Modern Poetry After Modernism
Modern Poetry After Modernism

Author: James Longenbach

Publisher: Oxford University Press, USA

Published: 1997

Total Pages: 222

ISBN-13: 0195101782

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Reading a diverse range of poets - John Ashbery, Elizabeth Bishop, Amy Clampitt, Jorie Graham, Richard Howard, Randall Jarrell, Robert Lowell, Robert Pinsky, and Richard Wilbur - Longenbach reveals that American poets since mid-century have not so much disowned their modernist past as extended elements of modernism that other readers have suppressed or neglected to see.

American Poetry after Modernism
American Poetry after Modernism

Author: Albert Gelpi

Publisher: Cambridge University Press

Published: 2015-03-09

Total Pages: 327

ISBN-13: 1316239799

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Albert Gelpi's American Poetry after Modernism is a study of sixteen major American poets of the postwar period, from Robert Lowell to Adrienne Rich. Gelpi argues that a distinctly American poetic tradition was solidified in the later half of the twentieth century, thus severing it from British conventions. In Gelpi's view, what distinguishes the American poetic tradition from the British is that at the heart of the American endeavor is a primary questioning of function and medium. The chief paradox in American poetry is the lack of a tradition that requires answering and redefining - redefining what it means to be a poet and, likewise, how the words of a poem create meaning, offer insight into reality, and answer the ultimate questions of living. Through chapters devoted to specific poets, Gelpi explores this paradox by providing an original and insightful reading of late-twentieth-century American poetry.

The Poetry of the Americas
The Poetry of the Americas

Author: Harris Feinsod

Publisher: Oxford University Press

Published: 2017

Total Pages: 441

ISBN-13: 0190682000

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The Poetry of the Americas provides an expansive history of relations between poets in the US and Latin America over three decades, from the Good Neighbor diplomacy of World War II to 1960s Cold War cultural policy.

From Modernism to Postmodernism
From Modernism to Postmodernism

Author: Jennifer Ashton

Publisher: Cambridge University Press

Published: 2006-01-05

Total Pages: 148

ISBN-13: 1139448595

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In this overview of twentieth-century American poetry, Jennifer Ashton examines the relationship between modernist and postmodernist American poetics. Ashton moves between the iconic figures of American modernism - Stein, Williams, Pound - and developments in contemporary American poetry to show how contemporary poetics, specially the school known as language poetry, have attempted to redefine the modernist legacy. She explores the complex currents of poetic and intellectual interest that connect contemporary poets with their modernist forebears. The works of poets such as Gertrude Stein and John Ashbery are explained and analysed in detail. This major account of the key themes in twentieth-century poetry and poetics develops important ways to read both modernist and postmodernist poetry through their similarities as well as their differences. It will be of interest to all working in American literature, to modernists, and to scholars of twentieth-century poetry.

American Poetry after Modernism
American Poetry after Modernism

Author: Albert Gelpi

Publisher: Cambridge University Press

Published: 2015-03-09

Total Pages: 327

ISBN-13: 1107025249

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Albert Gelpi's American Poetry after Modernism is a study of sixteen major American poets of the postwar period, from Robert Lowell to Adrienne Rich. Gelpi argues that a distinctly American poetic tradition was solidified in the later half the twentieth century, thus severing it from British conventions.

The Art of Twentieth-Century American Poetry
The Art of Twentieth-Century American Poetry

Author: Charles Altieri

Publisher: John Wiley & Sons

Published: 2008-04-15

Total Pages: 264

ISBN-13: 1405152273

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Written by a leading critic, this invigorating introduction to modernist American poetry conveys the excitement that can be generated by a careful reading of modernist poems. Encourages readers to identify with the modernists’ sense of the revolutionary possibilities of their art. Embraces four generations of modernist American poets up through to the 1980s. Gives readers a sense of the ambitions, the disillusionments and the continuities of modernist poetry. Includes close readings of particular poems which show how readers can use these works to connect with what concerns them.

After the Death of Poetry
After the Death of Poetry

Author: Vernon Lionel Shetley

Publisher:

Published: 1993

Total Pages: 232

ISBN-13:

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In this deft analysis, Vernon Shetley shows how writers and readers of poetry, operating under very different conventions and expectations, have drifted apart, stranding the once-vital poetic enterprise on the distant margins of contemporary culture. Along with a clear understanding of where American poetry stands and how it got there, After the Death of Poetry offers a compelling set of prescriptions for its future, prescriptions that might enable the art to regain its lost stature in our intellectual life. In exemplary case studies, Shetley identifies the very different ways in which three postwar poets--Elizabeth Bishop, James Merrill, and John Ashbery--try to restore some of the challenge and risk that characterized modernist poetry's relation to its first readers. Sure to be controversial, this cogent analysis offers poets and readers a clear sense of direction and purpose, and so, the hope of reaching each other again.

The Cambridge Introduction to Twentieth-Century American Poetry
The Cambridge Introduction to Twentieth-Century American Poetry

Author: Christopher Beach

Publisher: Cambridge University Press

Published: 2003-10-23

Total Pages: 236

ISBN-13: 9780521891493

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The Cambridge Introduction to Twentieth-Century American Poetry is designed to give readers a brief but thorough introduction to the various movements, schools, and groups of American poets in the twentieth century. It will help readers to understand and analyze modern and contemporary poems. The first part of the book deals with the transition from the nineteenth-century lyric to the modernist poem, focussing on the work of major modernists such as Robert Frost, T. S. Eliot, Ezra Pound, Wallace Stevens, Marianne Moore, and W. C. Williams. In the second half of the book, the focus is on groups such as the poets of the Harlem Renaissance, the New Critics, the Confessionals, and the Beats. In each chapter, discussions of the most important poems are placed in the larger context of literary, cultural, and social history.

Re-making it New
Re-making it New

Author: Lynn Keller

Publisher: Cambridge University Press

Published: 1987

Total Pages: 0

ISBN-13: 0521332834

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Discusses the careers of Ashbery, Bishop, Creeley, and Merrill, examines their influence of contemporary poets, and looks at form and themes in modernist poetry