Poetry. AMERICAN CAVEWALL SONNETS attempts to record the aftermath of a tragedy, to build an archive against a backdrop of erasure. The various unnamed speakers of these sonnets--the anonymous I's, the anonymous eyes--grapple with fears that the things that wreck us daily could wreck us ultimately. C. T. Salazar reminds us that the narratives that survive aren't by default the truth, and the means of their survival should be suspect as well.
What is the heart? We know it as not only the beating thing in our chests that sustains life, but as the wellspring of all faith, hope, and love. In this remarkable book, critically acclaimed author Gail Godwin takes us on a breathtaking journey that spans the history of human civilization, combining myth, art and religion to understand how humans have conceived of the heart through time. From the first valentine to the first stethoscope, from the Ancient Egyptians to the Buddha, from the heart of darkness to heart-to-heart talks, Godwin weaves her own stories of heartbreak and hope through it all. Inspired by the richest of lore, Godwin ultimately arrives at what every culture must discover anew: we cannot let the head alone rule our lives. In this colorful history of the organ of life itself, she discovers a template for a more heart-filled life.
2022 Betsy Joiner Flanagan Poetry Prize winner Rain, Wind, Thunder, Fire, Daughter is a story about leaving religion and coming of age in a world of accelerating climate apocalypses and environmental loss. In her debut collection of poems, H. G. Dierdorff interweaves an investigation of wildfires in Eastern Washington with a personal account of growing up in Christian fundamentalism, calling our attention to the violent histories undergirding both. “I want you to touch the fire / sparking from my lips” the opening sonnet commands, daring the reader to abandon the safety of analytical distance and draw near to the moment of ignition itself. The voice that emerges is incessant, ecstatic, explosive. Fire erupts from every page, multiplying into rage, desire, judgement, responsibility, and renewal. A love song to the forests of the Pacific Northwest, a dramatic portrait of a daughter struggling to find her place in her family, and a philosophical exploration of the limits of language and belief, this collection demands the necessity of both pleasure and grief as responses to a world on fire.
A versatile missive written from the intersections of gender, disability, trauma, and survival. “Some girls are not made,” torrin a. greathouse writes, “but spring from the dirt.” Guided by a devastatingly precise hand, Wound from the Mouth of a Wound—selected by Aimee Nezhukumatathil as the winner of the 2020 Ballard Spahr Prize for Poetry—challenges a canon that decides what shades of beauty deserve to live in a poem. greathouse celebrates “buckteeth & ulcer.” She odes the pulp of a bedsore. She argues that the vestigial is not devoid of meaning, and in kinetic and vigorous language, she honors bodies the world too often wants dead. These poems ache, but they do not surrender. They bleed, but they spit the blood in our eyes. Their imagery pulses on the page, fractal and fluid, blooming in a medley of forms: broken essays, haibun born of erasure, a sonnet meant to be read in the mirror. greathouse’s poetry demands more of language and those who wield it. “I’m still learning not to let a stranger speak / me into a funeral.” Concrete and evocative, Wound from the Mouth of a Wound is a testament to persistence, even when the body is not allowed to thrive. greathouse—elegant, vicious, “a one-girl armageddon” draped in crushed velvet—teaches us that fragility is not synonymous with flaw.
Poetry. African & African American Studies. LGBTQIA Studies. Through biography, fairy tale, and history, Tommye Blount's debut chapbook WHAT ARE WE NOT FOR redraws the fatherland of manhood as a territory beyond whose borders tenderness and cruelty fight for space. The men and boys in these poems are transformed into instruments of pleasure and of destruction, worshipped artifacts and disfigured toys, victims and assailants. WHAT ARE WE NOT FOR moves its reader toward caustic longing, the hope that danger and risk promise. "Tommye Blount's WHAT ARE WE NOT FOR is an instruction manual on how to fall to our knees and crawl from the mouth of failed transformations. Here, Pinocchio's boyhood demands bloodspill for proof and the speaker's humanity is never fulfilled: 'After all, I am a broken animal.' Desire turns toward the darkest trail and does not look back through challenging forms and twisted prosody. This collection is rope and whip, daughter-sons and muzzles, and 'a prayer they mistake/ for a growl.' I am not myself, any longer, after these poems.' Phillip B. Williams"
“A chronicle of one summer in a boy’s coming of age”—the international bestselling classic that became the basis for the Oscar-winning film (Medium). Captivating and evocative, Herman Raucher’s semi-autobiographical tale has been made into a record-breaking Academy Award-winning hit movie, adapted for the stage, and enchanted readers for generations. In the summer of 1942, Hermie is fifteen. He is wildly obsessed with sex, and passionately in love with an “older woman” of twenty-two, whose husband is overseas and at war. Ambling through Nantucket Island with his friends, Hermie’s indelible narration chronicles his frantic efforts to become a man, especially one worthy of the lovely Dorothy, as well as his glorious and heartbreaking initiation into sex. “Mr. Raucher scores most tellingly. His recall of nervous teen-age gaucheries is dead accurate, hilarious, tinged with sadness.”—The New York Times Book Review “A charming and tender novel . . . The overall effect is one of high hilarity. Raucher is a comic-artist who is able to convey the fears and joys . . . of the boy and at the same time give older readers a wrench in the heart. ”—Publishers Weekly
Poetry. Asian & Asian American Studies. SEASON OF DARES leans into fragments of the scriptures, narratives and mythologies of a Korean adoptee's childhood in the rural American West. Fearlessly, it revisits and explores the physical and spiritual landscapes of those communities and the tensions between the impulses that shaped them--violence and tenderness, stoicism and sentimentalism, self-reliance and belief in divine providence.
