Cheap Amusements

Cheap Amusements

Author: Kathy Peiss

Publisher: Temple University Press

Published: 1986

Total Pages: 257

ISBN-13: 1439905533

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The dilemmas of work and leisure for women at the turn-of-the-century.


Amusements in Mathematics

Amusements in Mathematics

Author: Henry Ernest Dudeney

Publisher: BoD – Books on Demand

Published: 2020-07-17

Total Pages: 678

ISBN-13: 3752309725

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Reproduction of the original: Amusements in Mathematics by Henry Ernest Dudeney


Wheels, Life and Other Mathematical Amusements

Wheels, Life and Other Mathematical Amusements

Author: Martin Gardner

Publisher: American Mathematical Soc.

Published: 2020-10-06

Total Pages: 271

ISBN-13: 1470463628

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Martin Gardner's Mathematical Games columns in Scientific American inspired and entertained several generations of mathematicians and scientists. Gardner in his crystal-clear prose illuminated corners of mathematics, especially recreational mathematics, that most people had no idea existed. His playful spirit and inquisitive nature invite the reader into an exploration of beautiful mathematical ideas along with him. These columns were both a revelation and a gift when he wrote them; no one--before Gardner--had written about mathematics like this. They continue to be a marvel. This is the original 1983 edition and contains columns published from 1970-1972. It includes three columns on the game of Life.


With Amusement for All

With Amusement for All

Author: LeRoy Ashby

Publisher: University Press of Kentucky

Published: 2006-05-12

Total Pages: 713

ISBN-13: 0813123976

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With Amusement for All contextualizes what Americans have done for fun since 1830, showing the reciprocal nature of the relationships among social, political, economic, and cultural forces and the ways in which the entertainment world has reflected, changed, or reinforced the values of American society.


Action Park

Action Park

Author: Andy Mulvihill

Publisher: Penguin

Published: 2020-06-30

Total Pages: 352

ISBN-13: 0525506292

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"Citizen Kane does Adventureland." —The Washington Post The outlandish, hilarious, terrifying, and almost impossible-to-believe story of the legendary, dangerous amusement park where millions were entertained and almost as many bruises were sustained, told through the eyes of the founder's son. Often called "Accident Park," "Class Action Park," or "Traction Park," Action Park was an American icon. Entertaining more than a million people a year in the 1980s, the New Jersey-based amusement playland placed no limits on danger or fun, a monument to the anything-goes spirit of the era that left guests in control of their own adventures--sometimes with tragic results. Though it closed its doors in 1996 after nearly twenty years, it has remained a subject of constant fascination ever since, an establishment completely anathema to our modern culture of rules and safety. Action Park is the first-ever unvarnished look at the history of this DIY Disneyland, as seen through the eyes of Andy Mulvihill, the son of the park's idiosyncratic founder, Gene Mulvihill. From his early days testing precarious rides to working his way up to chief lifeguard of the infamous Wave Pool to later helping run the whole park, Andy's story is equal parts hilarious and moving, chronicling the life and death of a uniquely American attraction, a wet and wild 1980s adolescence, and a son's struggle to understand his father's quixotic quest to become the Walt Disney of New Jersey. Packing in all of the excitement of a day at Action Park, this is destined to be one of the most unforgettable memoirs of the year.


Going Out

Going Out

Author: David Nasaw

Publisher: Harvard University Press

Published: 1999-04-15

Total Pages: 324

ISBN-13: 0674417593

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David Nasaw has written a sparkling social history of twentieth-century show business and of the new American public that assembled in the city's pleasure palaces, parks, theaters, nickelodeons, world's fair midways, and dance halls. The new amusement centers welcomed women, men, and children, native-born and immigrant, rich, poor and middling. Only African Americans were excluded or segregated in the audience, though they were overrepresented in parodic form on stage. This stigmatization of the African American, Nasaw argues, was the glue that cemented an otherwise disparate audience, muting social distinctions among "whites," and creating a common national culture.