American periodical criticism of French fiction from 1800 to 1860
Author: Viola Fontaine Corley
Publisher:
Published: 1925
Total Pages: 620
ISBN-13:
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Author: Viola Fontaine Corley
Publisher:
Published: 1925
Total Pages: 620
ISBN-13:
DOWNLOAD EBOOKAuthor: University of Texas
Publisher:
Published: 1926
Total Pages: 382
ISBN-13:
DOWNLOAD EBOOKAuthor: Bennett L. Hecht
Publisher: John Wiley & Sons
Published: 1927
Total Pages: 648
ISBN-13:
DOWNLOAD EBOOKThis book shows non-profit leaders how to be dynamic managers who lead their organisations whole-heartedly into the chaotic, competitive and dynamic digital marketplace and learn to harness the power of the digital world for nonprofit use.
Author:
Publisher:
Published: 1861
Total Pages: 302
ISBN-13:
DOWNLOAD EBOOKAuthor: Bridget M. Marshall
Publisher: Routledge
Published: 2016-02-17
Total Pages: 199
ISBN-13: 1317013727
DOWNLOAD EBOOKTracing the use of legal themes in the gothic novel, Bridget M. Marshall shows these devices reflect an outpouring of anxiety about the nature of justice. On both sides of the Atlantic, novelists like William Godwin, Mary Shelley, Charles Brockden Brown, and Hannah Crafts question the foundations of the Anglo-American justice system through their portrayals of criminal and judicial procedures and their use of found documents and legal forms as key plot devices. As gothic villains, from Walpole's Manfred to Godwin's Tyrrell to Stoker's Dracula, manipulate the law and legal system to expand their power, readers are confronted with a legal system that is not merely ineffective at stopping villains but actually enables them to inflict ever greater harm on their victims. By invoking actual laws like the Black Act in England or the Fugitive Slave Act in America, gothic novels connect the fantastic horrors that constitute their primary appeal with much more shocking examples of terror and injustice. Finally, the gothic novel's preoccupation with injustice is just one element of many that connects the genre to slave narratives and to the horrors of American slavery.
Author: Doug Underwood
Publisher: McFarland
Published: 2019-05-28
Total Pages: 295
ISBN-13: 1476676216
DOWNLOAD EBOOKThe debate surrounding "fake news" versus "real" news is nothing new. From Jonathan Swift's work as an acerbic, anonymous journal editor-turned-novelist to reporter Mark Twain's hoax stories to Mary Ann Evans' literary reviews written under her pseudonym, George Eliot, famous journalists and literary figures have always mixed fact, imagination and critical commentary to produce memorable works. Contrasting the rival yet complementary traditions of "literary" or "new" journalism in Britain and the U.S., this study explores the credibility of some of the "great" works of English literature.
Author: Clyde Hull Cantrell
Publisher:
Published: 1955
Total Pages: 148
ISBN-13:
DOWNLOAD EBOOKAuthor: Xerox University Microfilms
Publisher:
Published: 1973
Total Pages: 864
ISBN-13:
DOWNLOAD EBOOKAuthor: Marion C. Michael
Publisher:
Published: 1979
Total Pages: 424
ISBN-13:
DOWNLOAD EBOOKAuthor: Herbert Rowland
Publisher: Rowman & Littlefield
Published: 2020-11-03
Total Pages: 383
ISBN-13: 1683932676
DOWNLOAD EBOOKIn Hans Christian Andersen in American Literary Criticism of the Nineteenth Century, Herbert Rowland argues that the literary criticism accompanying the publication of Hans Christian Andersen’s works in the United States compares favorably in scope, perceptiveness, and chronological coverage with the few other national receptions of Andersen outside of Denmark. Rowland contends that American commentators made it abundantly evident that, in addition to his fairy tales, Andersen wrote several novels, travelogues, and an autobiography which were all of more than common interest. In the process, Rowland shows that American commentators “naturalized” Andersen in the United States by confronting the sensationalism in the journalism and literature of the time with the perceived wholesomeness of Andersen’s writing, deploying his long fiction on both sides of the debate over the nature and relative value of the romance and the novel, and drawing on three of his works to support their positions on slavery, the Civil War, and Reconstruction.