Chronicles the history of the Jewish synagogue in America over the course of three centuries, discussing its changing role in the American Jewish community.
American Synagogues is the first book to explore the exceptional architecture of modern American synagogues in the twentieth century, and this intriguing book relates the fascinating history of the Jewish people in America and how it is expressed in twentieth-century synagogue design. The book features all new photography of synagogues in many styles from a dozen states, many never before published in any form. The synagogues were designed by European masters, the best-known modern American architects, and by important contemporary architects including Frank Lloyd Wright, Philip Johnson, and Minoru Yamasaki.
Who Rules the Synagogue? explores how American Jewry in the nineteenth century transformed from a lay dominated community to one whose leading religious authorities were rabbis. Zev Eleff weaves together the significant episodes and debates that shaped American Judaism during this formative period, and places this story into the larger context of American religious history and modern Jewish history.
This full colour publication explores the rich and diverse response to the quest to sustain the Hebrew heritage that has resulted in prominent designs.
In 1961, famed architect Louis I. Kahn (1901-1974) received a commission to design a new synagogue. His client was one of the oldest Sephardic Orthodox congregations in the United States: Philadelphia's Mikveh Israel. Due to the loss of financial backing, Kahn's plans were never realized. Nevertheless, the haunting and imaginative schemes for Mikveh Israel remain among Kahn's most revered designs. Susan G. Solomon uses Kahn's designs for Mikveh Israel as a lens through which to examine the transformation of the American synagogue from 1955 to 1970. She shows how Kahn wrestled with issues that challenged postwar Jewish institutions and evaluates his creative attempts to bridge modernism and Judaism. She argues that Kahn provided a fresh paradigm for synagogues, one that offered innovations in planning, decoration, and the incorporation of light and nature into building design.
Beyond the Synagogue Gallery recounts the emergence of new roles for American Jewish women in public worship and synagogue life. Karla Goldman's study of changing patterns of female religiosity is a story of acculturation, of adjustments made to fit Jewish worship into American society. Goldman focuses on the nineteenth century. This was an era in which immigrant communities strove for middle-class respectability for themselves and their religion, even while fearing a loss of traditions and identity. For acculturating Jews some practices, like the ritual bath, quickly disappeared. Women's traditional segregation from the service in screened women's galleries was gradually replaced by family pews and mixed choirs. By the end of the century, with the rising tide of Jewish immigration from Russia and Eastern Europe, the spread of women's social and religious activism within a network of organizations brought collective strength to the nation's established Jewish community. Throughout these changing times, though, Goldman notes persistent ambiguous feelings about the appropriate place of women in Judaism, even among reformers. This account of the evolving religious identities of American Jewish women expands our understanding of women's religious roles and of the Americanization of Judaism in the nineteenth century; it makes an essential contribution to the history of religion in America.