American Literature on Stage and Screen
American Literature on Stage and Screen

Author: Thomas S. Hischak

Publisher: McFarland

Published: 2014-01-10

Total Pages: 309

ISBN-13: 0786492791

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The 525 notable works of 19th and 20th century American fiction in this reference book have many stage, movie, television, and video adaptations. Each literary work is described and then every adaptation is examined with a discussion of how accurate the version is and how well it succeeds in conveying the spirit of the original in a different medium. In addition to famous novels and short stories by authors such as Nathaniel Hawthorne, F. Scott Fitzgerald, and Willa Cather, many bestsellers, mysteries, children's books, young adult books, horror novels, science fiction, detective stories, and sensational potboilers from the past two centuries are examined.

Mamoulian
Mamoulian

Author: David Luhrssen

Publisher: University Press of Kentucky

Published: 2013-01-25

Total Pages: 208

ISBN-13: 0813136865

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An Armenian national raised in Russia, Rouben Mamoulian (1897--1987) studied in the influential Stanislavski studio, renowned as the source of the "method" acting technique. Shortly after immigrating to New York in 1926, he created a sensation with an all-black production of Porgy (1927). He then went on to direct the debut Broadway productions of three of the most popular shows in the history of American musical theater: Porgy and Bess (1935), Oklahoma! (1943), and Carousel (1945). Mamoulian began working in film just as the sound revolution was dramatically changing the technical capabilities of the medium, and he quickly established himself as an innovator. Not only did many of his unusual camera techniques become standard, but he also invented a device that eliminated the background noises created by cameras and dollies. Seen as a rebel earlier in his career, Mamoulian gradually gained respect in Hollywood, and the Directors Guild of America awarded him the prestigious D. W. Griffith Award for Lifetime Achievement in 1983. In this meticulously researched biography, David Luhrssen paints the influential director as a socially conscious artist who sought to successfully combine art and commercial entertainment. Luhrssen not only reveals the fascinating personal story of an important yet neglected figure, but he also offers a tantalizing glimpse into the extraordinarily vibrant American film and theater industries during the twenties, thirties, and forties.

Acting Jewish
Acting Jewish

Author: Henry Bial

Publisher: University of Michigan Press

Published: 2005

Total Pages: 212

ISBN-13: 9780472069088

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Laurette Taylor, American Stage Legend
Laurette Taylor, American Stage Legend

Author: Lynn Kear

Publisher: McFarland

Published: 2014-01-10

Total Pages: 287

ISBN-13: 0786461934

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How did Laurette Taylor (1884-1946) become America's most celebrated actress? What training and experience led to her first stage success, Peg o' My Heart, in 1912? How did her failed 1920s silent film career influence her stage technique? What was so remarkable about her portrayal of Amanda Wingfield in the original 1945 Broadway production of The Glass Menagerie that many actors and critics have proclaimed her performance as the greatest they have ever seen, before or since? How did alcoholism affect her career? And why has it been so difficult to tell her story on stage and screen? This biography offers fascinating new insights into the life and craft of Laurette Taylor. Included is a very short play written by the actress, entitled The Dying Wife.

Peter Pan on Stage and Screen, 1904-2010, 2d ed.
Peter Pan on Stage and Screen, 1904-2010, 2d ed.

Author: Bruce K. Hanson

Publisher: McFarland

Published: 2011-08-10

Total Pages: 419

ISBN-13: 0786486198

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Recounting the more than century-long stage and screen history of J.M. Barrie's play Peter Pan, Bruce K. Hanson updates and expands his 1993 volume on "The Boy Who Wouldn't Grow Up." Hanson traces the origin of Barrie's tale through the first London production in 1904, to various British and American theatrical and film productions up to and including the stage versions of 2010. Included are excerpts of interviews with actresses Dinah Sheridan, Mary Martin and Sandy Duncan, all of whom portrayed Peter Pan on stage, and Betty Comden and Adolph Green, lyricists for the 1954 Broadway musical. The book features a wealth of rare photos, posters, programs and costume designs. An appendix lists virtually every actor who has performed a featured role in a London, Broadway or Hollywood production of Peter Pan from 1904 to the present.

