A History of American Magazines: 1741-1850

A History of American Magazines: 1741-1850

Author: Frank Luther Mott

Publisher: Harvard University Press

Published: 1938

Total Pages: 940

ISBN-13: 9780674395503

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"The five volumes of A History of American Magazines constitute a unique cultural history of America, viewed through the pages and pictures of her periodicals from the publication of the first monthly magazine in 1741 through the golden age of magazines in the twentieth century"--Page 4 of cover.


The Knickerbocker Snowstorm

The Knickerbocker Snowstorm

Author: Kevin Ambrose

Publisher: Arcadia Publishing

Published: 2013-01-14

Total Pages: 130

ISBN-13: 1625171692

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On the evening of January 28, 1922, several hundred people fought their way through the greatest snowstorm in Washington’s history to see a show at the Knickerbocker Theater, the city’s largest and most modern moving picture theater of the time. Unbeknownst to the theater patrons, the Knickerbocker Theater’s flat roof was tremendously burdened by the weight of the snow. During the show’s intermission, the snow-covered roof crashed down upon the crowd. As the roof fell, it collapsed the theater’s balcony and pulled down portions of the surrounding brick walls, killing 98 people and injuring 133. Some of Washington’s prominent politicians and business owners were among the casualties. The disaster ranks as one of Washington’s worst in history, and the snowstorm continues to hold the record for Washington’s single greatest snowfall.


A History of American Magazines, Volume V: 1905-1930

A History of American Magazines, Volume V: 1905-1930

Author: Frank Luther Mott

Publisher: Harvard University Press

Published: 1958

Total Pages: 624

ISBN-13: 9780674395541

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In 1939 Frank Luther Mott received a Pulitzer Prize for Volumes II and III of his History of American Magazines. In 1958 he was awarded the Bancroft Prize for Volume IV. He was at work on Volume V of the projected six-volume history when he died in October 1964. He had, at that time, written the sketches of the twenty-one magazines that appear in this volume. These magazines flourished during the period 1905-1930, but their "biographies" are continued throughout their entire lifespan--in the case of the ten still published, to recent years. Mott's daughter, Mildred Mott Wedel, has prepared this volume for publication and provided notes on changes since her father's death. No one has attempted to write the general historical chapters the author provided in the earlier volumes but which were not yet written for this last volume. A delightful autobiographical essay by the author has been included, and there is a detailed cumulative index to the entire set of this monumental work. The period 1905-1930 witnessed the most flamboyant and fruitful literary activity that had yet occurred in America. In his sketches, Mott traces the editorial partnership of H. L. Mencken and George Jean Nathan, first on The Smart Set and then in the pages of The American Mercury. He treats The New Republic, the liberal magazine founded in 1914 by Herbert Croly and Willard Straight; the conservative Freeman; and Better Homes and Gardens, the first magazine to achieve a circulation of one million "without the aid of fiction or fashions." Other giants of magazine history are here: we see "serious, shaggy...solid, pragmatic, self-contained" Henry Luce propel a national magazine called Time toward its remarkable prosperity. In addition to those already mentioned, the reader will find accounts of The Midland, The South Atlantic Quarterly, The Little Review, Poetry, The Fugitive, Everybody's, Appleton's Booklovers Magazine, Current History, Editor & Publisher, The Golden Book Magazine, Good Housekeeping, Hampton's Broadway Magazine, House Beautiful, Success, and The Yale Review.


American Paradise

American Paradise

Author: Metropolitan Museum of Art (New York, N.Y.)

Publisher: Metropolitan Museum of Art

Published: 1987

Total Pages: 367

ISBN-13: 0870994972

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Traces the history of the Hudson River School of American painters, shows works by Church, Cole, and Inness, and describes the background of each painting.