Traction control? Engine management? Acres of run-off? You’ve got to be joking: motorcycle racing's age of superheroes, 1988-93, was the zenith of two-stroke Grand Prix racing, when macho colonials slugged it out on evil two-strokes capable of 200mph. Even Valentino Rossi acknowledges this period as a special moment in motorcycle racing history, for he grew up watching Kevin Schwantz, Wayne Rainey, Eddie Lawson, John Kocinski, Mick Doohan and Wayne Gardner on TV as they bumped fairings and burned rubber around ultra-fast, lethal racetracks.
Ages of Heroes, Eras of Men explores the changing depiction of superheroes from the comic books of the 1930s to the cinematic present. In this anthology, scholars from a variety of disciplines including history, cultural studies, Latin American studies, film studies, and English examine the superheros cultural history in North America with attention to particular stories and to the historical contexts in which those narratives appeared. Enduring comic book characters from DC and Marvel Comics including Superman, Iron Man, Batman, Wonder Woman and the Avengers are examined, along with lesser-known Canadian, Latino, and African-American superheroes. With a sweep of characters ranging from the Pulp Era to recent cinematic adaptations, and employing a variety of analytical frameworks, this collection offers new insights for scholars, students, and fans of the superhero genre.
They Could Be Heroes Rise of the Superheroes--Greatest Silver Age Comic Books and Characters is a visual and entertaining adventure exploring one of the most popular and significant eras of comic book history. From 1956 to 1970, the era gave us Spider-Man, The Avengers, X-Men, The Incredible Hulk, Iron Man and a flurry of other unforgettable and formidable characters. The Silver Age redefined and immortalized superheroes as the massive pop culture titans they are today. Lavishly illustrated with comic book covers and original art, the book chronicles: • The new frontier of DC Comics, with a revamped Batman, Superman and Wonder Woman, and new characters including Hawkman • Marvel's new comics featuring Thor and The Fantastic Four • The pop art years that saw Batman's "new look" and the TV series • Independent characters, including Fat Fury and T.H.U.N.D.E.R. Agents • Spotlights new and re-imagined superheroes, like Wonder Woman, who have become central to modern pop culture • Includes values of these comics, which are popular with collectors Thanks to the Silver Age, superheroes are bigger and badder than ever.
Meet one hundred of the strangest superheroes ever to see print, complete with backstories, vintage art, and colorful commentary. You know about Batman, Superman, and Spiderman, but have you heard of Doll Man, Doctor Hormone, or Spider Queen? So prepare yourself for such not-ready-for-prime-time heroes as Bee Man (Batman, but with bees), the Clown (circus-themed crimebuster), the Eye (a giant, floating eyeball; just accept it), and many other oddballs and oddities. Drawing on the entire history of the medium, The League of Regrettable Superheroes will appeal to die-hard comics fans, casual comics readers, and anyone who enjoys peering into the stranger corners of pop culture.
Superman, Batman, Spider-Man, Iron Man, Wonder Woman, the Avengers, the X-Men, Watchmen, and more: the companion volume to the PBS documentary series of the same name that tells the story of the superhero in American popular culture. Together again for the first time, here come the greatest comic book superheroes ever assembled between two covers: down from the heavens—Superman and the Mighty Thor—or swinging over rooftops—the Batman and Spider-Man; star-spangled, like Captain America and Wonder Woman, or clad in darkness, like the Shadow and Spawn; facing down super-villains on their own, like the Flash and the Punisher or gathered together in a team of champions, like the Avengers and the X-Men! Based on the three-part PBS documentary series Superheroes, this companion volume chronicles the never-ending battle of the comic book industry, its greatest creators, and its greatest creations. Covering the effect of superheroes on American culture—in print, on film and television, and in digital media—and the effect of American culture on its superheroes, Superheroes: Capes, Cowls, and the Creation of Comic Book Culture appeals to readers of all ages, from the casual observer of the phenomenon to the most exacting fan of the genre. Drawing from more than 50 new interviews conducted expressly for Superheroes!—creators from Stan Lee to Grant Morrison, commentators from Michael Chabon to Jules Feiffer, actors from Adam West to Lynda Carter, and filmmakers such as Zach Snyder—this is an up-to-the-minute narrative history of the superhero, from the comic strip adventurers of the Great Depression, up to the blockbuster CGI movie superstars of the 21st Century. Featuring more than 500 full-color comic book panels, covers, sketches, photographs of both essential and rare artwork, Superheroes is the definitive story of this powerful presence in pop culture.
When Superman debuted in 1938, he ushered in a string of imitators--Batman, Wonder Woman, Captain Marvel, Captain America. But what about the many less well-known heroes who lined up to fight crooks, super villains or Hitler--like the Shield, the Black Terror, Crimebuster, Cat-Man, Dynamic Man, the Blue Beetle, the Black Cat and even Frankenstein? These and other four-color fighters crowded the newsstands from the late 1930s through the early 1950s. Most have since been overlooked, and not necessarily because they were victims of poor publication. This book gives the other superheroes of the Golden Age of comics their due.
The ultimate history of the greatest period in comic book superheroes, from the birth of the genre in the early thirties to the postwar lull in the late forties.
Today, superheroes are more popular than ever, with action-packed movies, TV shows, comic books, graphic novels, and other genres celebrating themThe craft has become more sophisticated, the stories more intricate, with the entire art-form now elevated and celebrated. For as long as characters such as Batman, Wonder Woman, Spider-Man, Thor, Captain America, etc. have been a part of popular culture, the oldest "modern" superhero is only just over 80 years old, that being Superman. Now, in a new Special Edition from LIFE, Rise of the Superhero, which includes an introduction by the legendary Stan Lee, the editors of LIFE trace the superhero phenomenon from its earliest days, then explores the superheroes of today, through historical and current photographs and entertaining text. Essays place the evolution of various superheroes throughout the context of world events through each decade, antiheroes are explored, and the technology that has been used to create the movies and comic books - and influenced the stories - is explained, giving the reader a complete and concise history of the genre. An exclusive bonus showcases the great Adam West, the original TV Batman, with little-seen photos. Celebrate the history of great superheroes with this keepsake collectible.
It's a bird! It's a plane! It's a complete guide to over 50 years of superheroes on screen! This expanded and updated edition of the 2004 award-winning encyclopedia covers important developments in the popular genre; adds new shows such as Heroes and Zoom; includes the latest films featuring icons like Superman, Spiderman and Batman; and covers even more types of superheroes. Each entry includes a detailed history, cast and credits, episode and film descriptions, critical commentaries, and data on arch-villains, gadgets, comic-book origins and super powers, while placing each production into its historical context. Appendices list common superhero conventions and cliches; incarnations; memorable ad lines; and the best, worst, and most influential productions from 1951 to 2008.
In the same way that Stallone and Schwarzenegger played film heroes who came to embody the values of Ronald Reagans aggressive conservative agenda in the 1980s, the 21st-century film narratives of Batman, Spider-Man and Superman reflect the policies of the Bush Doctrine after 9/11. This book offers a groundbreaking study of the relationship that exists between post-9/11 American politics and the contemporary superhero movie phenomenon. No other Hollywood subgenre was as consistently popular during the George W. Bush presidency, as films such as Spider-Man, Superman Returns, Iron Man, and The Dark Knight embodied the key contradictions that inform the cultural and political life of the post-9/11 years. By combining in-depth analyses of numerous major superhero films from this era with astute readings of contemporary critical theory, this book offers accessible and academically potent insight into the complex interplay between politics, ideology, and entertainment in the 21st century. ,
