American Avant-garde Theatre

American Avant-garde Theatre

Author: Arnold Aronson

Publisher: Psychology Press

Published: 2000

Total Pages: 264

ISBN-13: 9780415241397

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This book offers the first in-depth look at avant-garde theatre in the United States from the early 1950s to the 1990s looking at its origins and its theoretical foundations through an examination of literature, cinema and art.


American Avant-Garde Theatre

American Avant-Garde Theatre

Author: Arnold Aronson

Publisher: Routledge

Published: 2014-01-02

Total Pages: 264

ISBN-13: 1136370765

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This stunning contribution to the field of theatre history is the first in-depth look at avant-garde theatre in the United States from the early 1950s to the 1990s. American Avant-Garde Theatre offers a definition of the avant-garde, and looks at its origins and theoretical foundations by examining: *Gertrude Stein *John Cage *The Beat writers *Avant-garde cinema *Abstract Expressionism *Minimalism There are fascinating discussions and illustrations of the productions of the Living Theatre, the Wooster Group, Open Theatre, Ontological-Hysteric Theatre and Performance Group. among many others. Aronson also examines why avant-garde theatre declined and virtually disappeared at the end of the twentieth century.


Mama Dada

Mama Dada

Author: Sarah Bay-Cheng

Publisher: Routledge

Published: 2004-06

Total Pages: 212

ISBN-13: 1135924163

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Sarah Bay-Cheng offers an examination of Gertrude Stein's drama within the history of the theatrical and cinematic avant-gardes.


Looking Into the Abyss

Looking Into the Abyss

Author: Arnold Aronson

Publisher: University of Michigan Press

Published: 2005

Total Pages: 250

ISBN-13: 9780472068883

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Engaging essays by an internationally prominent historian and theorist of theater set design


Theater of the Avant-Garde, 1890-1950

Theater of the Avant-Garde, 1890-1950

Author: Robert Knopf

Publisher: Yale University Press

Published: 2015-04-28

Total Pages: 512

ISBN-13: 030021054X

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An essential volume for theater artists and students alike, this anthology includes the full texts of sixteen important examples of avant-garde drama from the most daring and influential artistic movements of the first half of the twentieth century, including Symbolism, Futurism, Expressionism, Dada, and Surrealism. Each play is accompanied by a bio-critical introduction by the editor, and a critical essay, frequently written by the playwright, which elaborates on the play’s dramatic and aesthetic concerns. A new introduction by Robert Knopf and Julia Listengarten contextualizes the plays in light of recent critical developments in avant-garde studies. By examining the groundbreaking theatrical experiments of Jarry, Maeterlinck, Strindberg, Artaud, and others, the book foregrounds the avant-garde’s enduring influence on the development of modern theater.


Theater of the Avant-garde, 1950-2000

Theater of the Avant-garde, 1950-2000

Author: Robert Knopf

Publisher:

Published: 2011

Total Pages: 554

ISBN-13: 9780300134230

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Features a collection of significant avant-garde plays from around the world, along with essays that explore the evolution, objectives, and concerns facing the art form during the second half of the twentieth century.


The Cambridge Companion to American Theatre since 1945

The Cambridge Companion to American Theatre since 1945

Author: Julia Listengarten

Publisher: Cambridge University Press

Published: 2021-09-09

Total Pages: 489

ISBN-13: 1108570267

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The Cambridge Companion to American Theatre since 1945 provides an overview and analysis of developments in the organization and practices of American theatre. It examines key demographic and geographical shifts American theatre after 1945 experienced in spectatorship, and addresses the economic, social, and political challenges theatre artists have faced across cultural climates and geographical locations. Specifically, it explores artistic communities, collaborative practices, and theatre methodologies across mainstream, regional, and experimental theatre practices, forms, and expressions. As American theatre has embraced diversity in practice and representation, the volume examines the various creative voices, communities, and perspectives that prior to the 1940s was mostly excluded from the theatrical landscape. This diversity has led to changing dramaturgical and theatrical languages that take us in to the twenty-first century. These shifting perspectives and evolving forms of theatrical expressions paved the ground for contemporary American theatrical innovation.


The Unfinished Art of Theater

The Unfinished Art of Theater

Author: Sarah J. Townsend

Publisher: Northwestern University Press

Published: 2018-07-15

Total Pages: 428

ISBN-13: 0810137429

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A certain idea of the avant-garde posits the possibility of a total rupture with the past. The Unfinished Art of Theater pulls back on this futuristic impulse by showing how theater became a key site for artists on the semiperiphery of capitalism to reconfigure the role of the aesthetic between 1917 and 1934. The book argues that this “unfinished art”—precisely because of its historic weakness as a representative institution in Mexico and Brazil, where the bourgeois stage had not (yet) coalesced—was at the forefront of struggles to redefine the relationship between art and social change. Drawing on extensive archival research, Sarah J. Townsend reveals the importance of projects and texts that belie the rhetoric of rupture and immediacy associated with the avant-garde: ethnographic operas with ties to the recording industry, populist puppet plays, children’s radio programs about the wonders of technology, a philosophical drama about the birth of a new race, and an antifascist spectacle written for (but never performed at) a theater shut down by the police. Ultimately, the book makes the case that the very category of avant-garde art is bound up in the experience of dependency, delay, and the uneven development of capitalism.


A History of the American Avant-garde Cinema

A History of the American Avant-garde Cinema

Author: American Federation of Arts

Publisher:

Published: 1976

Total Pages: 184

ISBN-13:

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This book surveys avant-garde cinema from 1943 to 1972 and includes the work of Alexander Hammid, Willard Maas, Kenneth Anger, Maya Deren, Sidney Peterson, Ian Hugo, Stan Brakhage, Shirley Clarke, Bruce Conner, Robert Breer, Stan Vanderbeek, Maria Menken, Ken Jacobs, Bruce Baillie, Tony Conrad, Jordan Belson, George Landow, James Whitney, Michael Snow, Paul Sharits, Standish D. Lawder, Larry Jordan, Robert Nelson, Ernie Gehr, Barry Gerson, Hollis Frampton.