Periods of American Literature

Periods of American Literature

Author: Rakesh Rathod

Publisher: Nitya Publications

Published: 2019-01-01

Total Pages: 115

ISBN-13: 8194343267

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The history of American literature stretches across more than 400 years. It can be divided into five major periods, each of which has unique characteristics, notable authors, and representative works. It started with the Colonial and Early National Period (17th century to 1830) which was the earliest American literature i.e. practical, straightforward, often derivative of literature in Great Britain, and focused on the future. Second is Romantic period (1830 to 1870), next is Realism and Naturalism (1870 to 1910); The Modernist Period (1910 to 1945) and last is the Contemporary Period (1945 to present). I particularly tried to give brief introduction with specific characteristics and type of work of each period in this book.


Reading for Realism

Reading for Realism

Author: Nancy Glazener

Publisher: Duke University Press

Published: 1997

Total Pages: 398

ISBN-13: 9780822318705

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Reading for Realism presents a new approach to U.S. literary history that is based on the analysis of dominant reading practices rather than on the production of texts. Nancy Glazener's focus is the realist novel, the most influential literary form of the nineteenth and twentieth centuries--a form she contends was only made possible by changes in the expectations of readers about pleasure and literary value. By tracing readers' collaboration in the production of literary forms, Reading for Realism turns nineteenth-century controversies about the realist, romance, and sentimental novels into episodes in the history of readership. It also shows how works of fiction by Rebecca Harding Davis, Henry James, Nathaniel Hawthorne, and others participated in the debates about literary classification and reading that, in turn, created and shaped their audiences. Combining reception theory with a materialist analysis of the social formations in which realist reading practices circulated, Glazener's study reveals the elitist underpinnings of literary realism. At the book's center is the Atlantic group of magazines, whose influence was part of the cultural machinery of the Northeastern urban bourgeoisie and crucial to the development of literary realism in America. Glazener shows how the promotion of realism by this group of publications also meant a consolidation of privilege--primarily in terms of class, gender, race, and region--for the audience it served. Thus American realism, so often portrayed as a quintessentially populist form, actually served to enforce existing structures of class and power.