Bob Dylan in Performance
Bob Dylan in Performance

Author: Keith Nainby

Publisher: Rowman & Littlefield

Published: 2019-04-19

Total Pages: 317

ISBN-13: 1498582648

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This study of Bob Dylan’s art employs a performance studies lens, exploring the distinctive ways he brings words and music to life on recordings, onstage, and onscreen. Chapters focus on the relationship of Dylan’s recorded performances to the historical bardic role, to the American popular song tradition, and to rock music culture. His uses of both stage and studio to shape his performances are explored, as are his forays into cinema. Special consideration is given to his vocal performances and to his use of particular personae as a performer. The full scope of Dylan’s body of work to date is situated in terms of the influences that have shaped his performances and the ways these performances have shaped contemporary popular music.

Narcissistic Narrative
Narcissistic Narrative

Author: Linda Hutcheon

Publisher: Wilfrid Laurier Univ. Press

Published: 2010-01-01

Total Pages: 209

ISBN-13: 1554587123

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Linda Hutcheon, in this original study, examines the modes, forms and techniques of narcissistic fiction, that is, fiction which includes within itself some sort of commentary on its own narrative and/or linguistic nature. Her analysis is further extended to discuss the implications of such a development for both the theory of the novel and reading theory. Having placed this phenomenon in its historical context Linda Hutcheon uses the insights of various reader-response theories to explore the “paradox” created by metafiction: the reader is, at the same time, co-creator of the self-reflexive text and distanced from it because of its very self-reflexiveness. She illustrates her analysis through the works of novelists such as Fowles, Barth, Nabokov, Calvino, Borges, Carpentier, and Aquin. For the paperback edition of this important book a preface has been added which examines developments since first publication. Narcissistic Narrative was selected by Choice as one of the outstanding academic books for 1981–1982.

The History of American Literature on Film
The History of American Literature on Film

Author: Thomas Leitch

Publisher: Bloomsbury Publishing USA

Published: 2019-06-13

Total Pages: 500

ISBN-13: 1628923725

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From William Dickson's Rip Van Winkle films (1896) to Baz Luhrmann's big-budget production of The Great Gatsby (2013) and beyond, cinematic adaptations of American literature participate in a rich and fascinating history. Unlike previous studies of American literature and film, which emphasize particular authors like Edith Wharton and Nathaniel Hawthorne, particular texts like Moby-Dick, particular literary periods like the American Renaissance, or particular genres like the novel, this volume considers the multiple functions of filmed American literature as a cinematic genre in its own right-one that reflects the specific political and aesthetic priorities of different national and historical cinemas even as it plays a decisive role in defining American literature for a global audience.

Words and Images on the Screen
Words and Images on the Screen

Author: Ágnes Pethő

Publisher: Cambridge Scholars Publishing

Published: 2009-03-26

Total Pages: 405

ISBN-13: 1443806277

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The screen has never been merely a canvas for the images to be displayed but also – to quote Jean-Luc Godard – “a blank page”, a surface for inscriptions and a “stage” for all kinds of linguistic occurrences be their audible or visual. Word did not come into the world of cinema at the time of the talkies but has been a primordial medial “companion” that has shaped the cinematic experience from its very beginnings. This volume offers a collection of essays that question the role of words and images in the context of moving pictures covering a wide area of their interconnectedness. How can we analyse literary adaptations? What is the role of adaptations in the evolution of specific national cinemas? In what way are written texts used in films? Is the model of the word and image relations used in silent films still applicable today? What major paradigms can be discerned within the multiplicity of ways Jean-Luc Godard’s cinema plays with words and images? Are these models of modernist or postmodern cinema reflected in films of other directors like R. W. Fassbinder? How do avant-garde works deal with the word and image debate? What are the connections of animation or computer games with verbal text and narrative? What is the phenomenon of jet-setting and how does it connect to the ideological implications of the relations between the culture of books and films? What happens when Hamlet is completely rewritten reflecting the ideology of late capitalism? What happens from the point of view of literariness or rejection of literariness when films are made vehicles of national propaganda? How do words get mediated through images? These are some of the questions addressed in the present volume by in-depth case studies of cinematic intermediality or more general surveys regarding cinema’s long lasting liaisons with language or literature.