Analysis of the Neville Site demonstrated early connections between the New England area and the Southeast. Current excavations in Manchester have reinvigorated interest in the archaeology of New Hampshire and created a demand for this facsimile edition of the original 1976 publication.
For the past three decades, many history professors have allowed their biases to distort the way America’s past is taught. These intellectuals have searched for instances of racism, sexism, and bigotry in our history while downplaying the greatness of America’s patriots and the achievements of “dead white men.” As a result, more emphasis is placed on Harriet Tubman than on George Washington; more about the internment of Japanese Americans during World War II than about D-Day or Iwo Jima; more on the dangers we faced from Joseph McCarthy than those we faced from Josef Stalin. A Patriot’s History of the United States corrects those doctrinaire biases. In this groundbreaking book, America’s discovery, founding, and development are reexamined with an appreciation for the elements of public virtue, personal liberty, and private property that make this nation uniquely successful. This book offers a long-overdue acknowledgment of America’s true and proud history.
Based on the 28th International Archaeometry Symposium jointly sponsored by the University of California, Los Angeles, and the Getty Conservation Institute, this volume offers a rare opportunity to survey under a single cover a wide range of investigations concerning pre-Columbian materials. Twenty chapters detail research in five principal areas: anthropology and materials science; ceramics; stone and obsidian; metals; and archaeological sites and dating. Contributions include Heather Lechtman's investigation of “The Materials Science of Material Culture,” Ron L. Bishop on the compositional analysis of pre-Columbian pottery from the Maya region, Ellen Howe on the use of silver and lead from the Mantaro Valley in Peru, and J. Michael Elam and others on source identification and hydration dating of obsidian artifacts.
This book is a historical and archaeological investigation of the port town of Marlborough in Stafford County, Virginia, and the plantation of John Mercer. It is divided into three main sections: history, archeology and architecture, and artefacts. The history section provides information on the origins of Marlborough, John Mercer's occupation of the town, and its eventual decline. The archeology and architecture section discusses the site, preliminary tests, and various structures found, such as wall systems, mansion foundations, and kitchen foundations. The artefacts section covers ceramics, glass, personal use objects, and metalwork found at the site.
The individual chapters include both regional overviews and case histories of surviving evidence for these types of objects in the Northeast, with analyses of their importance in the social economy of the region. They employ both primary evidence (actual objects or fragments of them) and secondary evidence (such as impressions of fabrics in pottery, metal pseudomorphs, or images of objects). A large number of the chapters provide information on cordage and fabrics; many include bark, wood, and leather objects as well.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.