auction. All but one. She left behind a hidden tell-all about Cottonwood that's got more gossip than a ladies' luncheon. Oh, Lordy, does that make the town folk hot. I'm not talking Deputy Finn Vincent hot, I'm talking hot under those Southern collars hot. And since revenge is a dish best served cold, things turn ugly. Someone gets an ax to the back and the only witness gets put in a coma. Enter Sheriff Kenni Lowry. She reckons someone in town will do anything to keep the manuscript from seeing the light of day. And it's her job to find out who. She starts uncovering as many secrets as there are suspects. Of course her poppa's ghost returns to help. He pieces together the life of the Beryle he once knew, but his memory's a little foggy, and any misstep could cause them a world of trouble. Can Kenni sort through the secrets buried in Beryle's books, or will this be her final chapter? Pour yourself a tall glass of sweet tea or a shot of Kentucky Bourbon (no judging in these parts), kick up your feet, and get lost in this delicious Southern mystery. Trust me, you'll want to pick up this book because it's just too good to put down" -- Author's website.
Winner of the ALA Stonewall Book Award—Barbara Gittings Literature Award Named Best Book of the Year by Bustle Named Most Anticipated Book of the Year by The Millions, Electric Literature, and HuffPost The author of the “vivid and urgent…important and timely” (The New York Times Book Review) debut The Map of Salt and Stars returns with this remarkably moving and lyrical novel following three generations of Syrian Americans who are linked by a mysterious species of bird and the truths they carry close to their hearts. Five years after a suspicious fire killed his ornithologist mother, a closeted Syrian American trans boy sheds his birth name and searches for a new one. He has been unable to paint since his mother’s ghost has begun to visit him each evening. As his grandmother’s sole caretaker, he spends his days cooped up in their apartment, avoiding his neighborhood masjid, his estranged sister, and even his best friend (who also happens to be his longtime crush). The only time he feels truly free is when he slips out at night to paint murals on buildings in the once-thriving Manhattan neighborhood known as Little Syria. One night, he enters the abandoned community house and finds the tattered journal of a Syrian American artist named Laila Z, who dedicated her career to painting the birds of North America. She famously and mysteriously disappeared more than sixty years before, but her journal contains proof that both his mother and Laila Z encountered the same rare bird before their deaths. In fact, Laila Z’s past is intimately tied to his mother’s—and his grandmother’s—in ways he never could have expected. Even more surprising, Laila Z’s story reveals the histories of queer and transgender people within his own community that he never knew. Realizing that he isn’t and has never been alone, he has the courage to officially claim a new name: Nadir, an Arabic name meaning rare. As unprecedented numbers of birds are mysteriously drawn to the New York City skies, Nadir enlists the help of his family and friends to unravel what happened to Laila Z and the rare bird his mother died trying to save. Following his mother’s ghost, he uncovers the silences kept in the name of survival by his own community, his own family, and within himself, and discovers the family that was there all along. Featuring Zeyn Joukhadar’s signature “magical and heart-wrenching” (The Christian Science Monitor) storytelling, The Thirty Names of Night is a timely exploration of how we all search for and ultimately embrace who we are.
"We have, at long last, a real historian with real historical skills and no intra-professional ax to grind. . . . All these pieces show the virtues one finds missing in . . . nearly all of anthropological history work but [Stocking's]: extensive and critical use of archival sources, tracing of real rather than merely plausible intellectual connections, and contextualization of ideas and movements in terms of broader social and cultural currents. Stocking writes very clearly; attacks important topics—race and evolution, the influence of scientism, the interaction between anthropology and other disciplines; and is methodologically very sophisticated. Though his main theme is the development of racialism and of opposition to it, his book bears on a range of issues very much alive in anthropology. . . . I would think no apprentice anthropologist ought to be pronounced a journeyman until he or she has absorbed what Stocking has to say."—Clifford Geertz, The Institute for Advanced Study, Princeton
This moody murder mystery set during an overnight train journey in 1950s South America “delights like strong coffee savored in a cosmopolitan cafe” (Publishers Weekly). In 1952, a train makes its way from La Paz, Bolivia, to the Chilean seaport of Arica. Among the passengers are: a businessman with his much-younger wife, a man in priest’s garb hiding a secret, Irish and Russian expatriates, a miner, and a student. Before the trip is over, there will be many revelations—including the identity of a killer. From the author of American Visa, a winner of Bolivia’s National Book Prize, this atmospheric novel is “part social commentary, part mystery thriller . . . A chilling, tragic tale” (MultiCultural Review).
