A history of the building of Norwich Cathedral, this work sets out its written evidence for dating the different parts, establishes which parts belong to different periods, and examines how the building was designed and how it relates to contemporary architecture in Anglo-Saxon and Norman England.
Norwich Cathedral, founded in 1096 by Bishop Herbert de Losinga, is of outstanding importance both architecturally and historically. Its archives, dating back to the time of its foundation, as well as the building itself, its decoration and contents, constitute an unbroken and fascinating record. Norwich Cathedral, 1096-1996 deals with all aspects of the church's history, both institutional and artistic. Written by experts, and heavily illustrated, it has been designed to be accessible to the general reader. The building itself is Romanesque, augmented by later Gothic campaigns. It has of course also undergone repair and modification throughout the centuries both in detail and occasionally in substance. It nevertheless keeps its early identity essentially intact. Its contents, from all periods of its history but notably the middle ages, are themselves of great interest: the medieval roof bosses are uniquely rich, as are the wall paintings.
Winner of a CHOICE Outstanding Academic Title Award What explains the layout of the cathedral and its close? What ideas and beliefs shaped this familiar landscape? Through this pioneering study of the development of the close of Norwich cathedral - one of the most important buildings in medieval England - from its foundation in 1096 up to c.1700, the author looks at changes in cathedral landscape, both sacred and social. Using evidence from history, archaeology and other disciplines, Professor Gilchrist reconstructs both the landscape and buildings of the close, and the transformations in their use and meaning over time. Much emphasis is placed on the layout and the ways in which buildings and spaces were used and perceived by different groups. Patterns observed at Norwich are then placed in the context of other cathedral priories, allowing a broader picture to emerge of the development of the English cathedral landscape over six centuries. ROBERTA GILCHRIST is Professor of Archaeology at the University of Reading and President of the Society for Medieval Archaeology. From 1993 to 2005 she was Archaeologist to Norwich Cathedral. She has published extensively on medieval monasticism and social archaeology.
A fascinating guide to decoding the secret language of the churches of England through the medieval carved markings and personal etchings found on our church walls from archaeologist Matthew Champion. 'Rare, lovely glimmers of everyday life in the Middle Ages.' -- The Sunday Times 'A fascinating and enjoyable read' -- ***** Reader review 'Superb' -- ***** Reader review 'Riveting' -- ***** Reader review 'Compelling, moving and fascinating' -- ***** Reader review ***************************************************************************************************** Our churches are full of hidden messages from years gone by and for centuries these carved writings and artworks have lain largely unnoticed. Having launched a nationwide survey to gather the best examples, archaeologist Matthew Champion shines a spotlight on a forgotten world of ships, prayers for good fortune, satirical cartoons, charms, curses, windmills, word puzzles, architectural plans and heraldic designs. Here are strange medieval beasts, knights battling unseen dragons, ships sailing across lime-washed oceans and demons who stalk the walls. Latin prayers for the dead jostle with medieval curses, builders' accounts and slanderous comments concerning a long-dead archdeacon. Strange and complex geometric designs, created to ward off the 'evil eye' and thwart the works of the devil, share church pillars with the heraldic shields of England's medieval nobility. Giving a voice to the secret graffiti artists of Medieval times, this engaging, enthralling and - at times - eye-opening book, with a glossary of key terms and a county-by-county directory of key churches, will put this often overlooked period in a whole new light.
First Published in 1981 The Architectural History of Canterbury Cathedral traces the entire architectural history of the church from Anglo-Saxon times to the present day. Every major epoch of English architecture is represented, from the Norman Conquest to the splendours of the Tudor age. One of the main concerns has been a reconstruction of the two Norman phases – Lanfranc’s cathedral from 1070 and the great choir of St Anselm begun in 1096. Dr Woodman puts forward new and provocative ideas about the architecture of William of Sens and his original proposals for the new Gothic choir and Trinity Chapel. The Perpendicular phases are detailed for the first time, including an important reattribution and redating of the splendid pulpitum. It analyses for the first time the precise areas of building completed by individual master masons, and he discusses details revealed by archaeological excavations and restoration work that are no longer visible. This stimulating study is a must read for scholars and researchers of British architecture, architectural history and architecture in general.
The great cathedrals and churches of the medieval West continue to awe. How were they built, and why do they remain standing? What did their builders know about what they were doing? These questions have given rise to considerable controversy, which is fully reflected in the papers selected here. The first section of the book is concerned with the medieval builders and their design methods; the second focuses on engineering issues in the context of the infamous collapse of the choir at Beauvais in 1284. The following papers extend the analysis into the 15th century, looking for example at Brunelleschi’s dome for Florence Cathedral, and deal with the often neglected structures of roofs, towers and spires.
The first history of all the English cathedrals, from Birmingham and Bury St Edmunds to Worcester and York Minster England's sixty-two Anglican and Catholic cathedrals are some of our most iconic buildings, attracting millions of worshippers and visitors every year. Yet although much has been written about their architecture, there is no complete history of their life and activities. This is the first such book to provide one, stretching from Roman times to the present day. The History of England's Cathedrals explains where and why they were founded, who staffed them, and how their structures evolved. It describes their worship and how this changed over the centuries, their schools and libraries, and their links with the outside world. The history of these astonishing buildings is the history of England. Reading this book will bring you face to face with the Anglo-Saxons, Vikings, Normans, Reformation, Civil War, Victorian England, World War Two, and finally modern democracy.