An Attempt to Define the Principles which Should Regulate the Employment of Colour in the Decorative Arts
Author: Owen Jones
Publisher:
Published: 1852
Total Pages: 80
ISBN-13:
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Author: Owen Jones
Publisher:
Published: 1852
Total Pages: 80
ISBN-13:
DOWNLOAD EBOOKAuthor: Großbritannien Royal Commission for the Exhibition of 1851
Publisher:
Published: 1852
Total Pages: 76
ISBN-13:
DOWNLOAD EBOOKAuthor: Great Britain. Commissioners for the Exhibition of 1851
Publisher:
Published: 1852
Total Pages: 84
ISBN-13:
DOWNLOAD EBOOKAuthor: Great Britain. Parliament. House of Commons
Publisher:
Published: 1853
Total Pages: 726
ISBN-13:
DOWNLOAD EBOOKAuthor:
Publisher:
Published: 1851
Total Pages: 788
ISBN-13:
DOWNLOAD EBOOKAuthor: Great Britain. Patent Office. Library
Publisher:
Published: 1914
Total Pages: 236
ISBN-13:
DOWNLOAD EBOOKAuthor: Susan Surette
Publisher: Bloomsbury Publishing
Published: 2021-10-21
Total Pages: 321
ISBN-13: 1350067598
DOWNLOAD EBOOKThis collection of 19 original essays argues for a critical and sustained engagement between the fields of craft and heritage. The book's interdisciplinary and international array of authors consider how heritage and craft institutions, policies, practices and audiences encounter the constraints and opportunities of production, recognition and exhibition. Case studies spanning 125 years raise and address questions concerning authenticity and commodification, innovation and improvisation, diasporas and decolonization, global economies and national and professional identities. Authors also analyse mechanisms through which craft mobilises and has been harnessed by heritage processes and designations. Examples range from an Irish village at the 1893 Chicago World's Fair and the role of chronopolitics in contemporary Vietnamese pottery, to the invisibility of crochet within Swedish heritagisation processes and the application of game theory in a ceramics museum. With section one considering citizenship and identity, section two sustainability and section three dynamic craft in cultural institutions, Craft and Heritage interrogates how craft objects, makers and processes intersect with current heritage concerns and practices.
Author: Loretta Vandi
Publisher: Routledge
Published: 2017-09-22
Total Pages: 399
ISBN-13: 1351668587
DOWNLOAD EBOOKThese in-depth, historical, and critical essays study the meaning of ornament, the role it played in the formation of modernism, and its theoretical importance between the mid-nineteenth century and the late twentieth century in England and Germany. Ranging from Owen Jones to Ernst Gombrich through Gottfried Semper, Alois Riegl, August Schmarsow, Wilhelm Worringer, Adolf Loos, Henry van de Velde, and Hermann Muthesius, the contributors show how artistic theories are deeply related to the art practice of their own times, and how ornament is imbued with historical and social meaning.
Author: Lara Kriegel
Publisher: Duke University Press
Published: 2008-01-02
Total Pages: 333
ISBN-13: 0822390531
DOWNLOAD EBOOKWith this richly illustrated history of industrial design reform in nineteenth-century Britain, Lara Kriegel demonstrates that preoccupations with trade, labor, and manufacture lay at the heart of debates about cultural institutions during the Victorian era. Through aesthetic reform, Victorians sought to redress the inferiority of British crafts in comparison to those made on the continent and in the colonies. Declaring a crisis of design and workmanship among the British laboring classes, reformers pioneered schools of design, copyright protections, and spectacular displays of industrial and imperial wares, most notably the Great Exhibition of 1851. Their efforts culminated with the establishment of the South Kensington Museum, predecessor to the Victoria and Albert Museum, which stands today as home to the world’s foremost collection of the decorative and applied arts. Kriegel’s identification of the significant links between markets and museums, and between economics and aesthetics, amounts to a rethinking of Victorian cultural formation. Drawing on a wide range of sources, including museum guidebooks, design manuals, illustrated newspapers, pattern books, and government reports, Kriegel brings to life the many Victorians who claimed a stake in aesthetic reform during the middle years of the nineteenth century. The aspiring artists who attended the Government School of Design, the embattled provincial printers who sought a strengthened industrial copyright, the exhibition-going millions who visited the Crystal Palace, the lower-middle-class consumers who learned new principles of taste in metropolitan museums, and the working men of London who critiqued the city’s art and design collections—all are cast by Kriegel as leading cultural actors of their day. Grand Designs shows how these Victorians vied to upend aesthetic hierarchies in an imperial age and, in the process, to refashion London’s public culture.
Author:
Publisher:
Published: 1855
Total Pages: 728
ISBN-13:
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