A professor of American Studies—and stand-up comic—examines sharply focused comedy and its cultural utility in contemporary society. Outstanding Academic Title, Choice In this examination of stand-up comedy, Rebecca Krefting establishes a new genre of comedic production, “charged humor,” and charts its pathways from production to consumption. Some jokes are tears in the fabric of our beliefs—they challenge myths about how fair and democratic our society is and the behaviors and practices we enact to maintain those fictions. Jokes loaded with vitriol and delivered with verve, charged humor compels audiences to action, artfully summoning political critique. Since the institutionalization of stand-up comedy as a distinct cultural form, stand-up comics have leveraged charged humor to reveal social, political, and economic stratifications. All Joking Aside offers a history of charged comedy from the mid-twentieth century to the early aughts, highlighting dozens of talented comics from Dick Gregory and Robin Tyler to Micia Mosely and Hari Kondabolu. The popularity of charged humor has waxed and waned over the past sixty years. Indeed, the history of charged humor is a tale of intrigue and subversion featuring dive bars, public remonstrations, fickle audiences, movie stars turned politicians, commercial airlines, emergent technologies, neoliberal mind-sets, and a cavalcade of comic misfits with an ax to grind. Along the way, Krefting explores the fault lines in the modern economy of humor, why men are perceived to be funnier than women, the perplexing popularity of modern-day minstrelsy, and the way identities are packaged and sold in the marketplace. Appealing to anyone interested in the politics of humor and generating implications for the study of any form of popular entertainment, this history reflects on why we make the choices we do and the collective power of our consumptive practices. Readers will be delighted by the broad array of comic talent spotlighted in this book, and for those interested in comedy with substance, it will offer an alternative punchline.
Mabel plans to bring the thrills of volunteering to the masses-if she doesn't get the ax first. After losing her job of twenty-three years, Mabel decides to launch what will surely be a glamorous new career as an author. Having recently inherited her late grandmother's house, she has the freedom to spend time volunteering and writing about her experiences. Unfortunately, Mabel's plans soon go off the rails. Her inheritance comes with decades of clutter, an overgrown lot, a dog named Barnacle, and a neighbor with an ax to grind. And her first assignment as a Medicine Spring Historical Society volunteer is to lead a tour of the Sauer Mansion, locally known as the "Ax Murder House," site of a notorious 1930's double homicide. As Mabel shepherds her tour group through the house, it appears history's repeating itself when she stumbles across a body in the parlor. Finding herself on the suspect list, Mabel scrambles to figure out who swung the fatal ax. In the process, she can't help being drawn into investigating the unsolved historic murders, teamed up with PI John Bigelow, a man she isn't sure she can trust. With an ax murderer on the loose, will Mabel be next?
From the best-selling coauthor of The Disaster Artist and “one of America's best and most interesting writers" (Stephen King), a new collection of stories that range from laugh-out-loud funny to disturbingly dark—unflinching portraits of women and men struggling to bridge the gap between art and life A young and ingratiating assistant to a movie star makes a blunder that puts his boss and a major studio at grave risk. A long-married couple hires an escort for a threesome in order to rejuvenate their relationship. An assistant at a prestigious literary journal reconnects with a middle school frenemy and finds that his carefully constructed world of refinement cannot protect him from his past. A Bush administration lawyer wakes up on an abandoned airplane, trapped in a nightmare of his own making. In these and other stories, Tom Bissell vividly renders the complex worlds of characters on the brink of artistic and personal crises—writers, video-game developers, actors, and other creative types who see things slightly differently from the rest of us. With its surreal, poignant, and sometimes squirm-inducing stories, Creative Types is a brilliant new offering from one the most versatile and talented writers working in America today.
THE LIBRARY OF CONTEMPORARY THOUGHT "The Masters elevated Tiger Woods to a level of fame that perhaps no athlete outside of Muhammed Ali had ever achieved. People who knew absolutely nothing about golf, cared not at all about the sport, stopped to watch Tiger play. . . . He signed endorsement contracts for staggering amounts of money. He blew off the president of the United States and Rachel Robinson, the widow of the century's most important athlete--and made no apologies for it. He didn't have to. He was Tiger. They weren't." --from The First Coming
