"Should Christians be concerned with faith and evangelism and not politcal affairs?" In answering this question, American Crossroads provides a thought-provoking look at what it means to submit to the governing authorities of the United States of America. Just as God called for Christians to submit to the Roman government that forced its will upon the people (Rom 13:1), so too is God calling for us to submit to the existing form of government in the United States, a government that lives and thrives upon the will and involvement of people. Today, by submitting to the government, Christian citizens are led to influence the American political process that depends upon the involvement of all citizens for its well-being and survival.
Along lifes journey, everyone will encounter many crossroads and forks in the road which will require a decision. The decision may not always be the right one. It is important to recognize that the decisions that have been made or the path chosen to take has also its share of equivalent consequences. In Crossroads, author Mikea Osei writes a heartwarming story that chronicles his life as a Jamaican immigrant living in the United States. Along his journey, from the tiny island nation of Jamaica, he has encountered individuals who served as his mentors and role models.
On December 17, 1944, during the Battle of the Bulge, more than eighty unarmed United States soldiers were shot down after having surrendered to an SS unit near the small crossroads town of Malmédy, Belgium. Although more than thirty men lived to tell of the massacre, exactly what took place that day remains mired in controversy. Was it just a “battlefield incident” or rather a deliberate slaughter? Who gave the orders: infamous SS leader Jochen Peiper or someone else? Fatal Crossroads vividly reconstructs the critical events leading up to the atrocity—for the first time in all their revealing detail—as well as the aftermath. Danny S. Parker spent fifteen years researching original sources and interviewing more than one hundred witnesses to uncover the truth behind the Malmédy massacre, and the result is riveting.
BLACK ENTERPRISE is the ultimate source for wealth creation for African American professionals, entrepreneurs and corporate executives. Every month, BLACK ENTERPRISE delivers timely, useful information on careers, small business and personal finance.
Five short stories of turning points in people's lives. Kings of 772 A group of buddies gather for beer and poker, and by the end of the night one of them comes to realize his best friend might not really be his best friend. Cadillac Dreams She saw him on the side of the road and had to pick him up. It's an instant attraction between two young people running away from their pasts. Just Like Fourth of July A mother and young daughter are planning to move in with a friend temporarily, but their day will end in a way they could have never imagined. Steven Spielberg and The Magic Box A young writer meets a famed movie director, and a gift from him changes her future. Lesson of the Samurai A soldier returns home from war only to find home no longer seems the same place to him.
In this exciting work of historical recovery, Dayo F. Gore unearths and examines a dynamic, extended community of black radical women during the early Cold War, including established Communist Party activists such as Claudia Jones, artists and writers such as Beulah Richardson, and lesser-known organizers such as Vicki Garvin and Thelma Dale. These women were part of a black left that laid much of the groundwork for both the social movements of 1960s and later strains of black radicalism. --
" Among America's most unusual and successful weapons during the Cold War were Radio Free Europe and Radio Liberty. RFE-RL had its origins in a post-war America brimming with confidence and secure in its power. Unlike the Voice of America, which conveyed a distinctly American perspective on global events, RFE-RL served as surrogate home radio services and a vital alternative to the controlled, party-dominated domestic press in Eastern Europe. Over twenty stations featured programming tailored to individual countries. They reached millions of listeners ranging from industrial workers to dissident leaders such as Lech Walesa and Vaclav Havel. Broadcasting Freedom draws on rare archival material and offers a penetrating insider history of the radios that helped change the face of Europe. Arch Puddington reveals new information about the connections between RFE-RL and the CIA, which provided covert funding for the stations during the critical start-up years in the early 1950s. He relates in detail the efforts of Soviet and Eastern Bloc officials to thwart the stations; their tactics ranged from jamming attempts, assassinations of radio journalists, the infiltration of spies onto the radios' staffs, and the bombing of the radios' headquarters. Puddington addresses the controversies that engulfed the stations throughout the Cold War, most notably RFE broadcasts during the Hungarian Revolution that were described as inflammatory and irresponsible. He shows how RFE prevented the Communist authorities from establishing a monopoly on the dissemination of information in Poland and describes the crucial roles played by the stations as the Berlin Wall came down and the Soviet Union broke apart. Broadcasting Freedom is also a portrait of the Cold War in America. Puddington offers insights into the strategic thinking of the RFE-RL leadership and those in the highest circles of American government, including CIA directors, secretaries of state, and even presidents.
Hawai‘i at the Crossroads tells the story of Hawai‘i’s role in the emergence of Japanese cultural and political internationalism during the interwar period. Following World War I, Japan became an important global power and Hawai‘i Japanese represented its largest and most significant emigrant group. During the 1920s and 1930s, Hawai‘i’s Japanese American population provided Japan with a welcome opportunity to expand its international and intercultural contacts. This volume, based on papers presented at the 2001 Crossroads Conference by scholars from the U.S., Japan, and Australia, explores U.S.–Japanese conflict and cooperation in Hawai‘i—truly the crossroads of relations between the two countries prior to the Pacific War. From the 1880s to 1924, 180,000 Japanese emigrants arrived in the U.S. A little less than half of those original arrivals settled in Hawai‘i; by 1900 they constituted the largest ethnic group in the Islands, making them of special interest to Tokyo. Even after its withdrawal from the League of Nations in 1933, Japan viewed Hawai‘i as a largely sympathetic and supportive ally. Through its influential international conferences, Hawai‘i’s Institute of Pacific Relations conducted a program that was arguably the only informal diplomatic channel of consequence left to Japan following its withdrawal from the League. The Islands represented Japan’s best opportunity to explain itself to the U.S.; here American and Japanese diplomats, official and unofficial, could work to resolve the growing tension between their two countries. College exchange programs and substantial trade and business opportunities continued between Japan and Hawai‘i right up until December 1941. While hopes on both sides of the Pacific were shattered by the attack on Pearl Harbor, the Japan-Hawai‘i connection underlying not a few of them remains important, informative, and above all compelling. Its further exploration provided the rationale for the Crossroads Conference and the essays compiled here. Contributors: Tomoko Akami, Jon Davidann, Masako Gavin, Paul Hooper, Michiko Itò, Nobuo Katagiri, Hiromi Monobe, Moriya Tomoe, Shimada Noriko, Mariko Takagi-Kitayama, Eileen H. Tamura.
Each year, starting in 1925, the Pennsylvania Railroad (PRR) commissioned a striking oil painting of a PRR engine in a dramatic setting, which was featured on a large wall calendar that the company distributed by the hundreds of thousands to customers and the public. Grif Teller painted 27 of the 33 scenes. This book reproduces Teller's calendar art and his other paintings in full color and recounts his life and career.
